(b. September 8, 1931--d. October 18, 2010)
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From Wikipedia, the free encyclopedia
Born September 8, 1931
Origin Atlanta, Georgia, U.S.
Died October 18, 2010 (aged 79)
Genres Avant-garde, jazz
Occupations Saxophonist, ethnomusicologist
Instruments Alto saxophone
Years active 1962–1990
Marion Brown (September 8, 1931 – October 18, 2010) was a jazz alto saxophonist and ethnomusicologist. He is most well known as a member of the 1960s avant-garde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension.
3.1 As leader
3.2 As sideman
5 External links
In 1967, Brown travelled to Paris, France where he developed an interest in architecture, Impressionistic art, African music and the music of Eric Satie. In the late 1960s, he was an American Fellow in Music Composition and Performance at the Cité Internationale Des Artists in Paris. Around 1970, he provided the soundtrack for Marcel Camus' film Le Temps fou, a soundtrack featuring Steve McCall, Barre Phillips, Ambrose Jackson and Gunter Hampel.
Brown returned to the US in 1970, where he felt a newfound sense of creative drive. He moved to New Haven, Connecticut, to serve as a resource teacher in a child study center in the city's public school system until 1971. He composed and performed incidental music for a Georg Büchner play, Woyzeck. In 1971, Brown was an assistant professor of music at Bowdoin College in Brunswick, Maine, a position he held until he attained his Bachelor's degree in 1974. In addition to this role, he held faculty positions at Brandeis University (1971–74), Colby College (1973–74), and Amherst College (1974–75), as well as a graduate assistant position at Wesleyan University (1974–76). Brown earned a Master's degree in ethnomusicology from Wesleyan in 1976. His master's thesis was entitled "Faces and Places: The Music and Travels of a Contemporary Jazz Musician".
In 1976 he played alto saxophone on Harold Budd's The Pavilion of Dreams. Throughout his many educational positions, Brown continued to compose and perform. In 1972 and 1976, Brown received grants from the National Endowment for the Arts, which he used to compose and publish several pieces for solo piano, one of which was based on the poetry of Jean Toomer in his book Cane. He also transcribed some piano and organ music by Eric Satie including his Messe Des Pauvres and Pages Mysterieuses, and arranged the composer's Les Fils Des Etoiles for two guitars and violin.
In 1981, Brown began focusing on drawing and painting. His charcoal portrait of blues guitarist Blind Lemon Jefferson was included in a New York City Kenkeleba Gallery art show called Jus' Jass, which also included works by artists such as Romare Bearden, Charles Searles and Joe Overstreet.
By the 2000s, Brown had fallen ill; due to a series of surgeries and a partial leg amputation, Brown resided for a time in a nursing home in New York. By 2005 he had moved to an assisted living facility in Hollywood, Florida, where he died in 2010, aged 79.
Pianist Amina Claudine Myers' debut album Poems for Piano: The Piano Music of Marion Brown (Sweet Earth, 1979) featured Brown's compositions predominantly.
Aside from his influence in the jazz avant-garde, several other areas of music have taken interest in Brown's music. Indie rockers Superchunk included a song called "Song For Marion Brown" on their Indoor Living release, and Savath and Savalas released a piece entitled "Two Blues For Marion Brown" as part of Hefty Records's Immediate Action series.
His Name Is Alive performed a tribute concert in 2004, performing solely Brown's music. In 2007, High Two released portions of the concert with studio versions as Sweet Earth Flower: A Tribute to Marion Brown.
As leader[edit source]
1966: Three for Shepp (Impulse!)
1966: Juba Lee (Fontana)
1966: Why Not? (ESP-Disk)
1967: Marion Brown Quartet (ESP / Fontana)
1967: Porto Novo (Arista)
1968: Gesprächsfetzen (with Gunter Hampel) (Calig)
1969; In Sommerhausen (with Gunter Hampel and Jeanne Lee)
1970: Afternoon of a Georgia Faun (ECM)
1973: Duets (Freedom)
1973: Geechee Recollections (Impulse!)
1974: Sweet Earth Flying (Impulse!)
1975: Vista (Impulse!)
1977: La Placita / Live in Willisau (Timeless Muse)
1977: Solo Saxophone (Sweet Earth)
1977: Zenzile Featuring Marion Brown (Baystate)
1978: Passion Flower (Baystate)
1979: November Cotton Flower (Baystate)
1978: Reeds 'n Vibes (with Gunter Hampel) (Improvising Artists)
1979: Soul Eyes (Baystate)
1980: Back To Paris (Freelance Records)
1983: Gemini (Birth)
1985: Recollections (Creative Works)
1985: Songs of Love and Regret (Freelance, with Mal Waldron)
1988: Much More (Freelance)
1990: Native Land (ITM)
As sideman[edit source]
With John Coltrane
With Archie Shepp
With Harold Budd
The Pavilion of Dreams
^ ESP-'Disk Celebrates the Life of Marion Brown, http://lounge.espdisk.com/archives/564
^ New York Times obit for Brown
^ a b c d e Marion Brown: Recollections. Frankfurt a. Main: J. A. Schmidt, 1984.
^ A Fireside Chat with Marion Brown by Fred Jung
^ Marion Brown's last years.
External links[edit source]
"A Fireside Chat with Marion Brown" from All About Jazz
Audio Recordings of WCUW Jazz Festivals - Jazz History Database
Marion Brown Discography
WorldCat entry for Brown's ethnomusicology thesis.
You See What I'm Trying to Say (1967) Henry English film on Marion Brown