Friday, October 23, 2026

FASCIST AMERICA 2026: How the Deadly Patriarchial Politics Of Male Supremacy and Gender Dominance and Toxicity Informs, Guides, and Provides Ideological, Social, and Cultural Support For Far Rightwing Positions and Policies That Aid and Abet the Trump Regime and his many far rightwing political acolytes and colleagues like the GOP Ohio Republican gubernatorial nominee Vivek Ramaswamy, and Vice President JD Vance

https://www.thenation.com/article/politics/trump-vivek-ramaswamy-ad-amy-acton-parenting/

Politics

Why Trump Is Embracing Vivek Ramaswamy’s Vile Ad

The president is leaning into the politics of toxic parenting.

by Jeet Heer
October 23, 2026
The Nation

PHOTO: Donald Trump greets Ohio Republican gubernatorial candidate Vivek Ramaswamy on stage at the Butler-Vandalia Student Activity Center during a campaign rally on October 03, 2026, in Vandalia, Ohio.

(Roberto Schmidt / Getty Images)

Donald Trump’s many offenses against decency should be viewed not only as moral transgressions, but as political acts. He has become the dominant political figure of our era in part by using vulgarity and nastiness to form a lasting bond with his supporters.

This is easy enough to understand when Trump makes racist, sexist, or transphobic comments that, alas, excite voters who want to roll back egalitarian politics. But sometimes Trump’s affronts to basic morality are harder to parse at first glance—such as his decision this week to champion a vile political attack ad aired by Ohio Republican gubernatorial nominee Vivek Ramaswamy against his Democratic opponent, Amy Acton.

The ad features Acton’s biological mother, Donna Arthur, describing her daughter as a “liar” and warning Ohioans not to vote for her. The major problem with the ad, as my Nation colleague Chris Lehmann deftly covered, is the context it leaves out. In 1978, Donna Arthur’s husband, Acton’s stepfather Cledith Arthur, was arrested for raping his stepdaughter. (This was just four years after Cledith had been charged with raping his daughter from another marriage, according to reporting from HuffPost.) Donna Arthur supported her husband in the case for the rest of his life, even as he skipped a bond and fled Ohio to evade arrest. The Arthurs lost custody of Acton and her brother (who supports his sister and was also abused). Donna Arthur hasn’t spoken to her daughter in nearly half a century.

The decision of the Ramaswamy campaign to weaponize this horrific family story has disgusted not just Democrats but also a wide swath of Republicans, including Ohio luminaries such as incumbent Governor Mike DeWine, Senator Jon Husted, former governor John Kasich and former senator Rob Portman. DeWine described the ad as “deeply, deeply troubling,” though he declined to withdraw his endorsement of Ramaswamy. Outside of Ohio, the ad was condemned by an array of prominent Republicans such as Chris Christie and Nikki Haley.

However, the two most powerful Republicans in the country, Donald Trump and Vice President JD Vance, are standing firmly by Ramaswamy (who is so unrepentant about the ad that he is spending $4 million to air it even more).

At a press conference on Wednesday, Vance—who, of course, is an Ohio native who represented the state in the Senate—said, “I have to admit that I’m a little bit disgusted when I see Republicans across the country who are whining more about that advertisement than they are about what the congressional Democrats and other Democrats want to do to the United States of America.”

Vance’s logic here is strictly partisan: Republicans should back the red team, no matter what. In a Truth Social post on Thursday, Trump echoed this factional reasoning. But he added an interesting twist, suggesting that he would welcome other ads from mothers denouncing Democrats:

Vivek Ramaswamy put up a very powerful Ad about a mother saying that her daughter, Amy Acton, who is running for Governor of Ohio, is a liar, and much worse. The Press, in a concerted and well coordinated attack, is trying to get Vivek Ramaswamy to “take down the Ad.” Frankly, anybody whose mother spoke about a daughter in that way would normally lead to the daughter being precluded from serving in Office, let alone the Office of Governor. If my mother, the legendary Mary MacLeod Trump, said anything bad about me, the Fake News would play it up. The Dumocrats would be totally supportive, and it would go down as the Ad of the Decade—Maybe the Century! It would win Awards for Excellence in Advertising.…. I only wish the mothers of my opponents would be so brave as to come forward and explain that their son or daughter is a liar, and much worse.

This is a much bolder and more revealing defense of the Ramaswamy ad than Vance’s call for unthinking GOP loyalty. There’s something about the prospect of parents’ denouncing children that clearly excites Trump: It speaks to right-wing values of hierarchy, obedience, and deference to seniority. If Vance was content to leave things at “support Republicans, right or wrong,” Trump is offering a more primordial message: “parents, right or wrong.” Trump wasn’t just defending Ramaswamy; he was defending toxic parenting.

What makes Trump’s message shocking is that “right or wrong” in this case includes child sex abuse. But this is hardly new for Trump, whose defense of patriarchy has often meant supporting men accused of horrific child abuse. In 2017, the president gave unwavering support to Alabama senatorial candidate Roy Moore, even after multiple credible allegations emerged that Moore had sexually assaulted teenagers. Trump has also been notoriously reluctant to release files relating to the criminal activities of the late pedophile Jeffrey Epstein, who had been a longtime close friend of the president from the 1990s to the early 2000s. (And, though he has never been accused of child abuse himself, Trump has a long history of sexualizing his daughter Ivanka, telling Howard Stern it was fine to call her “a piece of ass” and saying to the cohosts of The View that “if Ivanka weren’t my daughter, perhaps I’d be dating her”—while Ivanka was sitting next to him.)

Trump’s support of Moore and handling of the Epstein scandal have a political component: They help him maintain the ties cultivated with a reactionary base that feels that complaints of sex abuse have undermined male power.

Just as Trump understands the atavistic appeal of male dominance to his political base, he has a similarly instinctive belief in parental authority. In 2006, long before his career as a Republican presidential candidate, Trump talked to actor Jon Voight, who complained that his daughter, Angelina Jolie, herself an accomplished thespian, no longer talked to him. Trump took up Voight’s cause, going on CNN to complain that Jolie treated her father “terribly” and “like a dog.” The future president went on to add a characteristic graceless note: “I just don’t even find her attractive.”

