IMPORTANT NEW BOOKS:

Democracy Awakening: Notes On The State of America
by Heather Cox Richardson
Viking,  2023

[Publication date:  September 26, 2023]

 

“Engaging and highly accessible.”—Boston Globe

“A vibrant, and essential history of America's unending, enraging and utterly compelling struggle since its founding to live up to its own best ideals… It's both a cause for hope, and a call to arms.”--Jane Mayer, author Dark Money

From historian and author of the popular daily newsletter LETTERS FROM AN AMERICAN, a vital narrative that explains how America, once a beacon of democracy, now teeters on the brink of autocracy -- and how we can turn back.

In the midst of the impeachment crisis of 2019, Heather Cox Richardson launched a daily Facebook essay providing the historical background of the daily torrent of news. It soon turned into a newsletter and its readership ballooned to more than 2 million dedicated readers who rely on her plainspoken and informed take on the present and past in America.

In Democracy Awakening, Richardson crafts a compelling and original narrative, explaining how, over the decades, a small group of wealthy people have made war on American ideals. By weaponizing language and promoting false history they have led us into authoritarianism -- creating a disaffected population and then promising to recreate an imagined past where those people could feel important again. She argues that taking our country back starts by remembering the elements of the nation’s true history that marginalized Americans have always upheld. Their dedication to the principles on which this nation was founded has enabled us to renew and expand our commitment to democracy in the past. Richardson sees this history as a roadmap for the nation’s future.

Richardson’s talent is to wrangle our giant, meandering, and confusing news feed into a coherent story that singles out what we should pay attention to, what the precedents are, and what possible paths lie ahead. In her trademark calm prose, she is realistic and optimistic about the future of democracy. Her command of history allows her to pivot effortlessly from the Founders to the abolitionists to Reconstruction to Goldwater to Mitch McConnell, highlighting the political legacies of the New Deal, the lingering fears of socialism, the death of the liberal consensus and birth of “movement conservatism.”

Many books tell us what has happened over the last five years. Democracy Awakening explains how we got to this perilous point, what our history really tells us about ourselves, and what the future of democracy can be.

REVIEWS:

“[Democracy Awakening] is the most lucid just-so story for Trump’s rise I’ve ever heard. It’s magisterial.” –Virginia Heffernan, Washington Post

“Heather Cox Richardson’s Democracy Awakening is an important addition to the burgeoning literature and scholarship on what I have characterized as America’s Third Reconstruction…she is at her best simply telling us the story of how we came to be living on the brink of ending our nearly 250-year democratic experiment.”

–Peniel Joseph, Democracy

"A fresh historical interpretation of American democracy and its many challenges...It’s an unusual but effective structure, allowing Richardson to do what she does best: show her readers how history and the present are in constant conversation. Reminding us that 'how it comes out rests…in our own hands,' Richardson empowers us for the chapters yet to come."
—Kirkus *Starred Review*

“Engaging and highly accessible.”—Boston Globe

“This is a vibrant, and essential history of America's unending, enraging and utterly compelling struggle since its founding to live up to its own best ideals. From yesterday's enslavers to today's authoritarians, it shows how bad actors have always tried to twist history to serve their own purposes, but again and again, less powerful challengers have risen and often won. It's both a cause for hope, and a call to arms.”
—Jane Mayer, author Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right
 
“With her characteristic powerful prose, Heather Richardson explores the raging (in every sense of the word) political, cultural, and social forces that an elite minority has fostered to divide Americans, erode democracy, and rise to power. By reclaiming this history, she reminds us that democracy is a process, not an endpoint -- and that it demands our efforts now, more than ever.”
—Joanne Freeman, Professor of History at Yale University and author of Field of Blood
 
"No one understands the warp and woof of the complicated tapestry that is the United States, no one apprehends the undertow and disparate forces that have directed the tides of American politics, no one forges the connections between then and now better than Heather Cox Richardson does. The result is a cogent, challenging, thoughtful, riveting and beautiful narrative.  Brava!"

