Monday, July 27, 2026

2026 IS THE CENTENNIAL YEAR OF SIX MAJOR WORLD HISTORICAL FIGURES ALL BORN IN 1926: Miles Davis, John Coltrane, Fidel Castro, Chuck Berry, Oscar Brown, Jr. and Michel Foucault. Today we feature historical informatiion and analysis concerning the extraordinary life, work, and legacy of FIDEL CASTRO (b. August 13, 1926--d. November 25, 2016)

 
Human Rights

Black America and the Passing of Fidel Castro
November 26, 2016
 
Fidel Castro immediately had a special significance for countless Black Americans
November 26, 2016 

It is impossible to discuss Fidel Castro outside of an examination of the Cuban Revolution. And, while I hear that there are many Cuban Americans dancing with glee upon news of the death of President Castro, I know that the emotions within Black America are and will continue to be quite different.

For any Black American who knows anything about the history of the Western Hemisphere, both Cuba and Haiti have a special significance.  Haiti, of course, for successfully ousting the French in 1803 and forming the second republic in the Americas; a Black republic.  Cuba, in 1959, kicked out the USA, the Mafia, and a corrupt ruling class that had enforced racist oppression against most of the Cuban population.  In the cases of Haiti and Cuba, their audacity in the face of a racist imperialism brought forth the wrath of their opponents.  How dare the Cubans stand up to the USA?  How could a country of all of these ‘brown’ and ‘black’ people insist that they should determine their own destinies?

Thus, Fidel Castro immediately had a special significance for countless Black Americans.  When I was quite young I remember my father telling me how his brother-in-law, a professor at Johnson C. Smith University, had sat watching the television as pictures were shown of Cuban exiles entering the USA after the 1959 Revolution.  His comment to my father was that all that he saw were white-looking Cubans stepping off the planes or boats.  No brown and black Cubans.  This told him something about the nature of the Cuban Revolution and its leader, Fidel Castro.

Castro further endeared himself to much of Black America when he visited the USA and took up residence in the Hotel Theresa in New York’s Harlem.  It was there that he met another icon, Malcolm X.  It was situating himself in the Black community that shook much of the US establishment and told Black America that something very unusual was unfolding 90 miles off the coast of Florida.

In the weeks, months and years to come there will be exhaustive examinations of the work and life of Fidel Castro and his impact not only on Cuba but the world.  If you have not read Castro’s “spoken autobiography”  

Fidel Castro:  My Life 

[http://www.simonandschuster.com/books/Fidel-Castro-My-Life/Ignacio-Ramonet/9781416562337

I strongly recommend it.  I will not try to offer anything approaching an analysis of the man and his times.  What I can say, however, is that there are certainly criticisms to be offered, and differences of opinion of the dynamics of the Cuban Revolution.  That is all fair game.  At the same time, it has been a rare moment when a leader, particularly of a small country, has been willing to thumb his or her nose at the capitalist juggernaut and seek a different path.  Added to this has been, particularly in a Western Hemispheric context, the challenge of taking on racist oppression and approaching it as the cancer that it is, a disease to be removed.

The one and only time that I met Fidel Castro was in January 1999 when I was on a TransAfrica delegation led by the organization’s first president, Randall Robinson.  At the last minute, the night before we were to leave Cuba, we were informed that we would have an opportunity to meet with President Castro.

It was close to midnight when we were informed that we needed to board the bus and head to his office.  When we arrived we walked into a waiting room in anticipation of the meeting.  Suddenly a door opened and out came an old man in an olive green uniform.  Yes, it was Castro.  I think, quite irrationally, I was expecting the young Castro of the 1960s.  But here was someone about the same age as my father.  He circulated around the room and was introduced to our delegation.  We then retired to another room to begin our meeting.

It is hard to describe what happened next, and probably equally hard for anyone to believe it.  We sat in the room with Castro until about 3:30am.  He never lost a beat.  He never seemed tired.  In fact, as the minutes and hours went forward, he seemed to gain energy!  Castro spoke with us about the Cuban Revolution, race, and many other issues.  Yes, he spoke a lot, but we were transfixed.  And, when we asked him questions, he would consider the matter and always offer a thoughtful response, rather than retreating into rhetoric.  It was particularly illuminating when he informed us that the Cuban Revolution had underestimated the power of racism.  As he said at the time, when the 26th of July Movement (the revolutionary organization that led the anti-Batista struggle) took power they thought that it was enough to render racist discrimination illegal and that should settle the matter.  The entrenched power of racism, even in a society that was attempting to root it out, was more substantial than they had anticipated.

Hearing this from Castro represented a special moment.  There has frequently been a defensiveness among Cuban officials about matters of race in Cuba, despite the tremendous advances that they have made, advances probably of greater significance than any other country in the Western Hemisphere.  Yet, manifestations of racism remain and, to our surprise, Castro was prepared to address them.

Fidel Castro’s demise comes as no surprise.  He had been facing health challenges for some time.  Nevertheless, given the number of attempts on his life and the other challenges that he had faced, there has been a bit of magical thinking for many people, believing that he would, somehow, always be there.

For many of us in Black America, Castro represented the audacity that we have desired and sought in the face of imperial and racial arrogance.  While it is unfortunate that some of us have withheld concerns and criticisms out of respect for Castro and the Cuban Revolution, it is completely understandable.  After all, this was the country that deployed troops to Angola that helped to smash the South African apartheid army and their Angolan allies.  This was the country that has deployed doctors in the face of countless emergencies, to countries that could never afford such assistance.  This is the country that has studied and come to understand hurricanes in a way unlike most in the hurricane region, so much so that it offered assistance to the USA in the aftermath of the 2005 Hurricane Katrina, assistance that the then Bush administration turned down.

