Showing posts with label Feminism. Show all posts
Showing posts with label Feminism. Show all posts

Friday, March 1, 2024

Interview with Scholar, Political Theorist, Radical Activist, Critic, and Public Intellectual Angela Davis On Critical Theory and Political Praxis, 1960-Present

The Platypus Affiliated Society

    
Bridging theory and practice: An interview with Angela Davis

 
by Erin Hagood and Duyminh Tran

Platypus Review 138 | July-August 2021

PHOTO (L-R): Herbert Marcuse and Angela Davis in 1968

https://lithub.com/angela-davis-on-protest-1968-and-her-old-teacher-herbert-marcuse/

On December 7, 2020, Erin Hagood and Duyminh Tran interviewed Angela Davis via Zoom. Davis is a political activist, author, and academic whose work has focused on issues on race, class, and feminism. What follows is an edited version of their discussion.

Duyminh Tran: Could you give us a brief overview of how you became interested in Marxism?

Angela Davis: I can tell you that it seems that I was primed by the social environment of my childhood to be receptive to Marxism. My parents had a number of friends who were members of the Communist Party. As a very young child, I had no idea what that was, but I’m certain that the ideas that were instilled into me by my mother had something to do with that. I just can’t tell you exactly how.

I do know that when I attended high school in New York in Greenwich Village at The Little Red School House/Elisabeth Irwin High School, a good number of the teachers had been blacklisted because of their political affiliations and beliefs. As a matter of fact, because they were not allowed to teach in the public school system in New York, the teachers created a cooperative school based on the experiments in progressive education by a woman named Elisabeth Irwin.

My history teacher was a Marxist. At the age of 15, I seriously read The Communist Manifesto as a document we were studying in our class. Due to my parents’ connections, I was active in the youth organization of the Communist Party when I was very young. Embracing Marxism came rather naturally. It wasn’t a result of a prise de conscience, as one might say — it just happened organically.


Installation view "1 Million Rosen für Angela Davis"
with: Heinz Wodzicka, Angela Davis, 1972
© SKD, Foto: Laura Fiorio

DT: On the topic of your graduate studies, what were the reasons you decided to go to Germany to study with Adorno?

AD: I had been studying French literature as my undergraduate major. In the course of studying French literature, I came across quite a number of writers who were also philosophers such as Sartre and Camus. I realized that, while I was extremely interested in the literature and the aesthetic dimension, I was more interested in the philosophical underpinnings of the ideas. I didn’t realize this until I was a senior. I had spent a year in France studying at the Sorbonne. Marcuse, who was teaching at Brandeis University at the time, had been away my sophomore year, and I was away my junior year. I had heard him speak and was looking forward to taking classes with him during my senior year. When I explained my predicament to him, I told him that I was very interested in continental philosophy. At that point I was primarily interested in the existentialists. As a result of my studies in France, I had been reading a lot of Sartre and Camus, as well as other phenomenologists like Merleau-Ponty.

I told Marcuse that I was interested in philosophy but did not possess a foundation because I had never even taken an introductory course to the history of philosophy. And then, on the spot — I was in his office hours at the beginning of the first semester of my senior year — Marcuse said, “Well, let’s study philosophy!” For that entire quarter, I met with him weekly to discuss texts from the pre-Socratics, Plato, Aristotle, Schopenhauer, Locke, and others. He then told me that I would have to take his graduate seminar on Kant’s Critique of Pure Reason, which was quite frightening because I had only begun to study philosophy. How could I possibly participate in a class with graduate students who had probably been studying philosophy for many years? But I overcame my fear, took the seminar, and Marcuse called upon me to give the first paper of the seminar.

That is basically how I got hooked on philosophy, but I should point out that I was not really interested in the analytical philosophy that was most popular at that time. What captured my interest was critical theory, which was the approach taken by Marcuse and the Frankfurt School of philosophy — a philosophy applied in an interdisciplinary context as it might assist in the process of changing the world. Marcuse then suggested that I study with Adorno, Horkheimer, and Habermas, who was a young professor at the university at that time. It turned out that was exactly what I was looking for.

Erin Hagood: Oftentimes when young people read the history of this period in politics, the philosophy of people like Sartre or the members of the Frankfurt School is often counterposed to the Old Left communists. Those seem to have been two traditions that both influenced you. Could you speak to how what you learned in the Little Red School House and from the communists related to what you learned by reading Sartre and studying with Marcuse and Adorno?

AD: I don’t think that there was such a clear division at that time. Of course, there was the up-and-coming New Left as exemplified by the New Left Review, for example, which I read during the 1960s. At that particular time, even though I was close to people who were members of the Communist Party, I identified more with the emergent examples of Left theory, politics, and activism that the French intellectuals espoused.

One of the reasons I felt drawn to France was because of the political engagements of public intellectuals. I did not, at that time, consider myself a proponent of the so-called Old Left, but it was always a part of my environment due to my family and friends. I remember that, when I was studying in Frankfurt, I actually went to East Germany because James Jackson, a prominent figure in the U.S. Communist Party, was there for a meeting. He was a very close friend of my parents, and I continue to be friends with his children. His wife, Esther Jackson, was also a major figure. She’s still alive and is 104 now. She was the editor of Freedomways and did a lot of political work in the literary world. Politically, I was drawn to what I considered to be the more radical instantiations of Marxism than to the Communist Party, which I tended to associate with my parents and older generations.

EH: We would like to ask you about your experience with activism in the 1960s and eventual participation in the Communist Party. In your autobiography[1], you talk about your experience in the Black Panther Political Party and the criticisms you had of many groups with which you worked such as the Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party for Self-Defense. What ultimately brought you to the Communist Party? What did you learn from your experience in the Black Panther Political Party during that period?

AD: Initially I was a member of the Black Panther Political Party, one of the many organizations that took on the designation Black Panthers from the Lowndes County Freedom Democratic Party, whose symbol was the black panther. Then I was a member of LA SNCC. Finally, I joined the Communist Party and shortly thereafter the Black Panther Party for Self-Defense (the Black Panther Party with which we are all familiar today). My decision to join the Communist Party, first of all, had to do with a sense of an important lack in the other organizations that I had joined. While I was passionate about Black liberation, I’ve always sought a commitment that embodied interrelations and connections.