—Ken Burns, Filmmaker

 
“For the last several turbulent years, millions have looked to Heather Cox Richardson’s daily letters for vital historical perspective, wisdom, and moral clarity. In Democracy Awakening, Richardson goes beyond the news cycle to explain how we got here, placing our current political crisis against the age-old struggle to expand civil rights and economic opportunity. What emerges is a brilliant and honest account of our nation’s past and present. If you care about American democracy—and are engaged in the fight to preserve it—this book is a must-read.”
—Preet Bharara, former U.S. Attorney for the Southern District of New York

ABOUT THE AUTHOR:

Heather Cox Richardson is a professor of history at Boston College and an expert on American political and economic history. She is the author of seven books, including the award-winning How the South Won the Civil War. Her work has appeared in The Washington Post, The New York Times, and The Guardian, among other outlets. Her widely read newsletter, Letters from an American, synthesizes history and modern political issues.

Until Our Lungs Give Out: Conversations on Race, Justice, and the Future
by George Yancy
‎Rowman & Littlefield Publisher, 2023

[Publication date:  September 15, 2023]

 

From Library Journal's Starred Review: "All readers stand to learn something from this compelling book."

Award-winning author, scholar, and social visionary George Yancy brings together the greatest minds of our time to speak truth to power and welcome everyone into a conversation about the pursuit of justice, equality, and peace.

This interwoven collection of searingly honest interviews with leading intellectuals includes conversations with Noam Chomsky, Judith Butler, Cornel West, Robin D. G. Kelley, and Peter McLaren. Each conversation bears witness to the weighty moment in which it was first conducted and presented by Truthout and Tikkun magazines while pointing to ramifications, future hurdles, and practical optimism for moving forward.

Learning how to speak about such topics as white supremacy and global whiteness, xenophobia, anti-BIPOC racism, fear of critical race theory, and the importance of Black feminist and trans perspectives, readers will be better able to join future conversations with their peers, those in power, and those who need to be empowered to change the status quo. 

REVIEWS:

Award-winning Yancy presents this collection of interviews that are replete with ideas and insights about all that the pursuit of justice, equality, and peace entails. The author brings together leading intellectuals and philosophers—Noam Chomsky, Judith Butler, Cornel West, and Eric Foner, for example—to discuss the topic in raw, searing honesty. Author/scholar/activist Frank B. Wilderson III describes the impact of unrelenting oppression against Black people, and there are powerful chapters such as the one called, "To Be Black in the U.S. Is To Have a Knee Against Your Neck Every Day." The book also includes observations by somewhat lesser-known people: author Chelsea Watego; British-based political sociologist Akwugo Emejulu, and Brian Burkhart, and more. Explicitly addressed is the preposterous suggestion that everyone just "move on" from thinking about racism. This book’s contributors say that the only way society can do that is if white people go through some type of kenosis about their prejudices and notions that people do not deserve the same rights. All readers stand to learn something from this compelling book.― Library Journal, Starred Review

These stimulating and wide-ranging engagements—from Noam Chomsky and Judith Butler, to Robin Kelley, Mari Matsuda, and Cornel West—remind us of the range and depth of philosophical knowledge that underscores George Yancy’s work as a public intellectual as well as a scholar. This collection of conversations is a must-read for those of us seeking deeper understandings of the complex interactions of race, class, gender, and justice.

-- Henry Louis Gates Jr, the Alphonse Fletcher University Professor, Harvard University

Until Our Lungs Give Out is a painfully relevant and indispensable book that brings together world-renowned scholars to collectively demonstrate what it looks like to face the horrors and deep conflicts of the world head on and to speak against them despite the dangers of doing so. As one of our nation's most searingly insightful philosophers, Yancy has prophetically modeled speaking truth in love and has steadfastly refused to sugarcoat the truth no matter the personal cost to him. This collection of critical conversations underscores the hard truth that we have neither been good stewards of the earth nor have we been good neighbors toward each other. We have failed to give the abundance of care that each one of us deserves. Until Our Lungs Give Out bears witness to a cadre of renowned peacemakers (not peacekeepers) who will fight for national and global justice, humanity and peace until their lungs give out.

-- Kirsten Powers, CNN senior political analyst, New York Times bestselling author

Many thanks to philosopher and public intellectual George Yancy for this bounty of engaged thought from our foremost thinkers. We need this gift now more than ever—as a source of both perception and hope.

 -- Nell Irvin Painter, author of The History of White People

Robin D. G. Kelley poignantly captures the protests for racial justice during the surge in white nationalist retaliations. He states, 'If there is such a thing as the arc of the moral universe, it does not bend on its own. We bend it one way, our enemies bend it back.' George Yancy’s interviews with Kelley and many of the most important thinkers and doers of our times inspire many ways we can go forward from here. These interviews are thought-provoking, forward-thinking, and inspiring about next steps.

