Thursday, September 11, 2025

IMPORTANT NEW BOOKS:

Our Fragile Freedoms
by Eric Foner
W.W. Norton and Company, 2025


[Publication date: September 2, 2025]

From one of the most acclaimed and influential historians of the United States, an insightful guide to our history and why it matters.

Eric Foner has done more to shape the public and professional understanding of American history than any other scholar. The preeminent historian of the Civil War era, Foner’s keynote has been American freedom and the recurring battles over its meanings and boundaries. His award-winning works show that freedom has been a birthright for some and a struggle for others, that rights gained can also be lost, and that they must always be tended with knowledge and vigilance. The present political moment makes the importance of these themes abundantly clear.

This collection of Foner’s recent reviews and commentaries demonstrates the range of his interests and expertise, running from slavery and antislavery, through the disunion and remaking of the United States in the nineteenth century, Jim Crow and the civil rights movement, and into our current politics. Each piece shows a master at work, melding historical knowledge and balanced judgment with crystalline prose. Foner takes up towering figures from Washington to Lincoln, Douglass, and Rosa Parks, pivotal events such as the Fugitive Slave Act and the Tulsa Race Massacre, and the fragility of constitutional guarantees to civil liberties, due process, and birthright citizenship, whether in times of war or peace. He also explores recent controversies over how to commemorate, and how to teach, our history.

REVIEWS:

"Eric Foner’s essays, old and new, feel utterly fresh. With a rare combination of authority and generosity, he writes from deep conviction yet with a spirit of openness toward ideas and arguments with which he sharply disagrees. By illuminating the past in light of the present, he confirms his standing as the leading American historian of his generation."
― Andrew Delbanco, author of The War Before the War
 
"Our greatest historian, Eric Foner offers engaging, insightful, and sobering reflections on our contested history and imperiled republic. I would feel more confident about keeping our freedoms if every citizen could read Foner's calm and lucid reflections on our past, present, and future."
― Alan Taylor, author of American Civil Wars
 
Our Fragile Freedoms is a necessary read for our troubled times, but also a delightful read for anyone who savors the pleasure of seeing history come alive in the work of a contemporary master of the historical profession."
― Henry Louis Gates, Jr., author of The Black Box
 
"Eric Foner's new collection is as fierce, brilliant, and insightful as all of his work. Unsentimental and clear-eyed, these essays are a reminder that even in bleak times, thinking about history can give us hope for the future."
― Kim Phillips-Fein, author of Fear City
 
"At a moment when the classroom is under threat from politicians insisting on 'pro-American' lesson plans, Foner’s lifetime of scholarship is the most powerful evidence as to why we need to keep engaging our past through honest and clear-eyed analysis. A tour-de-force showcasing the career of one of the most influential historians of our times."
― Julian E. Zelizer, author of In Defense of Partisanship
 
"With characteristic rigor, empathy, and wisdom, Foner demonstrates why history is not merely a study of the past but a vital tool for navigating our present struggles for justice and equality. This book is a stirring call to action and a profound affirmation of our shared humanity."
― Elizabeth Hinton, author of America on Fire
 
"It is hard to imagine a subject more pressing today than the history of the country's 'fragile freedoms'―or to imagine a historian better equipped than Eric Foner to tell us what we need to know."
― Beverly Gage, author of G-Man
 
"A remarkable survey of American history and history writing, and a powerful set of reflections on the importance of historical study and thinking, Our Fragile Freedoms couldn't be more timely and essential. As much as any book it helps us recognize the centrality of history in our efforts to understand the present. And it demonstrates why Eric Foner is one of this country's greatest historians."
― Steven Hahn, author of Illiberal America
 
"Eric Foner is the foremost chronicler of our nation’s past. In this timely book, he reminds us that democracy and freedom have always been contested. An urgent call to continue our freedom struggles, this book is required reading for our times."
― Lisa McGirr, author of The War on Alcohol
 
"Eric Foner is that rare historian who makes history speak to important contemporary issues while maintaining the highest standards of historical scholarship. These essays―as readable as they are insightful―are a fitting capstone to Foner’s illustrious career."
― James Oakes, author of The Crooked Path to Abolition
 
"Whether this book is your introduction to Eric Foner or a reminder of the depth and breadth of his contributions to the study of U.S. history, you can find no better guide to American democracy."
― Kathleen DuVal, author of Native Nations
 
"Our Fragile Freedoms shows why Eric Foner is the ‘go to’ author for readers seeking incisive commentary steeped in deep historical knowledge about current and past controversies."
― Randall Kennedy, author of Say It Loud!
 