I can remember, even when I was growing up in Birmingham, that although white people were certainly racist, we had to be able to reach them because workers’ struggles were important. I suppose I absorbed some of these ideas from the Communists in my social environment. Therefore, having worked with so many black organizations such as the Black Youth Alliance, black student groups, and the Black Panther Political Party (which ran candidates at the time), I understood that black liberation had to be viewed in the context of a broader meaning of freedom.

Two of the people I became close with as I worked in the Black Panther Political Party and LA SNCC, Franklin Alexander and his wife, Kendra Alexander, were members of a formation within the Communist Party called the Che-Lumumba Club. This was a black club within the Communist Party that was not entirely accepted by the larger leadership structure in New York. However, it was accepted by the Communist Party leadership in California as an important way of participating in the black liberation movement while embracing the class struggle and developing a Marxist analysis.

It was actually related to a very specific experience I had as an activist, when SNCC was dismantled because of disagreements regarding the part that women should play in the struggle and specifically their eligibility for leadership roles. Women who were nominally in the leadership of LA SNCC but were not permitted to publicly represent the organization at press conferences, rallies, etc., demanded to be acknowledged because we were actually doing most of the actual work — as is usually the case in movement and other organizations. We also demanded to be recognized as spokespersons. This tension within the organization also had to do with who was a Marxist and who wasn’t. The internal tensions finally led to the demise of the organization.

I’ve always been someone who needs collective contexts, but my organization fell apart as a result of these internal struggles over gender and politics. Kendra, Franklin, and Franklin’s older sister Charlene Mitchell invited me to consider becoming a part of the Che-Lumumba Club in Los Angeles. I was so impressed by the work that they were doing that it seemed like an opportunity to have collective reflection and input. It was also an internationalist organization that addressed local, national, and global issues.

EH: You state in your autobiography that you reflected on how your philosophy was connected to your politics. In your essay “Marcuse’s Legacies,”[2] you note that the difference between Adorno and Marcuse seemed to hinge upon how their ideas related to the activism occurring during the 1960s. Could you tell us why you felt their disagreement was significant and what those ideas meant specifically for your politics during this period?

AD: That’s a very interesting question. I never quite thought about it in that way but thanks for posing it. I did learn a great deal about working within the context of contradictions. I really appreciated Adorno’s analysis. I loved his lectures, read his works voraciously, and had conversations with my student friends in Germany about his work. On the other hand, so many of us were utterly critical of him for his failure to recognize that it was possible at that moment to bridge the gap between theory and practice.

Marcuse was actually doing this. He was doing his philosophy and working within the realm of ideas, but also participated in the radical movements of that era. He spoke at rallies, advised activists, and engaged in reflections on activism in his writings of that era. By contrast, Adorno’s position was basically that the revolution we wanted should have already happened. However, it did not happen due to major flaws in the theory. He believed that our role at that time was to deeply immerse ourselves in theory so that we could generate a theoretical framework capable of producing successful revolutionary activism.

Many of us felt that this stance did not reflect the dialectical approach on which he himself always insisted. He saw his work as dialectical. How could one divorce theories and praxis, ideas and activism in that way? In Frankfurt, we had many conversations about the value of Adorno’s work that also helped us to develop an immanent critique of his stand with respect to activism.

I’m thankful for the fact that you posed the question in those terms, because I never quite thought about it that way. Your formulation of the question highlights what I now consider to be an important feminist method — working within the very tensions defined by relations of contradiction. Although I did not see myself as learning how to work within the context of contradictions, this is precisely what I was attempting to do. When I joined the Communist Party, I was extremely critical of a number of issues related to the party. However, based on the experience I had in Frankfurt, I realized that it was possible to be engaged and active while simultaneously remaining critical.

I see this as a feminist stance. The capacity to dwell within contradictions and render them productive is an important element of feminist methodologies. I’m recognizing now that I had encountered dilemmas that required that insight in the late 1960s when I was studying with Adorno.

EH: What do you mean by rendering contradictions productive? What might be an example of rendering a contradiction productive in political activism?

AD: As Audre Lorde wrote, “Difference must be not merely tolerated, but seen as a fund of necessary polarities between which our creativity can spark like a dialectic.” This methodology eschews the usual approach to contradiction, which is advocacy to choose one pole or the other. Let’s take a contemporary example. I’m extremely critical of Joe Biden and Kamala Harris for numerous reasons. They aren’t the candidates we need to lead the country in a radical direction, but I’m not going to wipe my hands of them and do nothing, an unfortunately popular position. I think that it’s possible to be critical while simultaneously recognizing how important it was during this last election to get rid of looming fascism by voting against its proponents. Biden and Harris definitely don’t represent the path we need to take in this country, but they do represent the possibility of creating a more open political terrain where activist support of more radical trajectories can play out, even in opposition to their political positions. If we learn how to work at the heart of this contradiction, we may be able to push for those changes that the Biden/Harris administration opposes.

EH: In a talk you gave in 2008, you noted that many of the collective demands of the 1960s have transformed into individual benefits in the present. In retrospect, did the New Left’s studies of Marx prove adequate to the task of grasping historical transformations in capital such as, for example, changes in the meaning of race, the economic decline of the black working class, and the post-industrialization of the Midwest, in order to effect political change?

AD: The impact of neoliberal ideology has tended to emphasize and further embed the already destructive idea that the individual is the primary unit of society. The paradigm is the individual on the capitalist market. I believe that, in that lecture, I spoke about how affirmative action was intended to uplift entire communities of color and women but was misconstrued as an individualistic solution.

The project was never about individuals. It was always about communities. It has been difficult to create a popular discourse that could help people realize the importance of distinguishing between the individual and the collective. At least, in 2020, perhaps half of the country finally acknowledges that we do need strategies that address structural and systemic racism. It’s not about a particular individual’s capacity to become the first to accomplish something. It’s about uplifting entire communities and attempting to extricate them from the structural problems that have persisted since the aftermath of slavery.