-- Tera W. Hunter, author of Bound in Wedlock: Slave and Free Black Marriage in the Nineteenth Century

Until Our Lungs Give Out is a timely and tremendously important book. It presents thoughtful and thought-provoking conversations between distinguished philosopher George Yancy and a dazzling array of the world’s most profound, original, and generative thinkers about anti-Black racism in the U.S. and around the world.

-- George Lipsitz, author of The Possessive Investment in Whiteness

The title of George Yancy’s new collection of interviews tells it all: he gives voice to the top critical thinkers in today’s struggle against racism and sexism, thinkers who persist in their struggle to the end, until their lungs give out. I’ve never seen a volume which combines multiple perspectives with a united strong commitment to emancipation. Until Our Lungs Give Out gives hope, and hope is what we need in our dark times.

-- Slavoj Žižek, author of Surplus-Enjoyment: A Guide for the Non-Perplexed and Heaven in Disorder

In this set of interviews, George Yancy invites leading intellectuals to tarry with global white supremacy, planetary anti-blackness, nocent settler-colonialism, structural misogyny, and insatiable capitalist extraction. The message and messengers are deeply political, philosophical, and pedagogical. At once an act of defiance and radical love, Until Our Lungs Give Out asks us to peer into a futurity its authors likely will not inhabit.

-- Zeus Leonardo, author of Edward Said and Education

Refusing to adjust to injustice, George Yancy’s interlocutors speak with passion and urgency attesting to Yancy’s skill as an interviewer. Listen to what they have to say, for the insights they express speak to some of the gravest issues of our times.

-- Robert Gooding-Williams, professor of philosophy and African American studies, Columbia University

ABOUT THE AUTHOR:

George Yancy is the author, editor, and co-editor of over 20 books, including Backlash: What Happens When we Talk Honestly About Racism in America. He is known for his influential essays and interviews in the New York Times' philosophy column, The Stone. Yancy lives in Atlanta, Georgia and he works primarily in the areas of critical philosophy of race, critical whiteness studies, and philosophy of the Black experience. He is particularly interested in the formation of African-American philosophical thought as articulated within the social and historical space of anti-Black racism, African-American agency, and questions of identity formation. His current work focuses on the theme of whiteness and how it constitutes a site of embedded social reality and a site of deep and enduring opacity, which is related to what he has theorized as white ambush. He is interested in the ways in which whiteness as an embodied phenomenon is a reality underwritten by historical forces and practices. Hence, he takes history seriously as an ever present force through which bodies are positioned. He is interested in themes such as white subject formation, white epistemic ways of knowing/not knowing, privilege and hegemony, and forms of white spatial bonding as sites of white solidarity and interpellation (or hailing). He is also interested in how such forms of white epistemic and bodily bonding are underwritten by white intelligibility. Yancy explores the theme of racial embodiment, particularly in terms of how white bodies live their whiteness unreflectively in relationship to the deformation of the black body and other bodies of color. He sees the two as relational. Within this context, his work explores Black Erlebnis or the lived experience of black people, which raises important questions regarding Black subjectivity, modes of Black spatial mobility, ontological truncation, and embodied resistance.

Yancy is also interested in the intersection between philosophy and biography. More specifically, he is interested in questions regarding philosophical self-formation, that is, how philosophers come to believe what they believe and how such belief formations/configurations are linked to historical, cultural, racial, and gendered processes. Yancy is also interested in ways to engage philosophy dynamically, to practice frank speech or courageous speech, within and outside the classroom. Yancy's publications are varied and extensive. He has authored, edited, and co-edited numerous books, articles, and chapters. His work has been quoted worldwide, including in Turkey, Australia, South Africa, and Sweden. He is known for his powerful and influential conversations with philosophers on race at The Stone, New York Times. Yancy is also "Philosophy of Race" Book Series Editor at Lexington Books. Learn more at www.georgeyancy.com

 
Black AF History: The Un-Whitewashed Story of America
by Michael Harriot
Dey Street Books, 2023

 

[Publication date: September 19, 2023]

From acclaimed columnist and political commentator Michael Harriot, a searingly smart and bitingly hilarious retelling of American history that corrects the record and showcases the perspectives and experiences of Black Americans.

America’s backstory is a whitewashed mythology implanted in our collective memory. It is the story of the pilgrims on the Mayflower building a new nation. It is George Washington’s cherry tree and Abraham Lincoln’s log cabin. It is the fantastic tale of slaves that spontaneously teleported themselves here with nothing but strong backs and negro spirituals. It is a sugarcoated legend based on an almost true story.