Trump has a primitive ethics of personal relations: Men should be boss, women submissive, and children grateful and obedient. This explains his passion in vigorously championing Ramaswamy’s ad.

In recent years, family estrangement has changed from personal tragedy to a wider social phenomenon, one that is now motivating political organizing.

In September, The Wall Street Journal reported that experts believe that family estrangements are “becoming an epidemic in the U.S., just like divorce in the 1970s. Much like then, the movement is driven by a convergence of large societal trends—this time the rise of social-media algorithms, changing therapeutic approaches and a broadening definition of trauma.” The phenomenon of parents or children cutting off ties with each other seems to affect at least 10 percent of the population.

The seeming rise of familial rupture has created a new backlash politics, with parents blaming therapy culture for creating a new generation of unruly adult children that won’t defer to their elders.

It’s noteworthy that the Journal, a newspaper that caters to wealthy older conservatives, has repeatedly tackled this subject, one that this newspaper seems to find resonant. In late September, in a moment captured in a much-watched video, Florida congressman and Republican gubernatorial nominee Byron Donalds took a question from a grandmother who complained that her daughter wasn’t talking to her. The woman wanted federal legislation to mandate that grandparents should have access to their grandkids, over and against the wishes of parents.

Family estrangement is a complex and tragic phenomenon, one that eludes any simple political response. In cases such as that of Acton and her brother, it’s inhumane to call on children to maintain relations with parents who have committed or tolerated horrific crimes. In less extreme cases, there might be arguments that both parents and children should try to be more forgiving. But this is something each family has to work out itself. It’s not a problem that can be solved by legislation.

Yet even problems outside political control can still be exploited by demagogues. Trump, Vance, and Ramaswamy all know their audience. They know the political right includes many people who lament the passing of the imaginary good old days when children were always expected to defer to their elders. It’s this atavistic passion that animates Ramaswamy’s disgusting ad, and Trump’s defense of it.



ABOUT THE AUTHOR:
 
Jeet Heer

Jeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The Guardian, The New Republic, and The Boston Globe.

FASCIST AMERICA 2026: How As Usual in a Deeply White Supremacist and Misogynist Society (As the United States There Has Always Been and Relentlessly Continues To Be) Both Black Immigrants and Formerly Enslaved Citizens in Particular and Women From Every Ethnicity in General Also Continue To Be Among the Major Targets Of Structural, Institutional, and Systemic Oppression, Exploitation, Discrimination, Abuse and Ridicule When It Comes To the Deadly Fascist Violation of Their Human, Constitutional, and Civil Rights. The Fact that These Vile and Lawless Procedures Are Also Reserved For the Elected Representatives Of These Always Specifically Vulnerable 'Out' Groups and Communities Is As Always An Ugly and Entrenched Tradition in American Politics and Culture.

https://www.thenation.com/article/politics/ilhan-omar-raid-trump-reaction/

Politics

Where Is the Outrage Over Trump’s Racist Targeting of Ilhan Omar?

The establishment press and some Democrats are strangely mute over the president’s flagrant abuse of the legal system.

by Jeet Heer
October 16, 2026
The Nation
 
(Mandel Ngan / AFP via Getty Images; Jim Vondruska / Getty Images)

Donald Trump has long fantasized about deporting Representative Ilhan Omar. In 2019, Trump lashed out against Omar and her congressional colleagues Alexandria Ocasio-Cortez, Rashida Tlaib, and Ayanna Pressley—all left-wing Democrats and women of color and part of the “Squad.” Deploying a familiar xenophobic jibe, Trump taunted, “Why don’t they go back and help fix the totally broken and crime infested places from which they came.” For three of the Squad, Trump’s threat was vile but empty: Ocasio-Cortez, Tlaib, and Pressley were all born in the United States.

But for Omar, Trump’s words carried a direct intent of harm. Omar was born in Somalia, came to the United States at age 8 as a refugee, and was eventually granted citizenship at age 17 in 2000. On Thursday, The Washington Post reported that in 2019, the same year Trump was telling Omar to “go back” to where she came from, his administration ordered immigration officials to comb through her personal records to find evidence of fraud that could lead to her removal from the US. This fishing expedition came up empty-handed.

Never one to be defeated by a mere lack of evidence, Trump has persisted in calling for Omar’s deportation ever since—calls that have ramped up over the last year. In January, he said Omar should be sent “back to Somalia,” a call he repeated the following month. In March, Vice President JD Vance joined in, bluntly declaring, without evidence, that Omar “definitely committed immigration fraud.”

There are ample reasons why Omar has been one of Trump’s favorite punching bags. As a leading leftist in Congress, she is a natural antagonist. But, more importantly, as a fearless Somali American woman, she excites all the passions of racism, xenophobia, and misogyny that animate Trump and his MAGA movement.

Given the long history of Trump’s vendetta against Omar, it was ultimately not surprising when the Department of Homeland Security raided her home this week in search of evidence of immigration fraud, a move that The Wall Street Journal reports is motivated by a goal of stripping her of her citizenship.

The campaign against Omar stinks to high heaven of partisanship and bigotry. It is also part of a larger pattern of Trump’s weaponization of law enforcement to punish perceived enemies. As The New Yorker documented recently, Trump’s persecutions have done immense harm to the Department of Justice:
 
Current Issue


Numerous attorneys have been pushed out or fired after refusing to prosecute such Trump enemies as the former F.B.I. director James Comey and the New York attorney general Letitia James. When these vindictive prosecutions eventually fell under scrutiny in courtrooms, they didn’t fare well. It is extremely rare for grand juries to dismiss charges brought by federal prosecutors, but the case against James, who was accused of committing mortgage fraud, has been rejected twice. Indictments of James and Comey were initially secured by Lindsey Halligan, a lawyer and a former beauty-pageant contestant whom Trump had appointed as the U.S. Attorney for the Eastern District of Virginia, even though she’d had no experience as a prosecutor. But a magistrate judge subsequently reprimanded her for a “disturbing pattern of profound investigative missteps,” including repeatedly misstating the law to grand jurors. Another judge then dismissed both cases, ruling that Halligan had been appointed unlawfully.

But there’s a striking fact that sets the malicious prosecution apart: Unlike earlier victims of Trump’s lawless abuse of the justice system, Omar isn’t getting a full-throated defense from the political and media elite.