As socialists and the Left more broadly have developed over the past few decades, there has been a pervasive tendency towards reductionism. One might look, for example, at Bernie Sanders and his notion during the previous election that racism can be addressed by attending to its economic dimensions. Jobs for all will end racism. To a certain extent, I think he is right, and we have to embrace these solutions. At the same time, Sanders fails to recognize the particular dynamic of race and racism. Cedric Robinson pointed out that capitalism, from its outset, has always been racial capitalism as a result of colonialism and slavery.

Those inheritances are still with us. Over the last period, the reductionism of what came to be called the New Left has abated somewhat, but there are still vestiges of this tendency to declare that the overarching problem is capitalism, while ignoring the urgency of opposing racism and misogyny. There is an assumption that all one has to do is solve the problems of capitalism in order to fix racism, misogyny, and many other issues that continue to be inaccurately characterized as special interests. Criticisms stating that attempts to address racial or gender issues are divisive have proven to be absolutely incorrect. We are in the process of reimagining what it means to challenge racial capitalism and struggle for a socialist future. Questions of race, gender, and ability all have to be centered.

We could have a very long conversation about this, but I just want to point out that the longstanding failure to embrace a feminist analysis of capitalism and the role of reproductive labor disarmed a great number of traditional Marxists who didn’t want to disturb the notion that the (white) male proletariat is the incontestable agent of change in history. Nowadays, we are seeing an entirely different global economy with women and girls participating in the manufacturing sector. Some of the most progressive unions have recognized that they have to change their approaches. The failure to acknowledge these material changes signals a need to rethink the theoretical framework.

This is one of the things I really appreciate about critical theory. One not only uses these conceptual methods to try to understand the world but must also constantly question the conceptual apparatus. One must ask: why am I using this tool, this concept, this particular theory, this method? How does that change the outcome of what I am trying to learn? How do changes in the material world have an impact on my theoretical framework? 



NOTES:

[1] Angela Davis, Angela Davis: An Autobiography (New York: International Publishers, 2013).

[2] Angela Davis, “Marcuse’s Legacies,” in Herbert Marcuse: A Critical Reader, ed. John Abromeit and W. Mark Cobb (New York: Routledge, 2004), 43-50.

Saturday, January 21, 2017

In Solidarity with the National Women's March


All,

It is always BEAUTIFUL AND INSPIRING to see the great masses of citizens actively fighting back against tyranny and oppression, and on behalf of freedom, justice, equality, and self determination. This massive national demonstration of the collective will of the people to directly and fiercely oppose the rising tide of white supremacy, male supremacy and misogyny, homophobia, as well as global capitalism, militarism, and imperialism not only here in the U.S. but throughout the world is the key to understanding what needs to be done to actually change this society and the general direction of the world.
The sterling and extremely necessary example that millions of women of every nationality as well as religious, secular, and ethnic and sexual identity have set for all the rest of us is a new template and strong foundation for the kind of major national social/political movements and massive networks of organizations, coalitions, and radical agendas that we’re all going to need to consistently contribute to and be an integral part of in this ongoing battle against the ferocious rightwing forces that are currently aligned against democracy and justice in this country.
Remember that the politics of race, class, gender, and sexuality are inextricably connected and mutually dependent on each other and always have been. and always will be. We especially need to make these connections known and an essential part of our political activity in fighting the billionaire sociopath and his neofascist administration’s programs and policies. This will require constant vigilance, discipline, and principled solidarity on our part so that this fundamental message is not forgotten or obscured as we make our demands and desires known.
So I am not merely "encouraged" by what the extraordinary leadership of women in this movement has accomplished in this nation over the past 36 hours. I am ENERGIZED by what is now possible as we proudly face the harrowing future without fear, cynicism, fatalism, or crippling self doubt.
So let's celebrate the fact that THE RESISTANCE has begun and remember always as the late, great Malcolm X often said "they can't stop it because they didn't start it"...

Dare to Struggle, Dare to Win...

Kofi

https://www.nytimes.com/2017/01/21/us/women-march-protest-president-trump.html?_r=0 


Defiant Voices Flood U.S. Cities as Women Rally for Rights



Three Generations of Women, Marching on Washington




For Amber Coleman-Mortley, the Women’s March on Washington was a family affair.
by BRENT McDONALD and BEN C. SOLOMON on Publish Date January 21, 2017. Photo by Ben C. Solomon/The New York Times. Watch in Times Video 

WASHINGTON — The day after what many had assumed would be the inauguration of the first female president, hundreds of thousands of women flooded the streets of Washington, and many more marched in cities across the country, in defiant, jubilant rallies against the man who defeated her.
Protesters jammed the streets near the Capitol for the main demonstration, packed so tightly at times that they could barely move. In Chicago, the size of a rally so quickly outgrew early estimates that the official march that was scheduled to follow was canceled for safety, though many paraded through downtown, anyway.
In Manhattan, Fifth Avenue became a tide of signs and symbolic pink hats, while in downtown Los Angeles, shouts of “love trumps hate” echoed along a one-mile route leading to City Hall, with many demonstrators spilling over into adjacent streets in a huge, festival-like atmosphere.
The marches were the kickoff for what their leaders hope will be a sustained campaign of protest in a polarized nation, riven by an election that raised unsettling questions about American values, out-of-touch elites and barriers to women’s ambitions.

 

Women March Around the U.S.

Hundreds of thousands of women came out to march in Washington, D.C. There were also hundreds of solidarity marches held around the nation and the world.
by NEETI UPADHYE on Publish Date January 21, 2017. Photo by Hilary Swift for The New York Times. Watch in Times Video »

On successive days, two parallel and separate Americas were on display in virtually the same location. First there was President Trump’s inauguration, his message of an ailing society he would restore to greatness aimed at the triumphant supporters who thronged Washington on Friday.