It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie.

 
In Black AF History, Michael Harriot presents a more accurate version of American history. Combining unapologetically provocative storytelling with meticulous research based on primary sources as well as the work of pioneering Black historians, scholars, and journalists, Harriot removes the white sugarcoating from the American story, placing Black people squarely at the center. With incisive wit, Harriot speaks hilarious truth to oppressive power, subverting conventional historical narratives with little-known stories about the experiences of Black Americans. From the African Americans who arrived before 1619 to the unenslavable bandit who inspired America’s first police force, this long overdue corrective provides a revealing look into our past that is as urgent as it is necessary. For too long, we have refused to acknowledge that American history is white history. Not this one. This history is Black AF.

REVIEWS:

“A razor-sharp reassessment of American history. . . . Entertainingly colloquial and impressively erudite, this meticulous survey of the American past is an invaluable resource.” — Publishers Weekly (starred review)

"Fresh eyes and bold, entertaining language combine in this authoritative, essential work of U.S. history." — Kirkus Reviews

“A stirring correction of U.S. history. . . . Emphasizing Black survival and resistance, Harriot simplifies complex issues into easily understandable, digestible bites. . . . With blunt, entertaining, irreverent, sarcastic, and sometimes laugh-out-loud statements, Harriot provocatively explains how the United States came to be and how money-focused, self-serving intentions made it what it is today.”

 — Library Journal

“Michael Harriot has done it. Written a book that evokes the full range of human emotions. Laughter. Rage. Sadness. Love (of Black resistance). Hate (of anti-Blackness). More laughter. Constant thinking and connecting and discovering. What an experience. But how can this book be anything less when it is Black AF History.” — Ibram X. Kendi, Award-winning author

“This is history as it should be told: straight, no chaser; unvarnished and unembossed. Michael Harriot, the Samuel L. Jackson of the written word, strikes again, weaving fascinating facts, scathing humor and pieces of his own life story to detail the stony road we trod.” — Joy Reid, Host of The ReidOut on MSNBC

“The story we've been told about America has always been redacted. With Black AF History, Michael Harriot removes the redacted parts and replaces them with griot-level storytelling. This is what everyone wishes their high school courses were actually like. Halfway through, you realize that this is not even a book about Black history, it's about how American history is Black AF.” — Pharrell Williams, Grammy Award-winning producer and musician

“Michael Harriot tells the most shocking (not shocking) stories of Black History I've ever heard. Every story is unbelievable yet, unfortunately, completely believable. Black AF History should be taught in every school across America.” — Amber Ruffin, comedian and host of The Amber Ruffin Show

“If I ever won an election for political office, I would have them swear me in on a copy of Black AF History. Michael Harriot is too funny to be this smart. Now, I have to go google how to ship a case of these to Ron DeSantis.” — W. Kamau Bell, Award-winning television host and stand-up comedian

“A masterwork… Harriot is completely unafraid to call bullshit where it is warranted, and the humorous sidebars, digressions, and reader activities add further value to a history that every American would do well to read… He presents the material in a way that promises to keep readers engaged and, when required, agitated and spurred to action, and documentation offers ample opportunity for anyone to dig further into a particular topic.” — Kirkus Reviews

ABOUT THE AUTHOR:

Michael Harriot is a columnist at theGrio.com where he covers the intersection of race, politics, and culture. His work has appeared in the Washington Post, The Atlantic, NBC, BET, and on his mother’s refrigerator. He is a political commentator on MSNBC and CNN and has been honored by the National Association of Black Journalists for commentary, digital commentary, and TV news writing. Michael is the creator and cohost of the podcast Drapetomaniax: Unshackled History, produced in partnership with Pharrel's OTHERtone. His college course “Race: An Economic Construct” was adapted by university economics departments across the country as a model for teaching the combination of history, economics, politics, and class structures.

 

Watch Your Language: Visual and Literary Reflections on a Century of American Poetry
by Terrance Hayes
Penquin Books, 2023

[Publication date:  July 18, 2023]

 

“Dazzling . . . a verbal and visual feast that defies genres.” —The Washington Post

From the National Book Award–winning author of Lighthead, Terrance Hayes, a fascinating collection of graphic reviews and illustrated prose addressing the last century of American poetry—to be published simultaneously with his latest poetry collection, So to Speak

Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. "If you don't see suffering's potential as art, will it remain suffering?" he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes's astonishing drawings and essays literally and figuratively map the acclaimed poet's routes, roots, and wanderings through the landscape of contemporary poetry.