Omar does have people fighting on her side. As my Nation colleague John Nichols reports, she remains popular with her constituents in Minnesota, and the state’s Democratic Party has rallied to her side. House minority leader Hakeem Jeffries decried Trump’s “vile personal attacks” and the fact that Trump’s “violent mass deportation machine has descended upon the home of a duly elected Member of Congress and her family.” Even former Republican representative Marjorie Taylor Greene was critical of Trump. In a post on X.com, Greene asked how “pretending to get ready to deport Ilhan Omar is going to bring gas down under $2, make health insurance freaking affordable, make a family’s weekly grocery bill make sense, and stop sending our beloved military off to fight for another fucking foreign war???”

Greene’s pointed rebuke of Trump stands in sharp contrast to Senate minority leader Chuck Schumer, who in the five days since the raid has yet to say one word in defense of Omar.

Schumer’s silence is hardly surprising. Because Omar has been outspoken in her criticism of Israel and the Israel lobby, establishment Democrats such as Schumer have often kept their distance from her.

Omar’s criticism of Israel and her larger anti-war stance are overwhelmingly popular with Democratic Party voters and have majority support with the general public. According to a recent poll by Project 270, 67 percent of the public want to end overseas war, and 51 percent believe Israel has committed genocide in Gaza (as against 29 percent who deny that genocide has occurred). But these positions are less popular with the political and media elite.

Other victims of Trump’s wrath have been turned into media heroes. But Omar is being treated differently. Writing in The Intercept, Adam Johnson drew a pointed contrast between the Omar raid and the August 2025 raid on the home of John Bolton, Trump’s former national security adviser turned critic.

The very day of the Bolton raid, we saw scathing editorials from the New York Times, Washington Post, and Wall Street Journal. Over the next week, each of these newspapers also published separate pieces from their opinion staff opposing the raid, casting doubt on its legitimacy, and otherwise leveling outrage at the obvious power grab. The raid was explicitly condemned in Politico, The New Yorker, and The Atlantic, which published four different indignant columns.

The raid on Omar’s home has thus far received zero of the above media interventions. No editorials, no opinion columns in the Times, Post, or Journal; no preening in The New Yorker or Politico or Atlantic about the erosion of “rule of law.” The Atlantic did run an article on the Omar raid but it was equivocal and Both Sides in its tone…

As Johnson notes, the reason for the difference in treatment is simply one of identity: Omar is a critic of the establishment, while Bolton is a fixture of the national security state.

On his Unpopular Front Substack, John Ganz also noted that the response to the Omar raid has been “muted” and “tepid.” He suspected the reason might be complacency, due to the “repeated failure of this regime to prosecute its enemies.” But Ganz rightly notes that the attack on Omar is one of the most disturbing events of Trump’s presidency, since it upturns the core principles of liberal democracy:

[T]he attack on citizenship itself is both the very essence of the Trump movement and its most dangerous feature. From birtherism to the stolen-election myth, Trumpism can be understood as the notion that some Americans are not really Americans, that their political rights are illegitimate, and that the nation must be purged of these interlopers.

Ganz is right to highlight the dangers of Trump’s actions. One could add that there is a dual threat: Trump’s subversion of liberal democracy is aided and abetted by an establishment that is so committed to fending off outsiders that it can’t be bothered to defend Ilhan Omar at this crucial moment.


ABOUT THE AUTHOR:

Jeet Heer


Jeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The Guardian, The New Republic, and The Boston Globe.

https://www.thenation.com/article/politics/ramaswamy-acton-attack-ad/

Politics

Vivek Ramaswamy’s New Attack Ad Should Be a National Scandal

The Ohio GOP gubernatorial candidate has accused his Democratic opponent, Amy Acton, of lying about being raped when she was 12 years old.

by Chris Lehmann
October 22, 2026
The Nation

Ohio Republican gubernatorial candidate Vivek Ramaswamy speaks during a rally with President Donald Trump in Youngstown, Ohio.(Alex Wong / Getty Images)

There are vile and amoral political actors who will stop at nothing to promote their venal interests—and then there’s Ohio GOP gubernatorial hopeful Vivek Ramaswamy. The biotech billionaire mounted a vanity 2024 presidential run to brand himself as a Gen Z mini-Trump and went on to codirect the nihilist DOGE assault on governance until Elon Musk’s more capacious ego muscled him aside. After both these self-branding efforts flatlined, Ramaswamy decided to emulate the career path of Vice President JD Vance, leveraging his sketchy venture-capitalist fortune into a run for statewide office in his native Ohio.

Ramaswamy has been in a tight and ugly contest with former state health commissioner Amy Acton that, against all odds, became exponentially more repulsive this week with the release of a digital ad featuring Acton’s estranged mother. At the age of 12, Acton and her younger brother had been removed from their mother’s home in 1978 after her stepfather, Cletis Arthur, was arrested and charged with the rape of his stepdaughter. Their biological father, Gerald Stearns, was granted custody of Acton and her brother; her mother, Donna, and her accused rapist then skipped out on bond. Acton told the Youngstown Vindicator that her last contact with her mom came in the courtroom where the custody case was held: “I went to give her a kiss, and she just turned her cheek away. That was the last time I ever saw her.”

Gleefully mining the trauma of an abused 12-year-old, Ramaswamy’s campaign cut an ad in which Donna Arthur proclaims, after 48 years of estrangement founded on her allegiance to her daughter’s abuser, that

I love my daughter, but when I saw her lying about her opponent—and it’s not easy for a mother to say this—but Amy has a serious problem. She is a liar. She lies about her past. She says she grew up living in a tent. None of that is true. She’s lied her entire life. My daughter needs help, and she can’t help you if she needs help herself.

When the ad surfaced as part of an online poll, it met with a proper wave of outrage and disbelief. A MAGA movement that’s long dismissed and excused sexual assault, up to and including President Donald Trump’s special pleading for the defendants in the Cornell gang-rape case, was now attacking the credibility of a 12-year-old rape victim. It’s a textbook illustration of the abusers’ defense tactic known as DARVO—deny, attack, and reverse victim and offender.