Let his soul rest easy.  And, let the Cuban people continue on their way free of outside interference.  Theirs path has been one upon which they have insisted.  Fidel Castro was one important component in making that happen.  And, if that was not enough, he and the Cuban Revolution shook the world of the 20th century.

—————————————–

ABOUT THE AUTHOR:
 


Bill Fletcher Jr

BILL FLETCHER JR .COM

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Bill Fletcher Jr has been an activist since his teen years. Upon graduating from college he went to work as a welder in a shipyard, thereby entering the labor movement. Over the years he has been active in workplace and community struggles as well as electoral campaigns. He has worked for several labor unions in addition to serving as a senior staffperson in the national AFL-CIO.

Fletcher is the former president of TransAfrica Forum; a Senior Scholar with the Institute for Policy Studies; and in the leadership of several other projects. Fletcher is the co-author (with Peter Agard) of “The Indispensable Ally: Black Workers and the Formation of the Congress of Industrial Organizations, 1934-1941”; the co-author (with Dr. Fernando Gapasin) of “Solidarity Divided: The crisis in organized labor and a new path toward social justice“; and the author of “‘They’re Bankrupting Us’ – And Twenty other myths about unions.” Fletcher is a syndicated columnist and a regular media commentator on television, radio and the Web.

He can be followed on Twitter, Facebook and at www.billfletcherjr.com.

https://www.pbs.org/wgbh/americanexperience/features/castro-fidel-castro/


Fidel Castro (1926 - 2016)


https://www.pbs.org/wgbh/americanexperience/features/castro-fidel-castro/

For the leader of a small Caribbean nation, Fidel Castro's impact on the latter half of the twentieth century has been inordinate.

 
Fidel Castro arrives MATS Terminal, Washington, D.C. 1959. Library of Congress

Hero or Villain?

In the United States, the Soviet Union, China, Latin America, and Africa, politicians, intellectuals, people from all walks of life, either despise him as a ruthless dictator or lionize him as a champion of social justice. Generations to come will debate the merits of Fidel Castro's revolution, but nearly five decades since assuming power, the outline of Fidel Castro's legacy is beginning to take shape.

The Costs of the Revolution


Norberto Fuentes, a writer once close to Castro and now living in exile, believes the Cuban leader's relevance is as "the spokesman for silence, for the man who has no army, no Congress, no face. The man who has nothing." Wayne Smith, a U.S. diplomat with long experience in Cuba, believes Fidel Castro will be remembered because "he stood up to the United States and survived." Professor Marifeli Pérez Stable, a Cuban American who once supported the revolution, reflects on the costs of the Cuban revolution. "[There were] thousands of executions, forty, fifty thousand political prisoners. The treatment of political prisoners, with what we today know about human rights and the international norms governing human rights ... it is legitimate to raise questions about possible crimes against humanity in Cuba."

Target: U.S.A.

The first evidence of Castro's anti-Americanism appeared in June 1958. Six months before his triumphant entry into Havana, high in the Sierra Maestra mountains, his 300-strong rebel army under siege by 10,000 of dictator Fulgencio Batista's soldiers, the rebel commander wrote to his friend and confidant Celia Sánchez: "Once this war is over I will start what for me is a much longer and bigger war, the war I am going to wage against the Americans. I realize this will be my true destiny."

Roots of Anti-Americanism

Castro's anti-American outburst was partially a response to American policy toward the Batista regime. Following a lukewarm response to Batista's coup in March 1952, the United States had looked the other way, while the Cuban president, who now fashioned himself a fervent anti-Communist, grew more repressive and corrupt. In the spring of 1958, three months prior to Castro's letter to Sánchez, the United States, embarrassed by Batista's brutality, stopped all arms sales to Batista -- too late to change the widespread perception that the U.S. backed Batista's bloody regime. But Castro's anti-Americanism went even deeper. It was rooted in his personal experience, filtered through intellectual convictions born out of an interpretation of the history of U.S.-Cuban relations, and on his psychological need to play an important role in history.

American Business Dominance

Fidel Castro came of age in a remote region of Cuba dominated by two sugar mills, the Preston and the Boston, owned by the United Fruit Company, a symbol of American dominance in Latin America. His father, Angel Castro, had come to Cuba to fight against the U.S. in the Spanish-American War. After Spain's defeat, Angel remained on the island and made a fortune growing sugar cane for the Americans. Though Angel Castro kept up good relations with his American neighbors, he likely harbored anti-American feelings in his Spanish soul.

Jesuit Influence

At Havana's exclusive El Colegio de Belén, Fidel Castro studied under Jesuit priests. It was the 1940s, and the experience of the Spanish Civil War was still fresh. Spanish Nationalists under Francisco Franco had identified with the Fascists, and anti-Americanism ran high within their ranks. Castro's Jesuit teachers imbued the young Fidel with the idea of Hispanidad, stressing the superiority of Spanish values of honor and pride as opposed to the materialistic values of the Anglo-Saxon world. Once he entered the University of Havana, Castro came in contact with the writings of nationalist professors who believed Cuba's destiny had been thwarted by the intrvention of the United States. The intervention of 1898, the Platt Amendment and U.S. economic domination had combined to strip Cuba of its independence and national pride. In Castro's belief system, Cuba's political failure was America's fault.