REVIEWS:

Praise for Watch Your Language:

“A dazzling homage . . . [Watch Your Language is] a verbal and visual feast that defies genres . . . exhilerating . . . Time and time again, [Hayes] introduces a phrase or form that appears familiar, then radically reinvents it. The results are strange, sometimes surreal and always sublimely surprising . . . [He] continues to devise language well worth watching.” —The Washington Post

“A wildly entertaining and honest view into a poet and artist’s rangy mind.” —The Millions

“When one of America’s great poets assembles his poetic origin story in a collage-like collection of mini essays, illustrations, prose fragments, and assorted feuilletons of a life in poetry, it behooves us all to pay attention. In examining his own path to poetry, Terrance Hayes also manages to excavate a century of nearly forgotten African American poets, reminding us all of the very narrow poetic canon that predominates to this day in the academy. Essential reading.” —LitHub

“A freewheeling work of creative originality . . . Equal parts zine, poetic bibliography, and interior atlas to Hayes' literary inheritance, this imaginative undertaking will intrigue aficionados of the author's expanding oeuvre and anyone looking for artistic inspiration.” 

 

—Booklist

ABOUT THE AUTHOR:

Terrance Hayes is the author of Lighthead, winner of the 2010 National Book Award and finalist for the National Book Critics Circle Award. His other poetry collections are American Sonnets for My Past and Future Assassin, How to Be Drawn, Wind in a Box, Hip Logic, and Muscular Music, and he is also the author of To Float in the Space Between: A Life and Work in Conversation with the Life and Work of Etheridge Knight, which was a finalist for the National Book Critics Circle Award for criticism. His honors include a National Endowment for the Arts Fellowship, a Guggenheim Fellowship, and a 2014 MacArthur Fellowship. Hayes lives in New York City, where he is a professor of creative writing at New York University.

 

 

 

The Crucial Ongoing Power, Insight, and Value of Barbara Kruger's Public Art

 

 

Barbara Kruger

(b. January 26, 1945)

 

The artist’s compelling and predictive use of aphorisms has blurred the lines between political slogans, poetry and the language of advertising, offering a dark mirror for our meme-driven age.

 

by Megan O’Grady

October 19, 2020

New York Times

 

PHOTO/IMAGE: Barbara Kruger’s “Untitled (Questions)” (1990/2018), on view at the Geffen Contemporary at the Museum of Contemporary Art, Los Angeles. Elon Schoenholz

 

Barbara Kruger (born January 26, 1945) is an American conceptual artist and collagist associated with The Pictures Generation. Most of her work consists of black-and-white photographs, overlaid with declarative captions, stated in white-on-red Futura Bold Oblique or Helvetica Ultra Condensed text. The phrases in her works often include pronouns such as "you", "your", "I", "we", and "they", addressing cultural constructions of power, identity, consumerism, and sexuality. Kruger lives and works in New York and Los Angeles. Kruger is a Distinguished Professor of New Genres at the UCLA School of the Arts and Architecture.

 

Books:

 

My Pretty Pony (1998), text by Stephen King, illustrations by Barbara Kruger, Library Fellows of the Whitney Museum of American Art

Barbara Kruger: 7 January to 28 January 1989 by Barbara Kruger, Mary Boone Gallery, 1989

Barbara Kruger: 5 January to 26 January 1991 by Barbara Kruger, 1991

Remote Control: Power, Cultures, and the World of Appearances by Barbara Kruger, 1994

Love for Sale by Kate Linker, 1996

Remaking History (Discussions in Contemporary Culture, No 4) by Barbara Kruger, 1998

Thinking of You, 1999 (The Museum of Contemporary Art, Los Angeles)

Barbara Kruger by Angela Vettese, 2002

Money Talks by Barbara Kruger and Lisa Phillips, 2005

Barbara Kruger by Barbara Kruger, Rizzoli 2010

Film and video

"The Globe Shrinks". 2010

"Pleasure, Pain, Desire, Disgust". 1997

"Twelve". 2004

Bulls on Parade video clip, Rage Against the Machine (1996)

"Art in the Twenty-First Century". 2001

"Cinefile: Reel Women". 1995

"Picturing Barbara Kruger". 2015[51]

 

See also:

 

Art & Language

 

You Are Not Yourself, 1981 work by Kruger

Feminist art movement in the United States

Shepard Fairey

Emi Fontana

Jenny Holzer

Martin Firrell

Louise Lawler

Cindy Sherman

Mike Kelley

Joel Wachs, Los Angeles City Council member who helped Kruger get permission for an outdoor art piece

 

PHOTO/IMAGE: Barbara Kruger’s “Untitled (Questions)” (1990/2018), on view at the Geffen Contemporary at the Museum of Contemporary Art, Los Angeles. Elon Schoenholz

NOTE:  This post can also now be found here at the Panopticon Review On Facebook page.