Then on Saturday, in what amounted to a counterinauguration, the speakers, performers and marchers proclaimed allegiance to a profoundly different vision of the nation. They voiced determination to protect an array of rights that they believe Mr. Trump threatens, and that they thought only recently were secure.
“Thank you for understanding that sometimes we must put our bodies where our beliefs are,” Gloria Steinem, the feminist icon and an honorary chairwoman of the march, told those gathered in Washington. “Pressing ‘send’ is not enough.”
To mobilize a progressive movement reeling from Hillary Clinton’s defeat, organizers broadened the platform beyond longstanding women’s issues such as abortion, equal pay and sexual assault to include immigrant rights, police brutality, mass incarceration, voter suppression and environmental protections


Protesters at the women’s march in Paris on Saturday. Credit Jacky Naegelen/Reuters

But the march’s origins were in the outrage and despair of many women after an election that placed gender in the spotlight as never before.
Mrs. Clinton assertively claimed the mantle of history, offering herself as the champion of women and families, and calling out her opponent for boasting of forcing himself on women in a recording that prompted a national conversation about sexual assault. In a sly allusion to the crude remarks Mr. Trump made on the tape, many marchers, women and men alike, wore pink “pussy hats” sporting cat ears.
In Washington, demonstrators old and young pushed strollers and hoisted children onto their shoulders or guided elderly parents through the milling crowds. They waved handmade signs: “Hate Does Not Make America Great,” “I Will Not Go Back Quietly to the 1950s” and “I’m 17 — Fear Me!” They chanted, “This is what democracy looks like.’”
Emma Wendt, 13, came with a large group of family members and schoolmates from Kensington, Md., for a simple reason: “being part of history.”

Crowds in hundreds of cities around the world gathered Saturday in conjunction with the Women’s March on Washington. 

OPEN Photographs

The marchers were confronting a president who has appointed just a handful of women to his cabinet and inner circle, and who has pledged to nominate a Supreme Court justice who opposes abortion rights and to dismantle a health care act that covers contraception. His appointees have track records of voting to cut funding for anti-domestic violence programs, opposing increases in the minimum wage and restructuring Medicaid — moves that disproportionately affect women and minorities.
Crowd estimates were not available in some locations, but a city official in Washington said that participation there likely surpassed half a million, according to The Associated Press. Added to the more than 400,000 that Mayor Bill de Blasio’s office said had marched in New York City, hundreds of thousands more in Chicago and Los Angeles, and those who showed up at many other marches nationwide, the total attendance easily surpassed one million in the United States. Marches also took place in a number of cities abroad, including Berlin, Paris, Rome, Amsterdam and Cape Town.
In Boston, where the crowd swelled to 175,000, Senator Elizabeth Warren looked out at the admiring throngs and conjured up the image of Mr. Trump’s being sworn in the day before.
“The sight is now burned into my eyes forever,” Ms. Warren said, adding, “We will use that vision to fight harder.”

Estimates by crowd scientists of attendance at events on Friday and Saturday and how they calculated it. 
OPEN Graphic

Yet women did not protest — or vote — as a bloc. About 53 percent of white women voted for Mr. Trump, according to exit polls, and many said his demeaning comments about women mattered less to them than their belief that he had the independence and business experience to bring about change, restore well-paying jobs and protect America’s borders.
“The women’s march clearly doesn’t represent all women,” Alex Smith, the national chairwoman of the College Republicans, said in an email. She noted the exclusion of anti-abortion women’s groups from the event. “It is precisely this type of dogmatic intransigence that voters rejected.”
The marches came a day after confrontations between anti-Trump protesters and the police led to more than 200 arrests in Washington. But Saturday’s demonstrations were peaceful, and counterprotests were few. In St. Paul, one man was arrested after marchers reported he had “sprayed irritants” into the crowd, the police said.
Though the Washington march ended within sight of the White House, and some demonstrators passed by his recently opened hotel, Mr. Trump did not cross paths with the crowd. But on Sunday morning, Mr. Trump acknowledged the demonstrations on Twitter, questioning whether the protesters had voted.


A little later, Sunday, Mr. Trump added on Twitter that he supported the right of peaceable assembly.


Among those celebrity performers, were some who had appeared at campaign events for Mrs. Clinton, including Madonna, who gave a speech, said toward the end of of the march. “I have thought a lot about blowing up the White House. But I know that this will not change anything,” she said. (The Secret Service declined to comment on the remark, though an investigation seemed unlikely.)

A woman wore a United States flag as a hijab during a protest in front of the Brandenburg Gate in Berlin. Credit Gregor Fischer/DPA, via Agence France-Presse — Getty Images

After attending the inauguration on Friday, Mrs. Clinton herself was not seen at the march. She did, however, acknowledge the moment on Twitter.
“Thanks for standing, speaking & marching for our values @womensmarch,” she wrote.


The marches captured the potential and the perils for the progressive movement — whether it can frame its message to appeal to new generations and whether it can translate protests into action locally and nationally.


In a sly allusion to crude remarks made by Mr. Trump about sexual assault, many marchers wore hats sporting cat ears. Credit Hilary Swift for The New York Times

Plans for Saturday’s march in Washington began as Facebook posts just after the election by a retired lawyer in Hawaii and a fashion designer in New York, both of whom are white and had no experience organizing protests. Soon, protests flooded the feeds urging them to diversify. In the end, a triumvirate of African-American, Latina and Muslim women joined the leadership team.
The march’s initial struggles echoed broader debates in the movement about whether the courting of new demographic groups alienated the white working-class voters who had carried Mr. Trump to victory, or whether white women had betrayed gender solidarity by voting for him. Yet on Saturday, these tensions did not deter a multiracial, multigenerational turnout. Mothers marched with daughters and granddaughters; whole families, including husbands and sons, marched arm in arm.
Mikhael Tara Garver, 37, of Brooklyn, who marched with her mother, recalled how her family had reacted after the election: “We were all calling my great-aunts because we all knew how important Hillary was to them and how important surviving to see that moment was for them.”
Another family came from Baltimore. “We have to get away from fear,” said Lureen Grace Wiggins, 49. Her daughter, Eden, 17, was exhilarated by the size of the crowd: “When you’re out here and people see you, they know you care.”
The march was rich in historical allusions — most deliberately, the 1963 march led by the Rev. Dr. Martin Luther King Jr. But it echoed many other marches, including those in the 1970s that brought hundreds of thousands of women to the streets championing an Equal Rights Amendment that was ultimately defeated, and those from the late 1990s and on for abortion rights, culminating in a 2004 March for Women’s Lives that organizers said drew more than one million to the capital.
Saturday’s march happened to come just six days before quite a different one: the annual March for Life by opponents of abortion.
But perhaps the most apt analogy, said Ellen Fitzpatrick, the author of “The Highest Glass Ceiling,” was to the 1913 suffragists’ march on Washington, timed to coincide with the inauguration of President Woodrow Wilson. Led by the renowned suffragist Alice Paul, it featured a lawyer, Inez Milholland, riding a white horse down Pennsylvania Avenue, with 24 floats, nine marching bands and luminaries like Helen Keller. The women were hooted and jeered at and roughed up by the police, prompting congressional hearings and generating public sympathy. They won the vote seven years later.
Faye Wattleton, the former president of Planned Parenthood, said that women have always had to regroup, even after they thought battles were won. “This is not new,” she said. “We have to go back to the battlefield and re-fight the wars against women.”