Castro with Mirta Díaz Balart. Courtesy: George Anne Geyer

American Playground

In 1948, Fidel Castro married Mirta Díaz Balart, the daughter of a lawyer for the United Fruit Company. Castro came to know the exclusive and prosperous world of Banes, United Fruit's company town. In Banes, the Americans lived and played separate from Cubans. Access to the town beach was controlled by a gate, and only United Fruit employees had the key. Each time he crossed that gate, friends at the time recall, Castro became enraged.

Taste for Glory

After coming to power in 1959, Castro fused ideology and expediency. "Castro came to the realization that American influence in Cuba was so profound that he could not make the revolution he wanted to make unless he extirpated the United States from Cuba's economy and society," explains Professor Jorge Domínguez. "His great struggle had to be against the United States because that is how he was going to attain glory and a place in history," adds author Carlos Alberto Montaner.

For Love of Country

As he tapped into a dormant nationalism within the Cuban people, playing up a history of America's high-handed behavior toward its weaker neighbor, "Cuba Sí, Yanquis No" became the rallying cry of revolutionary Cuba — a rallying cry that would be kept alive by Fidel Castro for nearly five decades.

Fidel Castro died November 25, 2016
  at the age of 90. 
 

1959 THROWBACK: FIDEL CASTRO ON "FACE THE NATION”  (CBS-TV)
 
VIDEO: 
  

https://www.pbs.org/wgbh/americanexperience/features/castro-failed-coup-moncada-barracks/

Fidel Castro

Castro's Failed Coup

https://www.pbs.org/wgbh/americanexperience/features/castro-failed-coup-moncada-barracks/

Moncada was the second largest military garrison in Cuba. Although Castro's assault failed, it earned him recognition as a leader of the opposition against Cuban dictator Fulgencio Batista.


Courtesy: Kyra Pahlen

Dictator's Grip


On March 10, 1952, Cubans had awakened to the news that Fulgencio Batista, a former president and a candidate with little hope of victory in an upcoming presidential election, had taken over the government by force. Batista's coup d'etat shattered Cuba's fragile democracy -- and the political aspirations of a young lawyer named Fidel Castro. Castro had been running for congress as member of a political party called El Partido Ortodoxo. Most Cubans were stunned, but at the University of Havana, traditionally a political hotbed, conspiracies abounded. Castro himself began preparing an armed revolt. "One night he was at the steps of the university," writer Norberto Fuentes recounted. "No money, no work, and he does not know what to do...and that's when he decides to attack the Moncada Barracks."

Plot in the Making


Castro persuaded university student leaders to provide him with machine guns and some ammunition they kept for emergencies, and safely hid them at his sister's home in Havana. Painstakingly, he began to gather supporters -- two hundred young Cubans in one year, all members of Partido Ortodoxo.

Suicidal Mission



On the evening of July 24, 1953, Fidel's men (and two women) boarded two buses and left Havana for Santiago de Cuba, with the excuse of attending the carnival revels then in full swing. The group gathered at a farm near Siboney beach, twenty minutes from the city. There Castro informed them, for the first time, of the details of his plan. It was suicidal. Approximately one hundred and fifty young attackers, including Castro's brother Raúl, armed mostly with .22 caliber hunting rifles and the few weapons Castro had earlier retrieved from the university, would assault the Moncada Barracks -- the main provincial garrison of Batista's armed forces -- and take over the adjacent Palace of Justice, a nearby hospital and a radio station. They would proclaim a manifesto: a return to democracy and the ideals of opposition politician Eduardo Chibás. Castro's goal was to rouse the people to insurgency, hoping that the army would join the people and force Batista from power. "Even if it failed," Fidel noted, "it would be heroic and have symbolic value."

Dawn Approach


At 5:00 a.m. on July 26, 1953, a caravan left the farm at Siboney beach and slowly made its way toward Moncada. At the head was Fidel Castro, and his second in command Abel Santamaría. Santamaría's sister, Haydée, followed in the second car with her boyfriend Boris de la Coloma, who wore a new pair of two-tone shoes for the occasion.

Failure and Torture


Fidel Castro's car arrived first. Batista's soldiers opened fire. Outnumbered and facing superior fire power, the rebels stood no chance. Eight of the attackers were killed on the spot; another twelve were wounded. More than 70 were taken prisoner, including Raúl Castro. The detainees were brutally tortured, some even murdered, including Haydée's boyfriend Boris and her brother Abel. Haydée was taken prisoner, her brother's eye brought to her in prison. Castro himself escaped and hid at a farm in the Sierra Maestra mountains.

Intervention for Castro


One week later, after gaining assurances that he would not be killed or tortured, that he would get a fair trial, Castro arranged to surrender at the home of a peasant near Santiago. There are several versions of subsequent events. Castro's own account recalls a sergeant approaching him with a gun, but sparing his life with the words "ideas are not to be murdered." In reality the sergeant was simply following orders: Castro's life had been guaranteed by Santiago's Catholic archbishop, Monsignor Pérez Serantes. According to the testimony of Castro's best friend, Alfredo "Chino" Esaquivel, Perez Serantes's own intervention had been assured through the efforts of Castro's socially-connected wife, Mirta Díaz Balart, and a family member with influence as a close friend of Batista.