Our National Complicity With the Scumbag-in-Chief And Its Lethal Assault on Democracy

"In the age of Trump, history neither informs the present nor haunts it with repressed memories of the past. It simply disappears. Memory has been hijacked. This is especially troubling when the "mobilizing passions" of a fascist past now emerge in the unceasing stream of hate, bigotry, lies and militarism that are endlessly circulated and reproduced at the highest levels of government and in powerful conservative media, such as Fox News, Breitbart News, conservative talk radio stations and alt-right social media. Power, culture, politics, finance and everyday life now merge in ways that are unprecedented and pose a threat to democracies all over the world. This mix of old media and new digitally driven systems of production and consumption are not merely systems, but ecologies that produce, shape and sustain ideas, desires and modes of agency with unprecedented power and influence. Informal educational apparatuses, particularly the corporate-controlled media, appear increasingly to be on the side of tyranny. In fact, it would be difficult to overly stress the growing pedagogical importance of the old and new media and the power they now have on the political  imaginations of countless Americans. This is particularly true of right-wing media empires, such as those owned by Rupert Murdoch, as well as powerful corporate entities such as Clearwater, which dominates the radio airwaves with its ownership of over 1,250 stations. In the sphere of television ownership and control, powerful corporate entities have emerged, such as Sinclair Broadcast Group, which owns the largest number of TV stations in the United States. In addition, right-wing hosts, such as Rush Limbaugh and Sean Hannity have an audience in the millions. Right-wing educational apparatuses shape much of what Americans watch and listen to, and appear to influence all of what Trump watches and hears. The impact of conservative media has had a dangerous effect on American culture and politics, and has played the most prominent role in channeling populist anger and electing Trump to the presidency. We are now witnessing the effects of this media machine. The first casualty of the Trump era is truth, the second is moral responsibility, the third is any vestige of justice, and the fourth is a massive increase in human misery and suffering for millions.

Instead of refusing to cooperate with evil, Americans increasingly find themselves in a society in which those in commanding positions of power and influence exhibit a tacit approval of the emerging authoritarian strains and acute social problems undermining democratic institutions and rules of law. As such, they remain silent and therefore, complicit in the face of such assaults on American democracy. Ideological extremism and a stark indifference to the lies and ruthless polices of the Trump administration have turned the Republican Party into a party of collaborators, not unlike the Vichy government that collaborated with the Nazis in the 1940s. Both groups bought into the script of ultra-nationalism, encouraged anti-Semitic mobs, embraced a militant masculinity, demonized racial and ethnic others, supported an unchecked militarism and fantasies of empire, and sanctioned state violence at home and abroad.

Words carry power and enable certain actions; they also establish the grounds for legitimating repressive policies and practices.

This is not to propose that those who support Trump are all Nazis in suits. On the contrary, it is meant to suggest a more updated danger in which people with power have turned their backs on the cautionary histories of the fascist and Nazi regimes, and in doing so, have willingly embraced authoritarian messages and tropes. Rather than Nazis in suits, we have a growing culture of social and historical amnesia that enables those who are responsible for the misery, anger and pain that has accompanied the long reign of casino capitalism to remain silent for their role and complicity in the comeback of fascism in the United States. This normalization of fascism can be seen in the way in which language that was once an object of critique in liberal democracies loses its negative connotation and becomes the opposite in the Trump administration. Politics, power and human suffering are now framed outside of the realm of historical memory. What is forgotten is that history teaches us something about the transformation and mobilization of language into an instrument of war and violence. As Richard J. Evans observes in his The Third Reich in Power:

Words that in a normal, civilized society had a negative connotation acquired the opposite sense under Nazism ... so that 'fanatical', 'brutal', 'ruthless', 'uncompromising', 'hard' all became words of praise instead of disapproval... In the hands of the Nazi propaganda apparatus, the German language became strident, aggressive and militaristic. Commonplace matters were described in terms more suited to the battlefield. The language itself began to be mobilized for war.