Correction: January 21, 2017
An earlier version of this article misstated the surname of the author of “The Highest Glass Ceiling.” It is Fitzpatrick, not Fitzgerald.



Thursday, March 19, 2015

Claudia Rankine On White Supremacy, Serena Williams, and the Ongoing Struggle Of African Americans For Social Justice, Cultural Independence, and Political Freedom in the United States


Claudia Rankine: Serena, Indian Wells, and Race
By Boris Kachka
March 18, 2015
Vulture
Claudia Rankine arrives at the 46th NAACP Image Awards in Pasadena, California. Serena Williams of USA celebrates defeating Sloane Stephens of USA during day nine of the BNP Paribas Open tennis at the Indian Wells Tennis Garden on March 17, 2015 in Indian Wells, California. Photo: JONATHAN ALCORN/Reuters/Corbis and Julian Finney/Getty Images

"You want history to be forced to adjust itself in terms of the past." 

Last week was an eventful one for the writer Claudia Rankine. On Thursday her book Citizen, a shape-shifting treatise on American racism, won a National Book Critics Circle Award for poetry, having also been nominated as criticism. The following day, one of her book’s key subjects, Serena Williams, returned to Indian Wells, California, for a tournament she’d boycotted for 13 years. Serena had been booed for the entirety of her championship match there in 2001. Fans suspected that her father and coach, Richard, had engineered her sister Venus’s withdrawal from the tournament, but the Williams family reported hearing racial epithets and vowed never to return. This February, following a decade and a half of Grand Slam victories and minor controversies, Serena announced a change of heart. After an emotional first match on Friday to roaring applause, she advanced yesterday to the quarterfinals. Rankine has only caught highlights between cross-country book-tour stops, but she did find time to talk to us about the latest twist in the life of a champion for whom, as she wrote, “every look, every comment, every bad call blossoms out of history, through her, onto you.”

How did you feel about Serena breaking the boycott?

I think it’s fantastic. In her statement to Time announcing it, she said an incredible thing, and I wrote it down: “Thirteen years and a lifetime in tennis later, things feel different. A few months ago, when Russian official Shamil Tarpischev made racist and sexist remarks about Venus and me, the WTA and the USTA immediately condemned him. It reminded me how far the sport has come, and how far I’ve come too.” In essence, what she said was, for the first time, an institution stood behind me. When Tarpischev referred to the Williams sisters as “the Williams brothers” and the USTA fined him $25,000 and put him on a year’s suspension, that made all the difference. Because you can’t legislate crazy or racist, but if the rest of us stand around and let it happen, that’s when you feel like you’re totally on the outside.

Reading in Citizen that the electronic line-call system was installed partly because of a series of bad calls against Serena in 2004, I couldn’t help thinking about body cameras on cops. Both are technological remedies not only for human error but blatant bias.

Vigilance is great, but we can never have a camera at every angle. So the Darren Wilsons will exist. They will kill random black men no matter what happens. But what throws black people out of the American citizenry is when it goes to the courts and no indictments come. That’s the real problem. You can have institutions that will arrive immediately and legislate against that.

So how do you feel about the Justice Department report on Ferguson?

I think that Eric Holder showed up in this instance. And I don’t remember what school it was, but the fraternity with that song — immediately that was shut down, and that’s all that you want: a kind of communal recognition that that is not acceptable. Not that you can stop it from happening. I mean, when Richard Williams was accused of match-fixing, that is not far off from why black men are being killed. It was the immediate assumption that he’s a criminal.

He and Venus are still not coming to Indian Wells. If Serena’s making the right call in 2015, what about them?

It’s not a question of right or wrong. It’s a question of comfort level. Serena feels okay, and clearly she herself was very nervous in that first match, yeah? I mean, it was a tough match for her. The trust that Serena has based on what happened with the Russian official is something personal to her. But I don’t think you can underestimate the wound and the personal disappointment one has, because these incidents are not singular. They accumulate in the body, and you’re negotiating them all the time.

So you buy that the fining of the Russian official was the main reason Serena came back?

She did say last year she was considering it, so clearly, it’s not the only reason. But it’s never a single thing. She’s at a point in her career where she’s clearly understanding herself now as a legend. I think she is seeing herself almost as a stateswoman for the game.

The chairman of the tournament recently told the Times that Serena’s was a way of “deleting” that “terrible day” of the 2001 final from the tournament. Is that even possible?
There’s no wiping the slate clean, it’s always part of the story. The fact that the story has taken this other turn is fantastic. Serena said something like she’s glad that she can create new memories, and I think she felt overwhelmingly moved by the response of the crowd and the fans. We could see that in her tears.

Some people have attributed Serena’s polarizing moments to her family’s cliquishness, or perhaps to sexism. Is it definitely all about race, do you think?

I think so. Look, we’ve had the opportunity to watch how the president has been received. And just recently, the letter that went out behind his back — what is that?

Well, it doesn’t seem to have gone well for the Republicans.