Only this sleazy instance of the practice was doubling as a political attack ad. Acton’s campaign responded with a statement from her brother, Philip Stearns, pointing out the obvious: “It’s not surprising that Vivek Ramaswamy has stooped to such a despicable low as to attempt to turn the sexual abuse Amy endured at twelve years old from our birth mother’s husband into a political talking point. After he was arrested and Amy and I were removed from their custody, our birth mother stayed married to Amy’s rapist until he died.” Acton’s campaign then released an ad in which her brother explained, “I experienced a lot of abuse, but Amy got the worst of it…. Shame on Vivek. It’s the contempt he has for Amy. It’s the contempt he has for Ohio. He’s not fit to lead.” Former GOP presidential candidate Nikki Haley and conservative pundit Meghan McCain echoed the same sentiment, and a host of other political figures have denounced the gutter attack.

But Ramaswamy, being Ramaswamy, is unfazed—indeed, after his campaign initially wouldn’t avow responsibility for the spot, it announced that it was spending $4 million to broadcast it during the homestretch of the race. (Ramaswamy’s campaign has so far spent more than $100 million, more than tripling outlays from Acton’s team.) His press flack, Connie Luck, continued playing up the smear, with a disingenuous disclaimer professing that “we don’t know what happened between Amy and her mother, who first spoke out about Amy in 2020,” and then parroting the mother’s attack: “We know that Amy Acton is a serial fabulist who has some serious problems with the truth that the public needs to be aware of before deciding who to entrust as governor.”

Ramaswamy has duplicated the same sleazy rhetorical two-step, telling USA Today that Acton’s mother “has spoken out for years,” adding that “Amy Acton has been repeatedly and serially dishonest during this campaign and for much of her record in public service.” (The charge of unhinged mendacity coming from Ramaswamy is, shall we say, a rich one, given that his campaign had unleashed an earlier attack ad featuring the testimony of an Ohio resident blaming Acton’s handling of the Covid crisis for her mother’s death—only for it later to emerge that the woman had actually lived, and died, in Kentucky.)

The fallout from the ad seems likely to backfire on Ramaswamy, who clearly possesses even worse political instincts than his Buckeye State mentor, the gilded hillbilly-whisperer Vance. (Indeed, in an Ohio campaign stop, the vice president reprised the anemic bad-faith defenses Ramaswamy and his flack offered for the spot, complaining in his trademark online-bro register of rudderless grievance that “the media and the Democrats in the state of Ohio are obsessed because Vivek Ramaswamy had the audacity to run a TV commercial which calls it out like it is and call Amy Acton a liar.”) Acton had already opened a seven-point lead in the race, according to the latest Marist poll, and it’s hard to see how Ramaswamy’s desperate smear job will bring independents, suburban women, and anyone still maintaining a shred of common human decency into the GOP camp. Any honest assessment of Ramaswamy’s prospects in the race’s final week and half should begin and end with the 2012 saga of Todd Aiken, the Missouri GOP Senate candidate brought down by his demented comments on how “legitimate rape” rarely produces pregnancies—and therefore its victims should be denied access to abortion.

But to judge by the media coverage thus far, there’s a good chance that the Ramaswamy rape ad will escape Midwest containment, and come to symbolize the depravity and corruption of today’s Republican Party in the minds of many voters. There is a striking precedent for such a development—the impact of Florida GOP Representative Mark Foley’s resignation from Congress just prior to the 2006 midterms. Foley, the longtime director of the House page program, had long been rumored to have abused that post for sexually predatory ends. After a series of damning messages proving out those charges in unmistakable intimate detail surfaced, Foley resigned from Congress on September 29.

The scandal crystallized many impressions of rampant GOP corruption then percolating through the mediasphere, from the crass cynicism and greed dramatized in the downfall of Republican superlobbyist Jack Abramoff to the epic mismanagement of George W. Bush’s war in Iraq. The Democrats had indeed sought to make Republican corruption a central issue in that midterm cycle—but until the Foley scandal broke, their pitch came across as too procedural and removed from the daily lives of most Americans to land effectively; it hinged mostly on Abramoff’s convoluted deals to represent Native American casino interests, and pay-to-play accords in the gilded precincts of the Beltway. But here was the Republican congressional leadership plainly covering up the actions of a sexual predator targeting idealistic young men under his direction. (The reasons for then–Speaker of the House Dennis Hastert’s dilatory handling of the Foley affair would later become painfully clear when he was also exposed as a serial sexual predator, who had exploited the high-school students in his charge when he was a high-school teacher and wrestling coach.)

It’s striking how many parallels this midterm cycle shares with 2006, from a Republican Party at a loss to distance itself from its president’s unpopular war in the Middle East, his mishandling of the economy, and his breathtaking record of corruption. But Ramaswamy’s blunder, like the earlier Foley debacle for the GOP, may well reinforce the party’s justly earned reputation as an enabler of sexual predation and an enthusiastic defender of the manifold abuses of women normalized by the online manosphere. Especially after the uprising over the horrific gang-rape at Cornell, which has led to the predictable doxing and defamation efforts from the online right, the bid to discredit a rape victim who was 12 years old when her predator was arrested looks pathological in the minds of fair-minded observers. It’s now up to Democratic leaders to make sure no one in the country is allowed to forget Vivek Ramaswamy’s moral depravity—or his ambition to be the Trump figure for the next generation of right-wing misogynists—between now and November 3.


ABOUT THE AUTHOR:

Chris Lehmann


Chris Lehmann is the DC Bureau chief for The Nation and a contributing editor at The Baffler. He was formerly editor of The Baffler and The New Republic, and is the author, most recently, of The Money Cult: Capitalism, Christianity, and the Unmaking of the American Dream (Melville House, 2016).
 
Jacobin

It Won’t Stop With Ilhan Omar
by Branko Marcetic
October 15, 2026
Jacobin

Representative Ilhan Omar speaks during a news conference in Minneapolis, Minnesota, on January 28, 2026.
PHOTO:  Across the world, right-wing and even occasionally liberal governments are using the immigration system as a way to punish and silence individuals whose speech those in power disagree with. (Angelina Katsanis / Bloomberg via Getty Images)

Up until now, the Donald Trump-J. D. Vance administration has been busy weaponizing the US immigration system against fairly low-level political opponents: college students protesting US support for Israel's genocide, independent journalists applying scrutiny to government policies, or random tourists who happened to be critical of the president and his lackeys. Now it's taking the unprecedented step of turning it against a sitting member of Congress.