"No other historian has shaped our current understanding of the United States as much as Eric Foner. A must-read not only for scholars but also every American citizen."
― Manisha Sinha, author of The Rise and Fall of the Second American Republic
 
ABOUT THE AUTHOR: 
 
Eric Foner's indelible works include the landmark history, Reconstruction: America’s Unfinished Revolution; a bestselling study of Lincoln and slavery, The Fiery Trial, winner of the Pulitzer, Bancroft, and Lincoln Prizes; and an influential history of the Reconstruction amendments, The Second Founding. The DeWitt Clinton Professor Emeritus of History at Columbia University, Foner continues to write frequently for The Nation and other publications.

Motown and the Making of Working-Class Revolutionaries:
The Story Of the League of Revolutionary Workers
by Jerome Scott and Walda Katz-Fishman
The University of Georgia Press, 2025
 
[Publication date:   September 1, 2025]
 
Motown and the Making of Working-Class Revolutionaries offers a fresh perspective on class, race, and revolution in the United States. Drawing on more than forty hours of interviews with former members of the League of Revolutionary Black Workers, Scott and Katz-Fishman share the rich story of the League, including the women and students. That story includes the history of the automotive industry in Detroit, the 1967 Detroit Rebellion, and the wildcat strike that sparked the Dodge Revolutionary Union Movement (DRUM). The authors describe the rise of the League from 1968 to 1971. They explore the centrality of struggle and political education as the League split and a section of League comrades moved into revolutionary organizations and social movement spaces, many of which remain active today. League comrades share their analysis of the current moment and staying the course of revolutionary struggle.

REVIEWS:
 
At long last! Here is the story of the League of Revolutionary Black Workers, one of the most important working-class movements in U.S. history, as told by the very people who made it and lived it. Reflection on the experience of the League and the lessons we must draw from it and from the revolutionary political organizations that developed out of it could not be more vital at this barbarous time. Every social justice activist and proletarian intellectual must read it and discuss how to apply the lessons of our revolutionary parents, grandparents, and ancestors to the contemporary working-class struggle for an end to capitalist exploitation and to the racism, sexism, and other oppressions that capitalism generates. -- William I. Robinson ― Distinguished Professor of Sociology, University of California at Santa Barbara and author of Epochal Crisis: The Exhaustion of Global Capitalism

Motown and the Making of Working-Class Revolutionaries is an essential contribution to the understanding of a transformative period in post-World War II United States capitalism. It reveals, in deeply personal narratives, the formation of a workers’ movement in the automotive industry that challenges both race and class oppression in the factories and within the UAW. It’s a history that few are aware of, but all can learn from. It’s history that matters. Today. -- Gene Bruskin ― activist, veteran labor organizer, and playwright

Motown and the Making of Working-Class Revolutionaries is an exceptionally powerful analysis of the 1969 formation and history of the League of Revolutionary Black Workers. These workers in the Detroit automobile industry developed into working class revolutionaries who studied and struggled for social transformation at the point of production and beyond. They took on the exploitative automobile industry and embedded themselves in the worldwide class struggle against white supremacy and imperialist capitalism. Their voices are clear and incredibly potent with critical lessons for today. -- Rose M. Brewer ― Distinguished Teaching Professor, University of Minnesota-Twin Cities and President of the Society for the Study of Social Problems, 2024-2025 
 
Book Description 
 
An inside look at how the experiences of Black workers created lifelong revolutionaries


ABOUT THE AUTHORS: 
 
JEROME SCOTT is a former autoworker, labor organizer in Detroit auto plants, and member of the League of Revolutionary Black Workers. The founding director of Project South: Institute for the Elimination of Poverty & Genocide, he is a contributing author or editor of popular education toolkits and books, including The United States Social Forum: Perspectives of a Movement and The Roots of Terror, among others.

WALDA KATZ-FISHMAN is a scholar activist and professor of sociology at Howard University. A founding member and former board chair of Project South: Institute for the Elimination of Poverty & Genocide, she is a contributing author or editor of popular education toolkits and books, including The United States Social Forum: Perspectives of a Movement and The Roots of Terror, among others.

Jack Whitten: The Messenger
by Jack Whitten and 15 contributors
Edited by Michelle Kuo
The Museum of Modern Art
 
[Publication date:  April 22, 2025] 
 

The first full retrospective of Whitten's dazzling and trenchant abstraction from the 1960s–2010s, which transformed the relationship between art, race and society

Jack Whitten offered the world a new way to see. Over nearly six decades, he dared to invent new forms of abstraction, constantly transforming both perception and our understanding of art in society. This gorgeously illustrated volume, with pathbreaking new perspectives and revelatory technical analyses of his innovative materials and processes, explores Whitten's wide-ranging and game-changing practice.

Raised in the segregated Jim Crow South in the 1940s, Whitten undertook an extraordinary journey in becoming an artist, convinced that by changing form, he could help change the world. Despite pressure from peers to create figurative art, he was a key proponent of creating abstract art that responded to social turmoil; to his own identity as a Black artist; and to sea changes in technology. He created new ways of painting through a series of artistic inventions and strategies. He defied traditional boundaries between abstraction and representation, pictures and things, culture and technology, individual identity and global history.