Fantasies of absolute control, racial cleansing, unchecked militarism and class warfare are at the heart of much of the American imagination. This is a dystopian imagination marked by hollow words, an imagination pillaged of any substantive meaning, cleansed of compassion and used to legitimate the notion that alternative worlds are impossible to entertain. There is more at work here than shrinking political horizons. What we are witnessing is a closing of the political and a full-scale attack on moral outrage, thoughtful reasoning, collective resistance and radical imagination. Trump has normalized the unthinkable, legitimated the inexcusable and defended the indefensible.

Of course, Trump is only a symptom of the economic, political and ideological rot at the heart of casino capitalism, with its growing authoritarianism and social and political injustices that have been festering in the United States with great intensity since the late 1970s. It was at that point in US history when both political parties decided that matters of community, the public good, the general welfare and democracy itself were a threat to the fundamental beliefs of the financial elite and the institutions driving casino capitalism. As Ronald Reagan made clear, government was the problem. Consequently, it was framed as the enemy of freedom and purged for assuming any responsibility for a range of basic social needs. Individual responsibility took the place of the welfare state, compassion gave way to self-interest, manufacturing was replaced by the toxic power of financialization, and a rampaging inequality left the bottom half of the US population without jobs, a future of meaningful work or a life of dignity.

The call for political unity transforms quickly into the use of force and exclusionary violence to impose the authority of a tyrannical regime.

Trump has added a new swagger and unapologetic posture to this concoction of massive inequality, systemic racism, American exceptionalism and ultra-nationalism. He embodies a form of populist authoritarianism that not only rejects an egalitarian notion of citizenship, but embraces a nativism and fear of democracy that is at the heart of any fascist regime.

In Trump's world, the authoritarian mindset has been resurrected, bent on exhibiting a contempt for the truth, ethics and alleged human weakness. For Trump, success amounts to acting with impunity, using government power to sell or to license his brand, hawking the allure of power and wealth, and finding pleasure in producing a culture of impunity, selfishness and state-sanctioned violence. Trump is a master of performance as a form of mass entertainment. This approach to politics echoes the merging of the spectacle with an ethical abandonment reminiscent of past fascist regimes. As Naomi Klein rightly argues in No Is Not Enough, Trump "approaches everything as a spectacle" and edits "reality to fit his narrative."

As the bully-in-chief, he militarizes speech while producing a culture meant to embrace his brand of authoritarianism. This project is most evident in his speeches and policies, which pit white working- and middle-class males against people of color, men against women, and white nationalists against various ethnic, immigrant and religious groups. Trump is a master of theater and diversion, and the mainstream press furthers this attack on critical exchange by glossing over his massive assault on the planet and enactment of policies, such as the GOP tax cuts, which are willfully designed to redistribute wealth upward to his fellow super-rich billionaires. Trump's alleged affair with adult film star Stormy Daniels garners far more headlines than his deregulation of oil and gas industries and his dismantling of environment protections.

Economic pillage has reached new and extreme levels and is now accompanied by a ravaging culture of viciousness and massive levels of exploitation and human suffering. Trump has turned language into a weapon with his endless lies and support for white nationalism, nativism, racism and state violence. This is a language that legitimates ignorance while producing an active silence and complicity in the face of an emerging corporate fascist state…”

--Henry A. Giroux, "The Ghost of Fascism in the Age of Trump" February 13, 2018, Truthout | News Analysis

https://www.nytimes.com/2018/02/15/opinion/scandal-ridden-scoundrel.html?action=click&contentCollection=Music&module=Trending&version=Full&region=Marginalia&pgtype=article

Opinion | Op-Ed Columnist

Scandal-Ridden Scoundrel

by Charles M. Blow  

February 15, 2018

New York Times

SCUMBAG-IN-CHIEF.  Credit Jim Watson
Agence France-Presse  Getty Images

Donald Trump has turned the political world upside down, again and again, like a kid flipping a coin. Every day we wake up to either a new scandal or several lingering ones.

It is astounding. It is maddening. It is numbing.

At this moment, he is embroiled in a scandal of a six-figure payment to a porn star who goes by the name Stormy Daniels and who, at one point, gave an interview in which she claimed that the two were engaged in an extramarital sexual affair.