The federal raid on Squad member Rep. Ilhan Omar's home carried out earlier this week has now all but officially been confirmed to be an immigration-related investigation trying to strip her of US citizenship and deport her, as sources separately relayed to Fox News, the New York Post, the Washington Post, and the Wall Street Journal. It is just the latest and most extreme case of Trump and his people using the US immigration system and the massive bureaucracy that exists to enforce it as a vehicle for political repression based on a thinly veiled excuse.

There's little doubt this is politically motivated. It's not just that Omar has already been investigated for this with no charges to show for it, that this immigration history has been a right-wing media obsession for years, or that Trump and his underlings — who have turned the Department of Justice into the president's personal vehicle for score-settling on his many grudges — have singled out Omar as a target for the better part of a decade, often by flinging around wild and unproven accusations about her immigration history and repeatedly threatening to deport her.

It's clearly politically motivated because they've been openly saying they would do exactly what is happening now. Besides Trump's constant threats to deport her, the wife of one of Trump's top advisers, Stephen Miller, reacted to the news of the raid by tweeting, "Promise made, promise kept," before swiftly deleting it. Vice President Vance declared seven months ago that Omar "definitely committed immigration fraud."

Vance is now saying that the White House isn't involved and that they simply want "to let the law, the facts drive this" — but immediately undercut this cleanup attempt by then railing against Omar for "hav[ing] such disdain and such rage at the country that gave her a better life," before reminding the interviewer they would "follow the law" if they discovered a crime. They get so excited at the idea of deporting one of their fiercest critics that they can't help themselves.

To put it plainly, Trump and company long ago decided that Omar is guilty of whatever they're going to accuse her of and that she should be exiled from her country. This raid and whatever investigation comes of it is, to them, just a formality.

No administration in modern memory has targeted a congressperson like this, and certainly not with weeks to go before she's up for reelection — since a criminal investigation, which may not even result in charges, let alone any guilty verdict, has the obvious potential to be a politically damaging "October surprise" (even if it ends up being completely free of substance).

The fact that they're carrying out this unprecedented move is a major escalation of two separate Trump-Vance administration policies. One is its transformation of the Department of Homeland Security (DHS), and Immigration and Customs Enforcement (ICE) in particular, into a tool for intimidating the many swaths of the country that do not like the president or his sidekick. (The raid was conducted by Homeland Security Investigations, a branch of ICE.) That approach has seen ICE kill at least three US citizens and many more noncitizens as well as illegally detain hundreds of citizens and deport around a dozen of them.

The less-well-known policy is the administration's push to turbocharge denaturalizations, which are now at unheard-of levels. The administration has eagerly publicized the cases where this has been aimed at violent criminals convicted for heinous crimes. But given that the investigation into Omar is being done with an eye to denaturalizing her, too, it raises the question of how many of these other denaturalization cases may be similarly politically driven.

It's worth remembering at this point that Vance gave his personal endorsement to a book that called for weaponizing the immigration system against the Right's political adversaries in exactly this way, with the Red Scares of last century as its model.

Ironically, as the Trump-Vance administration accelerates its preplanned crackdown on the Left, it's nakedly letting literally scores of right-wing criminals off the hook for their offenses.

A Reuters report earlier this week revealed how the White House has turned the presidential pardon into a system of personal patronage, trading clemency and a clean slate for past crimes for favors, which eighty-five mostly conservatives have benefited from so far — including a former Republican official who fundraised off of a dead police officer, then used the proceeds to buy herself plastic surgery and other goodies.

It also mirrors the Trump-Vance administration's policy toward Latin America. There it has freed a right-wing former president convicted of drug trafficking and otherwise politically gotten into bed with local alleged narcotraffickers while at the same time abducting a a left-wing leader on drug-trafficking charges, fueling a crackdown on other left-leaning officials in the region on similar grounds, and carrying out a campaign of indiscriminate murder in international waters on the basis of stopping the drug trade (which it has miserably failed at actually doing).

This is the Trump-Vance ethos in a nutshell: maximum pressure and punishment for political opponents spuriously accused of crimes and maximum leniency for actual criminals who happen to be the duo's political allies.

There is one more thing to say about this, which is that everything laid out here is, sadly, not the unique behavior of two particularly power-hungry right-wing officials in the United States. This is just arguably the most extreme instance of what has now become shamefully standard across Western democracies, whether governed by liberals or conservatives: of using the immigration system as a way to punish and silence individuals whose speech those in power disagree with, since immigration systems have a variety of legal loopholes and few to no real constitutional protections.

Look at what happened just this past week. Russian journalist and exiled Vladimir Putin critic Leonid Ragozin was officially notified that he was being expelled from Latvia, which he called home for more than a decade, by government decree — explicitly because of his critical reporting on the European role in the war in Ukraine, and likely also as belated political reprisal for years-old reporting that embarrassed the Latvian political elite. Meanwhile, former British diplomat Ian Proud was detained for hours at Heathrow airport and treated like a criminal — searched, fingerprints and DNA taken, electronics seized — under a recently passed (by the Labour government) anti-terrorism statute, all for the crime of having visited Russia to attend a conference.

Remember when Vance, at the beginning of his tenure, did a long, pompous speech tut-tutting European officials for being hostile to "the idea that somebody with an alternative viewpoint might express a different opinion" and reminding them that "there is no security if you are afraid of the voices, the opinions and the conscience that guide your very own people"? And European officials responded with indignation that anyone would deign to dress them down on this subject?

Less than two years later, it's hard to know which of them was the bigger hypocrite — or even which of the two places Vance was describing in his speech.

[This article originally appeared in Jacobin, a democratic socialist magazine publishing long-form essays and analysis on politics, economics, and culture.]

 

ABOUT THE AUTHOR:

Branko Marcetic is a Jacobin staff writer and the author of Yesterday’s Man: The Case Against Joe Biden. 