Exactly, but still, just the sense that this is a possibility, an appropriate response. So, no. Sexism is rampant, but I think that the black body in the white imagination is still equated with bestiality, criminality, on some level. It’s one of those things that can’t seem to untangle itself.

And yet a black man is president, and a black woman is the best tennis player in the world.

Well, that’s why I think it’s fantastic that Serena’s gone back. You don’t want to stand still, you want things to keep moving. You want history to be forced to adjust itself in terms of the past. But it doesn’t mean that dynamics from the past are gone just because we have a new kind of fluidity and openness in certain areas.

How did Serena become a dominant topic in Citizen? There’s obviously a lot more going o in this country when it comes to racism.

Well, I was really interested in Tiger Woods when he arrived on the scene. My husband was a big golf fan, and he would watch and I would be in the other room listening to the commentators. The ways in which he was always being accused of breaking the rules made me begin to watch when it was on, and that somehow led me to watching Serena and Venus. Then I started playing tennis myself.

You also have a chapter on Zinedine Zidane, the Algerian-French soccer player who head-butted an opponent in a World Cup final after being taunted with racial slurs. Why do sports interest you so much as a cultural barometer?

It’s documented. You have both commentary and action simultaneously and instantaneously. So it’s not just about watching what’s happening, you’re also hearing how it’s being interpreted at the moment that it’s happening. And so part of the fascination for me as someone who teaches and reads cultural theory is, you’re not only interested in what the athlete is doing, you’re interested in the ways the commentators contextualize what is happening. And then you have your own interpretation as well.

Citizen puts Serena Williams’s struggles with judges and fans on a continuum from the insensitive comments you and your friends have heard to the killing of African-Americans by cops and vigilantes. Why was it important to unify all of these experiences in one short book?

I wanted to create a narrative that showed that these microaggressions reveal a kind of positioning that allows people then to arrive on juries, and to arrive in the Senate, and to arrive in police cars, or in New Orleans organizing evacuations; that that positioning of the white imagination is inside all people. That’s how we get to those bigger moments. We’re not in the world of self-declared white supremacists. We’re in the world of regular Americans who hold those premises or beliefs unconsciously.

What’s the remedy for that?

I think consciousness is a big step, and it shouldn’t be underestimated.

Saturday, February 18, 2012

The Value And Clarity of Melissa Harris-Perry On MSNBC


Fred R. Conrad/The New York Times
Melissa Harris-Perry last week on the set of her MSNBC show, which has its debut on Saturday.

http://www.nytimes.com/2012/02/13/business/media/host-of-msnbcs-melissa-harris-perry-is-a-professor.html?_r=1&pagewanted=all

All,

I've been closely following and admiring Melissa's work in a number of different formats for over a decade now. She's VERY smart, really knows her stuff politically inside and out and is a genuine and truly forward thinking progressive in every sense of that often badly misunderstood word. A brilliant academic with a strong activist consciousness and deep public commitment is always welcome anywhere but is especially very much needed and appreciated in television which, as we all know, is far too often a notoriously racist and sexist medium when it comes to political journalism, cultural critique, and social thought. Ms. Harris-Perry is a very refreshing change in the right direction for once and I seriously urge all of you to tune in to her show on MSNBC at 10am (EASTERN STANDARD TIME) AND 7AM out here on the west coast. I promise you won't be disappointed and you will definitely learn a lot. MSNBC is to be commended for this move which was long overdue on many levels. Kick ass and take names Melissa (I know you will sister!)...

Her program started today February 18 and will air for two hours every saturday and sunday morning for two hours on MSNBC. In fact I'm watching and digging her program at this very moment as I type this missive to you. Please check her out when you get a chance (if you haven't already)...ENJOY...

Kofi

At MSNBC, a Professor as TV Host
By BRIAN STELTER
February 12, 2012
New York Times

Week seven of Melissa Harris-Perry’s introductory course in African-American studies at Tulane University includes a lecture about “the hollow prize” — a theory that African-Americans tend to be elected as mayor only after a city has tipped into economic decline.

One day last summer, when Ms. Harris-Perry was filling in for Rachel Maddow on MSNBC, she recast the class lecture as a television segment, invoking Detroit; her adopted home, New Orleans; President Obama; and tax policy.

“I’ve given that lecture a million times — a million times,” Ms. Harris-Perry said in a recent interview. “But I do it once on Rachel’s show, and it was everywhere the next day. It was up on Web sites, people were e-mailing me — that, for me, was a really clear indication of how powerful television is.”

Now, MSNBC is about to introduce a progressive talk show called “Melissa Harris-Perry” on Saturday and Sunday mornings. Ms. Harris-Perry will be the only tenured professor in the United States — and one of a very small number of African-American women — who serves as a cable news host.

Is this a sign of the rise of the academic on TV? Though cable news is still stereotyped by some as a 24-7 screaming match, there are now pockets of intellectual stimulation that did not exist a decade ago.

The significance of cable news is growing. A survey released last week by the Pew Research Center found that cable news channels have, for the first time, eclipsed local television newscasts as a regular source of campaign news for the American people.

At MSNBC, “Morning Joe” with Joe Scarborough and Mika Brzezinski has become must-see television for politicians and journalists, while Ms. Maddow, a Rhodes scholar, has been lauded for her long, carefully argued essays. Recently, the channel has added several shows with similarities to those two, including “Now With Alex Wagner” at noon on weekdays and “Up w/ Chris Hayes” on the weekends. Ms. Harris-Perry’s show is set to start on Saturday morning and run from 10 to noon.

“Today, our audience thrives on being smart,” said Phil Griffin, the president of MSNBC. He said he used to worry about outsmarting the audience, but does not anymore, because MSNBC has moved from being “all things to all people” to being “a much more specific channel.” That change was propelled by the popularity of its left-leaning programs.

“TV answers to the audience,” said Rick Shenkman, author of “Just How Stupid Are We? Facing the Truth About the American Voter,” which blames television in part for dumbing down the American political process. He said MSNBC had been branding itself “as a partisan network to draw a partisan crowd, following the Fox model.”

“That’s proving to be a successful model,” he said. “It’s the Huffington Post model.”