He is also embroiled in a scandal over why a top aide, Rob Porter, accused of physically assaulting his two ex-wives, was allowed to remain on the White House staff even after these allegations had been brought to the attention of the White House by the F.B.I.

Exacerbating this scandal is the fact that the official White House timeline about the events leading to Porter’s resignation turned out to be a lie, according to sworn testimony on Tuesday by the F.B.I. director Christopher Wray. It is also exacerbated by the fact that after Porter resigned, Trump praised him, and initially failed to say anything about domestic violence in general, reserving that condemnation for a week later, when he said, “I’m totally opposed to domestic violence of any kind.”

And of course, there is the omnipresent issue of Russia attacking our elections in 2016 and the investigation into whether anyone in the Trump orbit colluded or cooperated with the Russians, conspired to commit a crime, lied to officers or tried to obstruct justice.

That’s just the big three at the moment. We also mustn’t forget that the president has never released his tax returns, he refused to sever ties with his businesses, and he is burning through our money going to golf courses or his properties with decadent regularity. He also defended Nazis and was disrespectful to the hurricane-ravaged people of Puerto Rico.

And Trump has lied about pretty much everything. As The Washington Post reported in November: “In the past 35 days, Trump has averaged an astonishing nine [false or misleading] claims a day. The total now stands at 1,628 claims in 298 days, or an average of 5.5 claims a day.”

Any of this would have crippled another president, but not Trump. In a perverse way, Trump appears to benefit from the sheer volume of his offenses. They overwhelm many Americans’ ability to process and track, maintain outrage or even fact-check.

This may rightfully be called Trump’s Deluge Doctrine of American Politics, a thing that many of us never properly feared because we never thought it possible. We never thought a man of such moral depravity and such little respect for propriety, protocol and honesty would ever be president.

But the storm is upon us; we are in it.

I must continue to submit that although I disagree vociferously with Trump on policy, my objection here isn’t about policy or partisanship. This is a fight for the soul of the country.

When more than a third of the country — among them many who once considered themselves part of the “moral majority” — stand with a man who is the literal antithesis of all the values they once professed, that is a problem for America. They are no longer interested in the health of the democracy. Their mission and objectives have veered into a dark place where vision is short and risks and dangers are multiple.

I know that it is a fool’s errand to try to convince these people that honesty, valor and character are fundamental requirements of the American presidency, and when they are lost from the office, the country itself is in peril.

As Trump himself said during the campaign, “I could stand in the middle of Fifth Avenue and shoot somebody and I wouldn’t lose voters.” The enduring truth of that outrageous claim is a permanent stain that his supporters must carry.

These people are not only hypocrites; they are au pairs to his obscenity.

Who else would they have allowed to get away with paying off a porn star?

Who else would they have allowed to refuse to sufficiently acknowledge that the country had been attacked, with profound consequences and continued threat, by another country?

The director of national intelligence, Dan Coats, said Tuesday at a Senate Intelligence Committee hearing:

“There should be no doubt that Russia perceived that its past efforts as successful and views the 2018 U.S. midterm elections as a potential target for Russian midterm operations.”

He continued:

“We need to inform the American public that this is real, that this is going to be happening, and the resilience needed for us to stand up and say we’re not going to allow some Russian to tell us how to vote, how we ought to run our country.”

But Wray testified at the same hearing that he had never been “specifically directed by the president” to prevent Russia from interfering in our elections.

That is a jaw-dropping statement. As the Harvard professor of constitutional law Laurence H. Tribe wrote on Twitter:

“F.B.I. director Wray just testified in the Senate that — despite Russia’s ongoing intrusions into our electoral systems — Potus has never charged the F.B.I. with protecting U.S. elections from Russia! Let that sink in. That’d be like F.D.R. doing nothing in response to Pearl Harbor.”

Let me be clear: Any president who refuses to protect Americans from a foreign threat is himself a domestic threat.

How can any of this be sustained? How can it be rationalized? How can it be tolerated?

America, what is left of it, is slipping away a little bit more every day, with a blessing and a wave from the truculent Trump supporters who simply get giddy whenever liberals lament.

This is the politics of the petty, where people dance and shout as the republic burns.

We patriots and dissidents, we many, we strong, we steadfast, are the last hope the country has of returning to what remains of a pre-Trump America, where porn stars weren’t paid off, accused wife beaters weren’t valorized and our president showed more allegiance to our country than to another.

I invite you to join me on Facebook and follow me on Twitter (@CharlesMBlow), or email me at chblow@nytimes.com.