Published to accompany the first comprehensive retrospective of Whitten's art, this sumptuous catalog presents the full range of his career across painting, sculpture and works on paper, produced in New York and Greece, with texts by leading art historians and artists, and new technical analyses by conservators. Previously unpublished writings by the artist and an expansive chronology of Whitten's life, featuring newly discovered photographs and archival materials, bring into focus an artist who was as committed to human perception as to human rights, becoming one of the most important artists of our time.

 

REVIEWS:

 

The late Jack Whitten refused categorization in favor of forging his own way through the 1960s New York art scene. The painter used distinctive techniques, making marks with materials such as Afro combs, saws, and squeegees. These and more examples of his enduring legacy will be on view in his first full retrospective, plus several pieces on public display for the first time. -- Natalie Haddad ― Hyperallergic

The show’s more than 175 works will span nearly six decades of [Jack Whitten's] practice, which explored the Civil Rights Movement, science, and technology via an impressive range of disciplines including painting, sculpture, collage, photography, printmaking, and music. A tenor saxophonist, he brought an improvisational approach to his work. -- Julie Belcove ― Robb Report

[Jack Whitten's] work influenced generations of artists ― from Andy Warhol to Glenn Ligon ― but looked like nothing else before or since. -- M.H. Miller ― T Magazine

Whitten spoke, with wishful optimism, of wanting to be an artist-citizen of the world, a world in which ‘there is no race, no color, no gender, no territorial hangups, no religion, no politics. There is only life.’ Life is what this great show of his fantastically inventive art is filled with. -- Holland Cotter ― The New York Times

For Whitten, one of the great painters of the past half century, everything was light―people, places, paintings, all of it. He was less interested in depicting light than in embodying it in paint, no small task. -- Alex Greenberger ― ArtNews

Persistently original, restlessly evolving, and uncharmed by fashion. -- Ariella Budick ― The Financial Times

What makes Whitten remarkable is more than just his embrace of ambiguity or his technical experimentation. It’s his ability to use abstraction to create palimpsests of poetic meaning, inspired by jazz and hyper-attuned to the implications of modern communication. -- Sebastian Smee ― The Washington Post

[A] breathtaking, deeply researched glimpse of a career that unfolded in one long eureka. -- Julian Lucas ― The New York Times

Endlessly inventive, [Jack Whitten] mastered complex techniques to animate his visceral imagery. -- R.C. Baker ― Village Voice

Jack Whitten’s paintings are like voids you fall into before finding you don’t want to leave. -- Camille Okhio ― Elle Decor

A remarkable aspect of Kim's oeuvre is how ASL, written English, musical notation, and gestural mark-making are fused into a coherent, unified language -- John Vincler ― Cultured

The pieces on view in ‘The Messenger’ – Whitten’s retrospective at MoMA – exceed painting: they reach past the medium, live beyond its edges. -- Zoe Hopkins ― Frieze

The American artist moved from the segregated South to the New York art world and beyond as he forged unique processes of painting and sculpting, the textured, totemic results of which are now on view in a staggering retrospective. -- James Panero ― The Wall Street Journal

To walk through the MoMA show and marvel at Whitten’s polymath abilities, his deep political and social engagement, and his restless imagination is to be reminded all over again of the loss to ourselves and our culture that we did not know and appreciate a talent like Whitten’s better when he was alive. -- Marion Maneker ― Puck

From a work of swirling sorbet oranges to a sewn black surface with a hole punched through it, these paintings invite you to get up close. -- Lisa Yin Zhang ― Hyperallergic

What appears to be brilliantly restless innovation is revealed to be rigorous interrogation of what painting, and only painting, can do. The opportunity to see this for ourselves, to test it against our own perceptions, makes the Museum of Modern Art’s retrospective not only one of its best shows in a decade but, if properly attended to, one of its most consequential. -- Jarrett Earnest ― The New York Review of Books

The catalogue itself is a monumentally impressive piece of scholarship and taste, a stunning group effort that brings together too many luminaries to name, led by MoMA curator and publisher Michelle Kuo. This book, this show, is the kind of world I want. -- David O'Neill ― Bookforum

[No] matter the year or subject, Whitten’s work remains a fruitful site of play, improvisation, experimentation, grounding, reverence, and convergence, an outlet for all the expressive vulnerability, emotion, and meaning his body could hold. -- Lee Ann Norman ― The Brooklyn Rail

ABOUT THE ARTIST:


Jack Whitten (1939–2018) was born in Bessemer, Alabama, and began his studies in medicine at the Tuskegee Institute. After moving to New York in 1960 to attend the Cooper Union for the Advancement of Science and Art, he became a leading artist in the wake of Abstract Expressionism, and of a generation of Black artists committed to abstraction. Whitten lived in New York until his death.