The newest hosts at MSNBC, Mr. Hayes and Ms. Harris-Perry, like to say they are Harry Potter and Hermione. Both were groomed by Ms. Maddow and her 9 p.m. program, first as unpaid guests, then as paid contributors and finally as substitute hosts.

Mr. Hayes, an editor for the liberal newsmagazine The Nation, started hosting the unapologetically specialized “Up” in September, in MSNBC’s first expansion of point-of-view programming on the weekends. “Up” has averaged about 375,000 total viewers, 25 percent more than the newscast shown previously in the time slot, and about 130,000 viewers ages 25 to 54, on par with the previous newscast.

Mr. Hayes said last week: “The postbroadcast universe is incredibly liberating. The show I’m doing now, I can’t imagine a universe in which it would get two million viewers. But we can beat CNN. And increasingly, we are.”

And so Mr. Hayes has spent 25 minutes on the subject of mass incarceration, and 30 minutes on Internet antipiracy legislation, and two hours on the consequences of the war in Iraq — topics that are rarely tackled at length elsewhere on television.

Sometimes it has taken five minutes, he said, to get past the talking points that are familiar to any cable news viewer. “But we have the luxury of time,” he said. In one recent segment, he and his guests stopped assessing the possible electoral effects of a reignited national debate about abortion and tried to answer something more fundamental: is a fetus a person?

“When we get it right, it’s in making the subtext the text,” Mr. Hayes said.

A typical hour of “Up” features a panel of four, and at least some of the panel members are people rarely seen on other TV shows — another benefit of the postbroadcast news universe Mr. Hayes describes.

With more hours of political talk comes more on-air time for guests of diverse backgrounds. During a Feb. 3 visit to Ms. Harris-Perry’s windowless office at Rockefeller Center, a whiteboard bearing unfamiliar names gave evidence of that. In an interview that day, she recounted numerous times when she had watched political strategists on TV and wondered why political scientists had not been booked instead.

“Part of the way I end up here is, I think the ivory tower has a ton of brilliant information that doesn’t show up for ordinary people,” she said. She has studied media stereotypes in the past, including for a book about black political thought.

Ms. Harris-Perry herself has had little trouble getting booked on TV throughout the years, first on the Chicago station WGN while teaching at the University of Chicago and later on CNN, “Democracy Now” and “Bill Moyers Journal” while teaching at Princeton.

Although she had attained tenure at Princeton, the Center for African American Studies there declined to promote her to full professor — a vote of no confidence that led her to leave for Tulane in 2010. Her second husband, James Perry, who ran for mayor of New Orleans in 2010, already lived there. She plans to spend Monday to Thursday in New Orleans and fly to New York for her show on the weekends.

Ms. Harris-Perry never used a teleprompter until she was asked to fill in for Ms. Maddow for a week in July. (She practiced with an iPad teleprompter application during a trip beforehand, “which led to hilarity on the part of my then 9-year-old,” she said.)

Mr. Griffin and his MSNBC colleagues were immediately impressed, and talk began about a regular TV show for Ms. Harris-Perry. But she had ruled out a five-day-a-week show commitment until her daughter, now 10, was in college.

Then Mr. Hayes’s program began. “When Chris blew open the weekends, I thought, ‘Oh, well I’m not doing anything on Saturdays and Sundays,’ ” she said jokingly. Her husband and daughter plan to join her in New York each weekend.

Ms. Harris-Perry says she wants to be very careful not to let her television voice — one of nearly instant opinion — affect her academic writing. But she does want to bring the academic world to television, and even imagines showing portions of her classes on her show someday.

Mr. Griffin’s advice, she said, was straightforward: “You have to earn the trust of your audience.”

Rephrasing it her way, Ms. Harris-Perry said, “They’ll go with you to nerdland, but you have to earn their trust.”



Friday, September 24, 2010

Black Women, Rape, and Resistance-- A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power


Danielle McGuire
Brett Mountain Photography LLC

http://detroit.blogs.time.com/2010/09/07/qa-danielle-l-mcguire-on-civil-rights-and-detroit/

All,

This is a very important new book by the brilliant Detroit historian, professor, and scholar Danielle McGuire that is destined to have a profound and lasting impact on our perceptions, and understanding of the intellectual, cultural, and political history of the Civil Rights Movement of the 1940s, '50s. and '60s, and an even more transformative effect on our ongoing appreciation and study of the pervasive, extraordinary and thoroughly revolutionary role of African American women in modern U.S. history...

Kofi

http://www.youtube.com/watch?v=qztUvhJq4mc&feature=player_embedded






FROM REVIEWS :

"One one of those rare studies that makes a well-known story seem startlingly new. Anyone who thinks he knows the history of the modern civil rights movement needs to read this terrifying, illuminating book." —Kevin Boyle, author of Arc of Justice: A Saga of Race, Civil Rights and Murder in the Jazz Age, winner of the National Book Award.

"McGuire restores to memory the courageous black women who dared seek legal remedy, when black women and their families faced particular hazards for doing so. McGuire brings the reader through a dark time via a painful but somehow gratifying passage in this compelling, carefully documented work."
—Publishers Weekly (starred)

"This gripping story changes the history books, giving us a revised Rosa Parks and a new civil rights story. You can’t write a general U.S. history without altering crucial sentences because of McGuire’s work. Masterfully narrated, At the Dark End of the Street presents a deep civil rights movement with women at the center, a narrative as poignant, painful and complicated as our own lives." —Timothy B. Tyson, author of Blood Done Sign My Name: A True Story

"Just when we thought there couldn’t possibly be anything left to uncover about the civil rights movement, Danielle McGuire finds a new facet of that endlessly prismatic struggle at the core of our national identity. By reinterpreting black liberation through the lens of organized resistance to white male sexual aggression against African-American women, McGuire ingeniously upends the white race’s ultimate rationale for its violent subjugation of blacks—imputed black male sexual aggression against white women. It is an original premise, and At the Dark End of the Street delivers on it with scholarly authority and narrative polish."