Dynamic Figure


In Havana other student leaders accused Castro of irresponsibility and cowardice, but he didn't much care. At his trial the following September, the young lawyer, speaking in his own defense, called for the overthrow of Fulgencio Batista and for reforms to make Cuba a more just society. "All of Cuba," said Melba Hernández, who'd sewn the uniforms Castro the attackers, "had its eye on the trial" -- and on its dynamic defendant. Fidel readily admitted to leading the Moncada attack, and dramatically pronounced: "You may condemn me. History will absolve me." His judges handed down a stiff sentence: fifteen years in prison. Castro was sent to the Island of Pines, off Cuba's southwest coast, to serve his sentence.


Start of the Revolution


"Moncada was a wake-up call to the Cuban people," according to professor Marifeli Pérez Stable. Dialogue had failed; violence seemed the only alternative. "No one quite knew what to do about Batista, and Fidel pointed the way -- armed struggle," recalls Huber Matos, who became a rebel commander. Every year since the triumph of Castro's revolution, the storming of the Moncada would be remembered as the "first shot" fired in the struggle against Fulgencio Batista.
 
 
 




Friday, July 24, 2026

IMPORTANT NEW BOOKS:

https://panopticonreview.blogspot.com/2026/07/important-new-books_01484786762.html
 
Footprints: A Black Journalist’s Fight Against Apartheid in South Africa and in Exile
by Lionel Morrison and Liz Morrison
Haymarket Books, 2026 


[Publication date: June 9, 2026] 
With sharp intellect and warm humor, Lionel Morrison tells the story of the struggle for freedom in South Africa and beyond, revealing the intimate experience of grand geopolitical shifts

Apartheid in South Africa was arbitrary and ferocious―its end is widely celebrated. Yet the monumental difficulties faced by the movement for liberation and the sacrifices made by ordinary yet remarkable individuals have been hidden in the broad sweep of time.

Celebrated journalist Lionel Morrison brings this history to life, honoring his forgotten comrades. He shares memories as a defendant in the Treason Trial and of periods in prison before being forced to flee South Africa as a stowaway, meeting leaders of the Non-Aligned Movement, the heady days of pan-African and Asian nationalism, and fighting racism in Britain.

Completed by Liz Morrison after her husband’s death, Footprints is an ode to community, truth, and resistance.

REVIEWS:

"A deeply moving and inspiring portrait, from inside and out, of a trailblazer, a radical, and a true internationalist."
―China Miéville, author of A Spectre, Haunting

"Footprints doesn’t shy away from the failures and defeats of the “Bandung era” or the tenacity of racism in Britain. But Morrison’s life is a testament to the power of journalism when it is committed to the cause of liberation."
―Kevin Ochieng Okoth, author of Red Africa: Reclaiming Revolutionary Black Politics (2023)

"Anti-apartheid activist and journalist Lionel Morrison’s footprints are embedded in South Africa’s long walk to freedom. Lionel died before he could bring his memoir to life but wife and intellectual companion Liz Morrison has brought together the missing pieces – she is the sum of Lionel’s parts. From Cape Town to Kensal Rise, walk alongside them."
―Atiha Sen Gupta, playwright and screenwriter

"This is a marvellous book – the testimony of a clever and brave black journalist who always managed to be at the centre of events and reported on them with unflinching clarity, in simple, luminous language, always putting human beings at the centre of his story.
―Francis Beckett, author, journalist and playwright

"Footprints is an extraordinary book about an extraordinary man, Lionel Morrison, who fought against the colonial system in South Africa and later racism in the UK, while engaged in international trade union work supporting workers of the global south. It is also extraordinary because the book is a collaborative labor of love with his wife Liz, who completed it after Lionel died. The blending of these two voices is a marvel to read.
―Mathatha Tsedu, South African journalist

"After passing his formative political years fighting apartheid in South Africa―including being arrested and tried―Lionel Morrison left for England and immediately threw himself into activism, championing the struggle against racial inequality. Morrison led the National Union of Journalists as its first black president, and forged an architecture within the union that ushered in long-lasting changes benefiting Black journalists for generations to come."
―Jim Boumelha, former president of the International Federation of Journalists

"Given all that Lionel had been through―prison time under apartheid, the proximity to state-sponsored slaughter in Indonesia, trade union and anti-racist struggles in Britain―he could have been forgiven for being bitter or braggadocious. He would have been within his rights to explain that your travails were trivial compared with what he encountered. But, whatever toll these experiences did have on him, that was not his way. The stories he did tell might be funny or even dark, but he always shared to engage, not to make himself bigger or you smaller."
―from the foreword by Gary Younge

"The South African-born British journalist Lionel Morrison, who was jailed for anti-apartheid activism and even stood trial for treason, spent his life covering struggles for equality the world over. Morrison eventually passed away in 2016. Completed by his partner Liz, Footprints: A Black Journalist’s Fight Against Apartheid in South Africa and in Exile tells the story of Morrison’s life, including his time at the heart of the anti-apartheid struggle, the rise of pan-African nationalism, and the rebellious days of the UK’s anti-racist and labor struggles."
―Inkstick, Most Anticipated Books of 2026


ABOUT THE AUTHORS:

Lionel Morrison was a South African journalist and pan-Africanist. Along with 155 others including Nelson Mandela and Walter Sisulu, Morrison was tried for treason in 1956. Following his exile from South Africa, he embraced Sukarno’s Indonesia, moved to China and was politically active across Africa before returning to Britain. His life's work focused on journalism, trade unionism, and housing activism. He was the first black president of the National Union of Journalists in Britain.

Liz Morrison was born in England and is white. She was a community worker in the 1960s and a social worker. She has been actively supportive of the anti-apartheid movement for justice in South Africa and is active in supporting Palestine.