 

 

Tuesday, October 20, 2026

2026 IS THE CENTENNIAL YEAR OF SIX MAJOR WORLD HISTORICAL FIGURES ALL BORN IN 1926: Miles Davis, John Coltrane, Fidel Castro, Chuck Berry, Oscar Brown, Jr. and Michel Foucault

2026 IS THE CENTENNIAL YEAR OF CHUCK BERRY. (b. October 18, 1926--d. March 18, 2017)

Today, October 20, 2026 we feature the life, art, and legacy of the iconic and legendary musician, composer, songwriter, arranger, poet,  singer, teacher, producer, and activist Chuck Berry--The undisputed KING OF ROCK ‘N ROLL–Part 1


































 
A CELEBRATION OF AND IN HOMAGE AND GRATITUDE TO THE LIFE AND WORK OF CHUCK BERRY (b. October 18, 1926--d. March 18, 2017)

All,

So dig yall. Check this out. Last night (March 17) my beloved wife and I were actually having a very spirited, intense, wide ranging, dynamic, and HEAVY discussion about the sheer beauty, wit, power, humor, intelligence, creative imagination and awe inspiring/mind boggling GENIUS of a man whose name at birth was Charles Edward Anderson Berry, later known to the entire spinning globe as CHUCK, one of the most important, influential, and enduring ARTISTS of the past century bar none. REMEMBER: This is the man who along with such brilliantly talented colleagues, comrades, and fellow straightup revolutionary black cultural subversives as Little Richard, Otis Blackwell, Bo Diddley, Wynonie Harris, Big Mama Thornton, Ruth Brown, Etta James, Jackie Wilson, Louis Jordan, The Trenier Brothers, etc. etc. who actually INVENTED, yes INVENTED what everyone now calls ROCK AND ROLL and we in the so-called "urban zones" called JUMP MUSIC (among many other things)...

THE POINT is this (and it should NEVER be forgotten or ignored or dismissed on any level whatsoever): WITHOUT the great CHUCK BERRY there is no Beatles, no Rolling Stones, no Bob Dylan, no John Lennon, no Elvis, no Jimi Hendrix, no Bruce Springsteen, no major (or minor) rock or pop musician, composer, songwriter, singer, performer, poet, or philosopher. PERIOD. He was the premeire foundational artistic and social template of 20th/21st century popular music long before anyone knew or acknowledged there was any such thing...

So forget about the following typically cheesy bullshit phony baloney obit from the "mainstream" press (I mean, get real folks, it's only the NY Times, afterall). In any event it doesn't come anywhere close to informing the reader or justly "explaining" just exactly how and why CHUCK BERRY was and is and will always be so damn important to not only music but art making in general as we know it in what we all archly refer to as "the modern world." So stay tuned in the following blizzard of posts I will be making available in this social media space over the next 24 hours. And oh yeah LISTEN TO THE MUSIC and tell your friends and other loved ones or just mere acquaintances what the big noise is all about here. In the meantime THANK YOU BROTHER BERRY. Your music and your creative style changed the world and our understanding of it and ourselves which what we arrogantly call ART at its very damn best always does...RIP forever "brown eyed handsome man"...

Kofi


March 18, 2017
The New York Times
NYTimes.com »
Breaking News Alert

BREAKING NEWS

Chuck Berry, whose distinctive guitar licks, duckwalks and songs about girls and cars helped define rock 'n' roll, has died at 90

Saturday, March 18, 2017

6:25 PM EDT

Chuck Berry, who with his indelible guitar licks, brash self-confidence and memorable songs about cars, girls and wild dance parties did as much as anyone to define rock ’n’ roll’s potential and attitude in its early years, died on Saturday. He was 90.

The St. Charles County Police Department in Missouri confirmed his death on its Facebook page. The department said it responded to a medical emergency at a home and he was declared dead after lifesaving measures were unsuccessful.

While Elvis Presley was rock’s first pop star and teenage heartthrob, Mr. Berry was its master theorist and conceptual genius, the songwriter who understood what the kids wanted before they did themselves. With songs like “Johnny B. Goode” and “Roll Over Beethoven,” he gave his listeners more than they knew they were getting from jukebox entertainment.

Read more »

https://www.nytimes.com/20…/…/18/arts/chuck-berry-dead.html…

Music
 
"If you tried to give rock and roll another name, you might call it 'Chuck Berry'."
--John Lennon
Chuck Berry Wins Prestigious Polar Music Prize
Rock pioneer joins past winners Paul McCartney, Bob Dylan and Bruce Springsteen

by Kory Grow
May 8, 2014
Rolling Stone
 
Chuck Berry Michael Ochs Archives/Getty Images

Chuck Berry will be honored with the Polar Music Prize this year at a ceremony in Stockholm in late August. The rock pioneer, whose hits "Johnny B. Goode," "Maybelline" and "Roll Over Beethoven," among others, defined guitar playing for a generation, will receive £100,000 (a little more than $169,600) at the ceremony, which Sweden's King Carl XVI Gustaf will attend, the U.K.'s Telegraph reports. The award was founded by late Abba manager, lyricist and publisher Stig Anderson, who wanted it to "break down musical boundaries by bringing together people from all the different worlds of music." As such, 2014's other Polar recipient is opera and theater director Peter Sellars.

100 Greatest Guitarists: David Fricke on Chuck Berry

Past recipients have included Joni Mitchell, Paul Simon, BB King, Bob Dylan, Ray Charles, Bruce Springsteen and Quincy Jones, among others. Paul McCartney was the first Polar Music Prize recipient in 1992; the other recipient in its inaugural year was the Baltic States, in honor of the region's national music culture. "The difference with this one for me is that I've presumably been chosen from everyone in the world," McCartney said at the ceremony. "You can't knock that, that's a high honor. They could have chosen all sorts of other people, I can think of a few people who you could choose for a music honor like this."