—Diane McWhorter, author of Carry Me Home: Birmingham, Alabama, the Climactic Battle of the Civil Rights Revolution

"Following the lead of pioneers like Darlene Clark Hine, Danielle McGuire details the all too ignored tactic of rape of black women in the everyday practice of southern white supremacy. Just as important, she plots resistance against this outrage as an integral facet of the Civil Rights Movement of the 1950s and 1960s. This book is as essential as its history is infuriating." —Nell Irvin Painter, author of The History of White People


Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and interracial rape fueled civil rights campaigns throughout the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she helped to start, was turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class propriety—her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.
Hardcover: 352 pages
Publisher: Knopf (September 7, 2010)



The Detroit Blog

One year. One city. Endless opportunities.

Q&A: Danielle L. McGuire on Civil Rights and Detroit

Posted by KAREN DYBIS Tuesday, September 7, 2010

For most Detroiters, the name “Rosa Parks” generates a wealth of images, mostly that of an older, graying matriarch of the Civil Rights Movement. But do you know anything about a young, vibrant Rosa Parks? What do you know about this radical, vigilant woman with a passionate devotion to female equality?

Today, with the release of Danielle L. McGuire's new book, “At the Dark End of the Street,” people can learn about a new side of Rosa Parks. They also can discover other previously unknown female freedom fighters. McGuire, an Assistant Professor in the History Department at Wayne State University in Detroit, retells the story of the Civil Rights Movement with a focus on its violent past and champions the role of women in that struggle.

I'm about half way through the book, and I'm in love with the people McGuire found and gave voice to within her story. I spoke with her recently about what inspired the book, how she developed her sources and what it is like to be a White woman in Detroit teaching African-American studies.

Q: How did you find this story?

A: It was a coincidence. I was a graduate student at the University of Wisconsin, and I was helping one of my professors clean out his office and file things away. We were listening to NPR and they were doing a series on Civil Rights. The host was interviewing the White editor of Montgomery Advertiser, and he said that a woman named Gertrude Perkins was one of the most important people in terms of the Montgomery bus boycott. My professor was a Civil Rights scholar; both he and I were stumped as to who she was. We thought this guy was crazy. I went to the archives over the next week or so, ordered the Montgomery Advertiser and found the story of Gertrude Perkins. Turns out she was walking home from a party and was stopped by two Montgomery police officers. They took her to the railroad tracks and raped her. She went to her pastor and told him what happened. Her pastor sent the story to a (syndicated radio show host), who talked about it on air. Perkins went to the police station and reported it the next day. This was an incredible act for a Black woman and for the 1940s. This was years before the bus boycott, and it was the first time some of these ministers got together and stopped arguing. They came together to demand a trial for her. There was coverage in the White newspapers for months. … When I started reading Black newspapers, I began seeing rape cases happening regularly. Black women were assaulted by bus drivers, store owners, police officers. One of the major boycotts came after a teen-ager was raped by grocery store owner. They community boycotted the store and took it out of business. … These women had no other way to support themselves other than taking a bus; it was their own form of transportation if they were domestics who made only $500 a year. They had a right to walk through the world without being molested. They had been talking about it for a decade before the (Montgomery Bus Boycott) happened. That's when I started to see it as a women's movement instead of just spontaneous combustion. Being abused on the bus was the bane of their existence, so it makes sense to target the buses. (More on Time.com: Read a story on Rosa Parks)

Q: How did you develop your research?

A: Back in 1998, I was asking, “Who is Gertrude Perkins?” By 2004, I knew exactly who she was and why (the man on NPR) said described her as so important. Each article, each little bit of documentation I found was a puzzle piece. It took a really long time to put it together. The evidence had to reveal itself to me. It was fascinating following these stories. … These are stories that were common knowledge in Black culture for decades. A lot of times, we only talk about equal access or the right to vote. Not a lot of people had looked at this (violence against Black women). This touches people's lives on a deep level.

Q: Does one moment stand out the most?

A: I interviewed Recy Taylor in 2008 after her family found me. I got a call from her youngest brother, who Googled his sister's name and saw I was writing about her. Her family has followed the case for years, tracking her assailants for years. They called me and asked if I wanted the real story. At that point, I hadn't been able to find her because she had remarried. I met with them on the day of President Obama's inauguration. I was nervous to talk to them, and I kept doing a lot of warm up questions. She finally looked at the camera and said, “This is what happened.” Here I am, intimidated, and this woman is not. She told the story very matter of factly. It was the first time many young people in her family had heard the story, and they felt very angry. The family wanted some measure of fairness from the past. Everywhere I went – everyone tells the same stories. (More on Time.com: See "A Woman's Right to Vote")

Q: What kind of feedback are you getting from people – Black and White?

A: The African Americans I spoke to for the book who survived sexual abuse wanted somebody – they didn't care who – to pay attention. They didn't care who looked into it; they were just so happy someone did it. … I was on the Mildred Gaddis radio show recently, and she and her audience couldn't have been better. People were calling in, asking questions, sending me emails afterward. … I am a White woman teaching Black history and writing about Black history. I'd say 90 percent don't mind. There are a handful who believe it should only be written and taught by their people. I emphasize with that position to some degree. But I think we can't limit who writers about history as long as they do it with evidence and truthfully. I was in the Afro-American studies program at Wisconsin, and it was one of the first in the nation. Even at Wayne State, I've had classes that have a majority of Black students, and it has been a joy. People are really incredible. I see the looks, but after a couple classes, they're cool. I think they respect that I know the history and I've taken time to learn it. And I'm not so-called color blind. … Working in Detroit has really been an incredible experience. I've never had experiences like this that were so joyful and so challenging. It is so full of diamonds in the rough, ready to sparkle and waiting to be seen. (More on Time.com: See pictures of Detroit's beautiful, horrible decline)

To order McGuire's new book, click http://www.amazon.com/At-Dark-End-Street-Resistance/dp/030726906X/ref=sr_1_1?ie=UTF8&s=books&qid=1282236956&sr=8-1here.

To check out her Web site, click here: http://atthedarkendofthestreet.com/

To read more please click on following link:

http://detroit.blogs.time.com/2010/09/07/qa-danielle-l-mcguire-on-civil-rights-and-detroit/#ixzz10OeT7qFC