How To Sell A Genocide: The Media’s Complicity in the Destruction of Gaza
by Adam H. Johnson
Pluto Press, 2026


[Publication date: April 21, 2026]
 
“Vivid and meticulous ... Through painstaking documentation, Johnson shows how anti-Palestinian racism among elite liberals and liberal institutions primed Western audiences for genocide” from the foreword by Noura Erakat, author of Justice for Some

As bombs rained down on Gaza in October 2023, images of mass death and destruction gripped the world, and openly genocidal statements from Israeli leaders foretold the magnitude of horrors to come. But the US media was quick to downplay, obscure, and repackage an emerging campaign of extermination into a slick “war on terror” framework.

How to Sell a Genocide is an indictment of the US corporate media’s role in enabling―and, at times, directly inciting―one of the most devastating campaigns of mass killing in modern memory. Johnson unpacks how major news outlets like the New York Times, CNN, and MSNBC systematically sanitized Israel’s war crimes, hid the US’s central role, and dehumanized the Palestinian people.

Drawing from deep, original data-driven analysis, Johnson dissects the mechanics of propaganda, from the selective empathy, strategic omissions, overt racism, and repetition of state-sanctioned falsehoods, to the demonization of humanitarian workers and dishonest coverage of campus protests. With clarity and moral force, Johnson argues that the genocide could not have been sustained without the active, ongoing complicity of the US media.

All royalties from the book will be donated to the Middle East Children’s Alliance.

Adam Johnson is a media analyst and co-host of the podcast Citations Needed. His writing has been featured in the Nation, In These Times, the Intercept, Los Angeles Times, and San Francisco Chronicle.

REVIEWS:

'Really, really moving. What Adam Johnson is doing there is he's forensically documenting the way in which people reported the Gaza War. Everything from the adjectives they use, the way they described the two combatants, the amount of attention they paid to casualties on the Israeli side compared to the Palestinian side'
–-Rory Stewart, author of Politics on the Edge and co-host of The Rest is Politics

'Compelling .. a very interesting, challenging read'
–Alastair Campbell, co-host of The Rest Is Politics

'So intelligent. Johnson's commentary is so good'
–Briahna Joy Gray, host of the Bad Faith podcast

'One of the more important books about politics you're going to read this year'
–Perry Bacon, New Republic

'Brilliant … this is such a crucial book, and it's a book that had to be written. Everyone go and get it'
–Owen Jones

'A great read. It has a ton of empirical analysis data as well as just stories of what was going on in some of these newsrooms that you probably haven't read or encountered elsewhere. It's a really useful tool for folks who are still trying to change the minds of folks around them, to help them really understand how freaking propagandized they are if this is the kind of media they are consuming'
–Jared Ware, co-host of Millennials Are Killing Capitalism

'This is a really vital volume for seeing through media reporting from October 2023 to the present day'
–Nathan Robinson, Current Affairs

'I cannot recommend it enough. A stunning work of data analysis proving the genocide incitement perpetrated by legacy liberal media'
–Matthew Remski, co-author of Conspirituality

'A painstakingly detailed indictment of the Fourth Estate, showing how cable shows, newspapers, and online news sites helped build support for the mass killing of Palestinians'
–Mondoweiss

'Powerful .. an empirically rich critique of the full horror of the performance of American journalism on Gaza.'
–Counterfire

'How to Sell a Genocide vividly and meticulously demonstrates the power of narrative and the powers involved in shaping them... Through painstaking documentation over a 12-month period, Johnson shows how anti-Palestinian racism among elite liberals and liberal institutions constituted "Moats of Rationalization" that primed Western audiences for genocide.'
–Noura Erakat, Human rights attorney and author of Justice For Some

'Read this book'
–As'ad AbuKhalil, professor of political science at California State University

'Sobering and frightening … How to Sell a Genocide reveals how US media sold Israel's destruction of Gaza to liberal audiences'
–The New Arab
 

ABOUT THE AUTHOR:

Adam Johnson is a media analyst and co-host of the podcast Citations Needed. His writing has been featured in The Nation, In These Times, The Intercept, Los Angeles Times, and San Francisco Chronicle.

The Secret War Against Hate: American Resistance To Antisemitism and White Supremacy
by Steven J. Ross
Bloomsbury Publishing, 2026

[Publication date: ‎ April 28, 2026]
 
 
A USA Today Bestseller

From the author of Pulitzer Prize finalist Hitler in Los Angeles, the definitive story of the intrepid activists and spies who fought against a resurgent movement of hate in America-a book that "should be read by every American who wants to know how courageous men and women can resist hatred." (Kirkus Reviews, starred review)

Americans today like to believe that the end of World War II brought a new era of tolerance in the United States. But antisemitism and racism went up-not down-after the war's end. Violence broke out in cities across the country, and the number of organized hate groups more than doubled from 1940 to 1946. In this shocking account of a resurgence of White Supremacy in America, celebrated historian Steven J. Ross reveals how four key leaders-Emory Burke, J. B. Stoner, James Madole, and George Lincoln Rockwell-worked together to “finish the job Hitler had begun,” launching deadly attacks on Jews and African Americans and building a network of terrorists across the U.S. In response to this “war of hate,” three men-Arnold Forster of the Anti-­Defamation League, George Mintzer of the American Jewish Committee, and James Sheldon of the Non-­Sectarian Anti­-Nazi League-along with dozens of men and women, launched a multipronged effort: They infiltrated, monitored, and undermined these hate groups, putting their own safety on the line and scoring important victories that, today, have been all but forgotten.