Part of Berry's Polar Music Award citation reads, "Every riff and solo played by rock guitarists over the last 60 years contains DNA that can be traced right back to Chuck Berry. The Rolling Stones, the Beatles and a million other groups began to learn their craft by playing Chuck Berry songs."
Chuck Berry’s music has transcended generations. He earns respect to this day because he is truly an entertainer. Berry, also known as “The Father of Rock & Roll," gained success by watching the audience’s reaction and playing accordingly, putting his listeners’ amusement above all else. For this reason, tunes like “Johnny B. Goode,” “Maybellene” and “Memphis” have become anthems to an integrated American youth and popular culture. Berry is a musical icon who established rock and roll as a musical form and brought the worlds of black and white together in song. Born in St. Louis on October 18, 1926 Berry had many influences on his life that shaped his musical style. He emulated the smooth vocal clarity of his idol, Nat King Cole, while playing blues songs from bands like Muddy Waters. For his first stage performance, Berry chose to sing a Jay McShann song called “Confessin’ the Blues.” It was at his high school’s student musical performance, when the blues was well-liked but not considered appropriate for such an event. He got a thunderous applause for his daring choice, and from then on, Berry had to be onstage.

GUITAR LESSONS


Berry took up the guitar after that, inspired by his partner in the school production. He found that if he learned rhythm changes and blues chords, he could play most of the popular songs on the radio at the time. His friend, Ira Harris, showed him techniques on the guitar that would become the foundation of Berry’s original sound. Then in 1952, he began playing guitar and singing in a club band whose song list ranged from blues to ballads to calypso to country. Berry was becoming an accomplished showman, incorporating gestures and facial expressions to go with the lyrics.

It was in 1953 that Chuck Berry joined the Sir John’s Trio (eventually renamed the Chuck Berry Combo), which played the popular Cosmopolitan Club in St. Louis. Country-western music was big at the time, so Berry decided to use some of the riffs and create his own unique hillbilly sound. The black audience thought he was crazy at first, but couldn’t resist trying to dance along with it. Since country was popular with white people, they began to come to the shows, and the audience was at some points almost 40 percent white. Berry’s stage show antics were getting attention, but the other band members did their parts as well. In his own words: “I would slur my strings to make a passage that Johnnie (Johnson) could not produce with piano keys but the answer would be so close that he would get a tremendous ovation. His answer would sound similar to some that Jerry Lee Lewis’s fingers later began to flay.”

SOME GOOD ADVICE

Later in 1955, Berry went on a road trip to Chicago, where he chanced upon a club where his idol, Muddy Waters, was performing. He arrived late and only heard the last song, but when it was over he got the attention of Waters and asked him who to see about making a record. Waters replied, “Yeah, Leonard Chess. Yeah, Chess Records over on Forty-seventh and Cottage.” Berry went there on Monday and discovered it was a blues label where greats like Howlin’ Wolf and Bo Diddley recorded. He didn’t have any tapes to show, but Chess was willing to listen if he brought some back from St. Louis. So Berry went home and recorded some originals, including the would-be “Maybellene,” then called “Ida May,” and drove back to Chicago later that week to audition. Much to Berry’s surprise, it was that hillbilly number that caught Chess’ attention. Berry was signed to Chess Records and in the summer of 1955, “Maybellene” reached #5 on the Pop Charts and #1 on the R&B Charts. Through Chuck Berry, Chess Records moved from the R&B genre into the mainstream and Berry himself was on his way to stardom.

THE REST IS HISTORY

Berry continued his success with such hits as “Brown-Eyed Man,” “Too Much Monkey Business,” “Memphis,” “Roll Over, Beethoven!” and “Johnny B. Goode.” “Johnny B. Goode” is Berry’s masterpiece, as it brought together all the elements of Berry’s unique musical sound. It cemented his place in rock history and led to fame in the 1950s. His popularity garnered him television and movie appearances and he toured frequently.

Berry’s incredible success is due to his ability to articulate the concerns and attitudes of his audience in his music. At the height of his success, Berry was a 30-year-old black man singing to a mostly white, teenage audience. Dubbed the “Eternal Teenager,” Chuck Berry’s knowledge of the pop market made it possible for him to break color barriers and play to an integrated audience.

In the 1960s and 1970s, Berry’s music was the inspiration for such groups as the Beatles and the Rolling Stones. Berry had a number of comeback recordings and in 1972 had the first and only #1 Pop Chart hit of his career with “My Ding-A-Ling. 1986 fittingly saw him inducted into the Rock and Roll Hall of Fame as the very first inductee in history. As a tribute to his pervasiveness in the realm of rock, a clip of “Johnny B. Goode” was chosen played in the Voyager I spacecraft, proving Chuck Berry and his rock legacy are truly out of this world.

https://rockhall.com/inductees/chuck-berry

From 1986 Rock and Roll Hall of Fame Essay

“Berry’s repertoire is required learning for all serious rockers, and essential listening for anyone who wants to know what rock and roll is all about.”
—Michael Hill

Chuck Berry’s fusion of blues, R&B, and country created an enduring template for rock & roll instrumentation, breaking down boundaries of both genre and race. He vastly expanded the vocabulary of the electric guitar, his technical prowess and showmanship inspiring the Beatles, the Rolling Stones, Jimi Hendrix, and countless more. Lyrically, Berry’s rhythmic, vivid storytelling elevated the language of rock, enshrining American teenage life in song.

Inducted:
1986

Category:
Performer

Inducted By:
Keith Richards (The Rolling Stones)

Induction
Impact
Influence
 
Induction (Videos)
 
"Johnny B. Goode"
"Wang Dang Doodle"
"Roll Over Beethoven" 
 

BIOGRAPHY

Chuck Berry’s music has transcended generations. He earns respect to this day because he was truly an entertainer. Berry, also known as “The Father of Rock & Roll," gained success by watching the audience’s reaction and playing accordingly, putting his listeners’ amusement above all else. For this reason, tunes like “Johnny B. Goode,” “Maybellene” and “Memphis” have become anthems to an integrated American youth and popular culture. Berry is a musical icon who established rock and roll as a musical form and brought the worlds of black and white together in song. Born in St. Louis on October 18, 1926 Berry had many influences on his life that shaped his musical style. He emulated the smooth vocal clarity of his idol, Nat King Cole, while playing blues songs from bands like Muddy Waters. For his first stage performance, Berry chose to sing a Jay McShann song called “Confessin’ the Blues.” It was at his high school’s student musical performance, when the blues was well-liked but not considered appropriate for such an event. He got a thunderous applause for his daring choice, and from then on, Berry had to be onstage.