Tracing the extraordinary work of these unsung heroes, The Secret War Against Hate provides a groundbreaking reconsideration of the legacy of the “Good War,” and essential reading on how America today can beat hate once again and build a just and united nation.

REVIEWS:

“Richly researched, impressively annotated, burningly bright . . . this book takes readers through familiar times and places with fresh research and a vivid narrative style . . . Personality and media strode hand in hand then, much as now, and Ross alerts us to the deep and ugly history behind today's trolls and truants . . . This book should be read by every American who wants to know how courageous men and women can resist hatred.” ―Kirkus Reviews, starred review

“Well-researched and at times shocking . . . Ross weaves the timelines of these figures together in an easy-to-follow way, showing how they gained power but also highlighting the people and organizations who actively fought against them in public and in spy rings, who each had their own motivations for resisting fascism. Readers will get sucked into the story and want to know what happens next . . . An excellent 'hidden history' book that gives additional context to modern political movements.” ―Library Journal, starred review

“Ross's work is utterly immersive in its sweeping, decades-long tracing of how some Americans have resisted the contagion of hate . . . [The Secret War Against Hate is] vital for any citizen concerned with polarized politics and civic abuses . . . an indispensable manual for safeguarding the future by understanding threats from the past.” ―Shelf Awareness, starred review

“At a time of renewed interest in America's previous fights with fascism, no one has done more than Steven J. Ross to unearth the epic conflicts and characters at the heart of that history. In The Secret War Against Hate, Ross has found a startling new chapter of our history, surfacing villains worthy of any Hollywood horror franchise, and intrepid heroes whose exploits could be written into a national anthem. This book will be taught and read for decades; the more we learn from it, the stronger we will be for the fights ahead, and for the fights already at hand. A brilliant history, a brilliant story. Bravo” ―Rachel Maddow, New York Times bestselling author of PREQUEL

“Ross has written an engrossing, informative, and timely history of the hate groups that energized the far right in the early postwar decades, the anti-hate organizations that infiltrated them, and the spies who gathered information from (and fomented dissent among) those who hate.” ―Washington Independent Review of Books

“Fascinating . . . Ross observes that movements and leaders come and go, but ideas persist. Even ideas as thoroughly debunked as white supremacy, or that America was always intended to be a country for whites alone, remain as emotionally and politically charged today as they were immediately after World War II.” ―California Review of Books

“[An] absorbing study of the brave Americans who fought homegrown Nazism . . . A captivating read.” ―The Irish Independent

“With power and deep insight, Steven Ross has given us the harrowing story of postwar domestic fascism-dripping with racism and antisemitism-and the determined organizations and people who sought to expose its ambitions and defeat it. Eye-opening in content, The Secret War Against Hate is a must-read for anyone interested in the roots of today's radical right and the prospects for resistance to it.” ―Steven Hahn, Pulitzer Prize-winning author of A NATION UNDER OUR FEET and ILLIBERAL AMERICA

“Steven Ross's timely and impressively researched book draws a through line of the anti-Semitism that emerged in America in the wake of the Holocaust, continued in various iterations, and has reemerged in our day. He paints vivid portraits of the fanatics, dupes, scoundrels and blood-thirsty loonies who peopled the American fascist movements and of those who worked courageously to defeat them. This history of hate and heroic resistance to hate is chilling, inspiring, and vital reading.” ―Lillian Faderman, author of NAKED IN THE PROMISED LAND and THE GAY REVOLUTION

“Steven Ross's narrative about the Americans who fought to expose and defeat the neo-fascist right in the decades after World War II is highly original, full of insight, and an utterly compelling read. Anyone who wants to understand the roots of the hatemongers who befoul our politics today should read this book.” ―Michael Kazin, author of WHAT IT TOOK TO WIN: A HISTORY OF THE DEMOCRATIC PARTY

“In his gripping new book, Steven J. Ross unflinchingly examines American Hitlerism and efforts to expose it. Recent events bring home tragically the pertinence of Ross's instructive narrative.” ―Randall Kennedy, Michael R. Klein Professor of Law, Harvard Law School

“In this revelatory study, Steven Ross brings out of the shadows a series of far right agitators who have remained largely unknown to both professional scholars and the general public. He convincingly reveals that a fascist tradition has always existed in the United States, while compellingly showing how ordinary Americans have worked to counteract it. Combining original research and sober analysis, the book could not be more timely.” ―Gavriel D. Rosenfeld, author of THE FOURTH REICH: THE SPECTER OF NAZISM FROM WORLD WAR II TO THE PRESENT

“Set against the backdrop of postwar America, Steven Ross's meticulously researched and engaging narrative illuminates the increasingly pernicious development of White Supremacy and rightwing extremism, and those few organizations and individuals who worked to limit the impact of illiberal forces. He outlines, like few before him, the precedents that frame many of the present-day debates on whether the US should remain an inclusive democracy or revert to atavistic society that limits opportunities for those outside the majority. Despite heroic efforts by civil society to keep these forces at bay after 1945, Ross notes rightly that extremist leaders might pass, “but ideas persist forever.” Understanding the origins of today's extremisms, the approaches that proved successful in resisting them, and how this past shapes our future make The Secret War Against Hate an indispensable and important contribution to the field” ―Robert J. Williams, CEO and Finci-Viterbi Chair of the USC Shoah Foundation and UNESCO Chair on Antisemitism and Holocaust Research

ABOUT THE AUTHOR:

Steven J. Ross is a Distinguished Professor of History at the University of Southern California and Director of the Casden Institute for the Study of the Jewish Role in American Life. He is the author of Hitler in Los Angeles, a Los Angeles Times bestseller and Pulitzer Prize finalist, Hollywood Left and Right, which received the Academy of Motion Picture Arts and Sciences' Film Scholars Award, and Working-Class Hollywood, named a Best Book of the Year by the Los Angeles Times. He lives in Southern California.

COUNTRY OF LORDS: Neo-Aristocrats, Social Darwinists, Tech Utopians, and the Long Fight Against Equality in America
by Kim Phillips-Fein
W.W. Norton and Company, 2026


[Publication date: July 21, 2026]
 
A Pulitzer-finalist historian charts a 250-year-old intellectual and political tradition―the conviction that all Americans are NOT created equal.

The story of American history is often told as a hard-won march toward the promise of equality, derived from Thomas Jefferson’s famous proclamation that “all men are created equal.”

But this inspiring story obscures a parallel tradition: an enduring and organized argument against equality itself. Again and again, influential Americans have asserted a fundamental inequality among human beings, arguing that the social, economic, and racial hierarchies in which some groups of people rule over others are not only natural but good.

In Country of Lords acclaimed historian Kim Phillips-Fein traces this argument for inequality through six vivid archetypes. She discusses the natural aristocrats, such as John Adams, who feared the tumult of too much democracy; the social Darwinists, led by Yale professor William Graham Sumner, who blamed the poor for their own miseries; those who preached a gospel of production, including Henry Ford, who wanted an industrial hierarchy in which the “best” people ruled over compliant inferiors; utilitarian racists who advocated for eugenics and a racial hierarchy; meritocrats like Harvard psychologist Richard Hernstein who described an economic caste system based on “intelligence” in his co-authored book, The Bell Curve; and most recently, technocrats who seem to see themselves as superior because they are closest to the machines destined to outstrip and supplant fallible flesh-and-blood humanity.

The anti-egalitarian lineage Phillips-Fein traces is both clear and deeply unsettling. It challenges readers to think about the fragility of the ideal of equality and to reckon with the disturbing arguments of those who have campaigned against it over the past two and a half centuries. Country of Lords is essential reading for anyone trying to make sense of the widening gap between the nation we claim to be and the nation we are becoming.

8 illustrations
  
REVIEWS:

"Phillips-Fein is a graceful writer and balletic thinker; her opening paragraph tucked me into its palm and held me rapt, right through to its conclusion. Her book is slender… but her argument has vast implications for the future of the nation-state, centering the perils of inequality as global capitalism, boosted by AI, asserts its own independence from the rest of us."
― Hamilton Cain, On the Seawall

"Enlightening and shocking. The brilliant historian Kim Phillips-Fein delivers a necessary history of the scandalous but tenacious resistance to the emancipation Americans still need."
― Samuel Moyn, Kent Professor of Law and History at Yale University and author of The Last Utopia

"An audacious argument that the American intellectual tradition is composed of not just egalitarian principles but also of many anti-democratic ones. With care and erudition, Country of Lords shows that the excesses of today’s far right intelligentsia are far from new."
― Alissa Quart, author of Bootstrapped

"With an artful pen and a breezy style, Kim Phillips-Fein takes the reader on a revealing tour of the ideas and people inhabiting a dark and under-recognized continuity in American history: those committed to values that are too often seen as “un-American” but whose thought and power we ignore at our peril. An eye-opening read."
― Jefferson Cowie, Pulitzer Prize-winning author of Freedom's Dominion

"Both timely and necessary, this book describes the evolution and persistence of anti-Enlightenment apologias for political and material inequality that today, more than ever, threaten core American values, morals, and democracy itself."

― David Nasaw, Pulitzer Prize finalist and author of The Wounded Generation

"Powerful, expansive, and penetrating, Country of Lords confounds our assumptions about America’s political traditions and sensibilities. Reaching back to the world of the founders and far ahead to that of the tech titans, it demands a new type of reckoning."
― Steven Hahn, author of Illiberal America


"With energy and thoughtful scholarship, Kim Phillips-Fein, one of our most gifted historians, explains why every generation has had to fight to keep the egalitarian hopes at the foundations of our republic alive."
― E. J. Dionne Jr., author of Why Americans Hate Politics


"Kim Philips-Fein has dug deep into US history and excavated a rogues gallery of men with bad, mad and even dangerous ideas. If you want to understand where we are today, this lively―and sobering―intellectual history will help."
― Dr. Anya Schiffrin, editor of Media Capture in the Digital Age

"Striking... a rousing and worrisome counter-history of a uniquely American strain of anti-democratic political thought."
― Publishers Weekly (starred review)

"The Pulitzer finalist charts the long history of the American political conviction that all people are not created equal."
― Publishers Weekly, "Spring 2026 Preview: History Top Ten"
 

ABOUT THE AUTHOR:


Kim Phillips-Fein is Robert Gardiner-Kenneth T. Jackson Professor of History at Columbia University. She is the author of Fear City, a finalist for the Pulitzer Prize, and Invisible Hands. She lives in New York City.

From the Introduction:
 
Today, wealth and income in the United States have become more unequally distributed than they have been in a century. Our country is the most economically unequal of all developed nations.¹ And a small group of extraordinarily wealthy people exercise a vast and disproportionate power over our political and economic life.
 
Openly anti-egalitarian ideas are flourishing.
 
Why is this?
 