FILMS

1995 History of Rock 'n' Roll - Rock 'n' Roll Explodes
1993 History of Rock 'n' Roll - Guitar Heroes
1993 Bluesland: A Portrait in American Music
1987 Chuck Berry: Hail Hail Rock 'n' Roll
1985 Chuck Berry & Bo Diddley's Rock 'n' Roll All-Star Jam
1982 National Lampoon's Class Reunion
1978 American Hot Wax
1973 London Rock and Roll Show of 1973
1973 Let the Good Times Roll
1969 Little Richard: Keep on Rockin'
1969 Chuck Berry: Rock 'n' Roll Music
1965 Chuck Berry Hosts: BORN TO ROCK - The T.A.M.I. - T.N.T. Show
1959 Jazz on a Summer's Day
1959 Go Johnny Go (PAL only)
1957 Mister Rock and Roll
1956 Rock, Rock, Rock
NA Chuck Berry: Live at the Roxy with Tina Turner
NA Joined on Stage By Tina Turner


CAREER HIGHLIGHTS


June 9th, 2017 The long awaited final studio album CHUCK, is released to critical acclaim.

August 26, 2014 Chuck honored with the prestigious Polar Music Prize.

December 2, 2000 Honoree at the 23rd Kennedy Center Honors.

September 2, 1995 Performs "Johnny B. Goode" alongside Bruce Springsteen at the Concert for the Rock and Roll Hall of Fame in Cleveland.

October 8, 1987 The film " Hail! Hail! Rock and Roll" is released. It is a live tribute to Berry, and is directed by Keith Richards of the Rolling Stones.

1987 Publishes his honest and insightful autobiography.

January 23, 1986 Inducted into the Rock and Roll Hall of Fame in New York City.

February 26, 1985 Receives Lifetime Achievement Award at the 27th Annual Grammy Awards.

June 1, 1979 Performs for President Jimmy Carter.

March 1, 1978 Appears as himself in the film "American Hot Wax," a biography about deejay Alan Freed.

October 21, 1972 The song "My Ding-a-Ling" (originally "My Tambourine") reaches No. 1, the only Berry recording to top the charts.

May 1, 1972 The London Chuck Berry Sessions is released; it becomes Berry's top-selling album, hitting No. 8 on the charts.

1965 Appears in concert film featuring the TAMI (Teen-Age Music International) Show, along with The Beach Boys, Rolling Stones and more.

May 31, 1961 Opens own amusement park, called Berryland, outside St. Louis.

March 17, 1958 "Sweet Little Sixteen" grabs No. 1 spot on R&B chart and No. 2 on pop chart, while rock & roll classic"Johnny B. Goode" gets No. 2 on R&B and No. 8 on pop.

September-November 1957 Goes on tour with the "Biggest Show of Stars for '57," which also included Buddy Holly, the Everly Brothers, etc.

June 30, 1956 Berry's song "Roll Over Beethoven" takes the second spot on the R&B chart, and gets to No. 29 on the pop chart.

September 1955 "Maybellene" hits No. 5 on Billboard's Rock and Roll Singles chart.

May 21, 1955 Records first songs, "Maybellene" and "Wee Wee Hours."

May 1955 Takes a roadtrip to Chicago; talks briefly to Muddy Waters, who refers him to Chess Records. There he lands a recording contract.

December 30, 1952 Receives a call from pianist Johnnie Johnson asking Berry to join the Sir John's Trio, a band that played at the very popular Cosmopolitan Club.

June 13, 1952 Joins Tommy Stevens in a house band that played Huff's Garden every Saturday.

1941 Performs at his school's musical stage performance, singing "Confessin' The Blues" while accompanied by his friend, Tommy Stevens, on guitar. Stevens' powerful performance inspires him to learn how to play the instrument himself.

AWARDS

2014 Polar Music Prize

2012 PEN Literary Award Winner

2002 BMI ICON award winner; other winners were Little Richard and Bo Diddley

1987 Receives a star on Hollywood Boulevard in California

1989 Honored with a star on Delmar Boulevard in St. Louis, Missouri

1985 Inducted into the Rock and Roll Hall of Fame

1985 Receives Lifetime Achievement Award at the 27th Annual Grammy Awards

1982 Inducted into the Nashville Songwriters Association International Hall of Fame


ACHIEVEMENTS

First singer/songwriter of 1955

First guitarist/singer to get on Billboard charts

Directly inspired great rock icons The Beatles, Beach Boys, Rolling Stones and Elvis Presley

United blacks and whites by producing music that appealed to everyone

His single "Johnny B. Goode" made the top 10 in 1958

Had the number one single in 1972 with "My Ding-a-ling"

Performed for President Jimmy Carter at the White House in 1975

Was inducted into the Rock and Roll Hall of Fame in 1986

Released his autobiography in 1987

"Hail! Hail! Rock 'n' Roll" made its debut in 1987

Berry performed "Johnny B. Goode" with Bruce Springsteen at the Concert for the Rock and Roll Hall of Fame in 1995

1977 Johnny Be Goode included content on Voyager 1 spacecraft


GENERAL INFORMATION

Birth Name: Charles Edward Anderson Berry

Nicknames: Father of Rock ‘N’ Roll, The Prime Minister of Rock ‘N’ Roll

Occupation: Musician

Born: October 18, 1926

Birth place: St. Louis, Mo.

Parents: Henry and Martha Berry

Wife: Themetta Suggs-Berry

Children: Darlin Ingrid Berry-Clay, Melody Exes Berry-Eskridge, Aloha Isa Lei Berry, Charles Edward Berry Jr.

Siblings: Henry, Thelma, Lucy, Paul, Martha

Weight: 180 lbs

Musically influenced by: Nat "King" Cole, Muddy Waters

Trademark: Duckwalk
FAVORITES

Food: Enjoyed beef and seafood, peaches, home fries, candied yams, chili, grape soda, orange juice, Snickers bars and Dutch apple pie. Despised liver, okra, gumbo, celery, carrots, cooked onions, grapefruit, salami and liquor.


Hobbies: Playing music, softball, twenty questions, chess, croquet, highway driving


Comedians: Lucille Ball

Music & Publishing Licensing:
aruiz@drivepublishing.com

Business Affairs:
chuckberry@isaleemusic.com