As I've looked at the archives, at the documents and the arguments that have shaped our history, what I have found is troubling and surprising: a shadow tradition of extreme inequality. Many interpretations of the right in America today focus on cultural and economic conflicts of recent origin.
 
This book points to a different source of strength for the right today, and its roots are in a particular constellation of ideas. The tradition outlined in this book is an openly elitist one that sees working people as essentially inferior to the rich, their financial hardships the result of their innate inequalities. This belief in the basic need for hierarchy and in the inferiority of the working class runs throughout American history (and it appears, with variations, around the world).



Thursday, July 23, 2026

LONG LIVE THE BLACK RADICAL TRADITION: In homage to and deep abiding appreciation for the extraordinary life, work, and legacy of Greg Tate (1957-2021) one of the finest and most important and powerfully erudite Journalists, social and cultural critics, historians, music and literary scholars, teachers, musician-composers, and leading activists of the past century in the United States--PARTS 3-12

Greg Tate
The Museum of Contemporary Art
The Museum of Contemporary Art

May 30, 2017

Greg Tate has been a leading voice on contemporary Black music, art, literature, film, and politics since launching his career at the Village Voice in the early 1980s. Through his signature mix of vernacular poetics and cultural criticism, Tate elucidates how race, gender, and class shape popular culture and why visionary Black aesthetics, philosophies, and politics help define 21st-century America. He is also a musician, leading the conducted improvisation ensemble Burnt Sugar the Arkestra Chamber. Tate lectures on the work of Kerry James Marshall.​


VIDEO:

https://www.youtube.com/watch?v=KdOt548jQzI

Ellison / Baraka: A Debate with Greg Tate & Greg Thomas



Hutchins Center

February 16, 2016

VIDEO:
https://www.youtube.com/watch?v=HRXMbFcoa18&t=16s



https://news.jazzjournalists.org/greg-tate-critic-of-culture-and-more-rip/

Final Bars


Greg Tate, critic of culture and more, RIP
by JJA Editor
December 9, 2021
Jazz Journalists Association News


Greg Tate, author’s photo from ArtNews


Gregory Stephen “Ironman” or “Ionman” Tate, a writer, author, editor with an innovative, influential and utterly original critique of American culture as well as one of the founders of the Black Rock Coalition and a musical producer with 20 albums released by the improvisatory ensemble Burnt Sugar The Arkestra Chamber, died in New York City on December 7, at age 64.

With a command of colorful and colloquial language to match broad erudition and insightful opinions, Tate emerged as a freelance contributor to the Village Voice, among many other music publications, in the 1980s. Many of his articles from that period, including breakthrough appreciations of hip-hop, rap, r&b, avant-garde music and Afro-futuristic themes, are collected in Flyboy in the Buttermilk: Essays on Contemporary America, and Flyboy 2: The Greg Tate Reader.


He also wrote Midnight Lightning: Jimi Hendrix and the Black Experience and is editor of Everything But the Burden: What White People Are Taking From Black Culture, which contains his introduction, “Nigs R Us, of How Blackfolk Became Fetish Objects” and his conversation with guitarist Vernon Reid, “Steely Dan: Understood as the Redemption of the White Negro.”

Tate is credited as co-curator of exhibit upon which the book Writing the Future: Basquiat and the Hip-Hop Generation,which he co-edited, is based. After publishing a piece about Basquiat (headlined “Flyboy in the Buttermilk”) in the Voice, he had turned his attention increasingly to the visuals arts, contributing to ArtNews. Tate’s most recently published piece is “Afropessimism and its Discontents,” in the September 27 issue of The Nation. Duke University Press has announced but not yet scheduled the posthumous publication of White Cube Fever: Hella Conjure and Writing on the Black Arts, with Tate’s essays on Carrie Mae Weems, Basquiat, Arthur Jafa, Kerry James Marshall, Sanford Biggers, Lonnie Holley, Ellen Gallagher, and Theaster Gates. He had been a visiting professor at Brown, Columbia, Princeton and Yale universities and Williams College.


2021 release of Burnt Sugar The Arkestra Chamber

Though Greg Tate was not a JJA member, he participated in diverse JJA activities, including panel discussions and playing guitar in the memorable performance of John Zorn’s Cobra at the original Knitting Factory by a Critics’ Band comprising Ira Gitler, Jim Macnie, Kevin Whitehead, Howard Mandel, Suzanne McElfresh, Annie Gosfield and M. Doty (Norman Yamada conducted). No doubt Greg found more satisfaction in his bands such as Women in Love, creative associations with artists including Kip Hanrahan, Lawrence Douglas “Butch” Morris who he credited as a major influence, and Melvin Peebles, among others.

Greg Tate on guitar fronting Burnt Sugar. He also provided beats, and produced its 20 albums

In a conversation last September with JJA president Mandel (for whom he’d written a book introduction), Tate expressed willingness to join the JJA board. He said he’d owed a lot to jazz journalism, having come up through through its platforms in community radio (born in Dayton, Ohio, he had moved with his family in his teens to Washington, D.C., and graduated from Howard University) and alternative weekly newspapers. He asserted that payback was an important aspect of his personal program. Considering the richness Greg Tate brought to music, arts and cultural journalism, the paths he opened for other writers, artists, readers and listeners, and how his perspective as well as sound will live on, his dues are paid in perpetuity.

Tags:

Afropessimism
ArtNews
Basquiat and Hip-Hop
Duke University Press
Everything but the Burden
Flyboy in the Buttermilk
Greg Tate
Village Voice
White Cube Fever: Hella Conjure and Writing on the Black Arts