Robin D. G. Kelley: Working Class Democracy and the Question of Palestine

Boston Review

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Robin D. G. Kelley will deliver the 13th Annual Robert Fitch Memorial lecture at LaGuardia Community College, CUNY on Monday, March 18th at 1 pm. Introduced by Doug Henwood. BOSTON REVIEW is a magazine of ideas, politics, and culture, independent and nonprofit since 1975. Animated by hope and committed to equality, we believe in the power of collective reasoning and imagination to create a more just world.

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VIDEO:

https://www.youtube.com/watch?v=R6zDvSacg1c

ABOUT THE SPEAKER:

Robin D. G. Kelley is Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is the author of Hammer and Hoe, Race Rebels, Freedom Dreams: The Black Radical Imagination, and Thelonious Monk: The Life and Times of an American Original, among other titles. His writing has been featured in the Journal of American History, American Historical Review, Black Music Research Journal, African Studies Review, New York Times, The Crisis, The Nation, and Voice Literary Supplement.

https://history.ucla.edu/person/robin-d-g-kelley/

Dr. Robin D. G. Kelley
Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at University of California, Los Angeles (UCLA)

Biography

My research has explored the history of social movements in the U.S., the African Diaspora, and Africa; black intellectuals; music and visual culture; Surrealism, Marxism, among other things. My essays have appeared in a wide variety of professional journals as well as general publications, including the Journal of American History, American Historical Review, The Nation, Monthly Review, New York Times, Color Lines, Counterpunch, Souls,Black Renaissance/Renaissance Noir, Social Text ,The Black Scholar, Journal of Palestine Studies, and Boston Review, for which I also serve as Contributing Editor.

My books include, Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (Cambridge: Harvard University Press, 2012); The lonious Monk: The Life and Times of an American Original (The Free Press, 2009); Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002); with Howard Zinn and Dana Frank, Three Strikes: The Fighting Spirit of Labor’s Last Century (Beacon Press, 2001); Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America (Boston: Beacon Press, 1997); Race Rebels: Culture, Politics, and the Black Working Class (New York: The Free Press, 1994); Into the Fire: African Americans Since 1970 (New York: Oxford University Press, 1996) [Vol. 10 of the Young Oxford History of African Americans series]; Hammer and Hoe: Alabama Communists During the Great Depression(Chapel Hill, NC: University of North Carolina Press, 1990).

I am also co-editor of the following books: Walter Rodney, The Russian Revolution: A View From the Third World (with Jesse Benjamin (New York: Verso, 2018); The Other Special Relationship: Race, Rights and Riots in Britain and the United States (with Stephen Tuck) (New York: Palgrave, 2015); Black, Brown and Beige: Surrealist Writings from Africa and the African Diaspora (with Franklin Rosemont) (Austin: University of Texas Press, 2009); To Make Our World Anew: A History of African Americans (with Earl Lewis) (Oxford University Press, 2000), volumes 1 and 2; Imagining Home: Class, Culture, and Nationalism in the African Diaspora (with Sidney J. Lemelle) (London: Verso Books, 1995); and the eleven volume Young Oxford History of African Americans (with Earl Lewis) (1995-1998).

I am currently completing three book projects:

Black Bodies Swinging: An American Postmortem (Metropolitan Books) is a genealogy of the Black Spring protests of 2020 by way of a deep examination of state-sanctioned racialized violence and a history of resistance. To understand how we arrived at this moment requires a different kind of autopsy—an historical postmortem that can lay bare the structural conditions responsible for premature death. Borrowing a metaphor from Abel Meeropol’s iconic song “Strange Fruit,” the book traces the deaths and the lives of our most recent casualties to the “blood at the root”—the racial terror at the base of our system of exploitation and wealth accumulation. The blood at the root is “racial capitalism.” The kind of historical autopsy I am proposing is intended to make visible the history and workings of racial capitalism. It exposes not only effects of racist policing but the extraction of wealth from black people, land dispossession, displacement, predatory lending, taxation, disfranchisement, environmental catastrophe, and the long history of looting through terror and government policies that suppressed black wages, relieved us of property, excluded black people from better schools and public accommodations, suppressed black home values, and subsidized white wealth accumulation. But Black Bodies Swinging is also a history of resistance, arguing that the new abolitionists represent the “Third Reconstruction generation” whose organizational genesis begins in the 1990s but whose political lineage can be traced back to slavery and settler colonialism.

Field of Study

United States, African-American and African Diaspora, Global Jazz Studies

Publications

Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (Cambridge: Harvard University Press, 2012)

Thelonious Monk: The Life and Times of an American Original (The Free Press, 2009).

Best Book About Jazz 2009, Jazz
Journalists Association
Music in American Culture Award, American
Musicological Association
Ambassador Award for Book of Special
Distinction, English Speaking Union;
PEN Open Book Award, PEN American Center
ASCAP Deems-Taylor Award
Best Non-Fiction Book, Hurston/Wright
Legacy Award.
Booklist – Starred Review
Selected by New York Times Book Review –
Top 100 books of 2009

**Italian translation: Thelonious Monk: Storia di un Genio Americano, trans. Marco Bertoli (Roma: Minimum Fax, 2012).

Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002)

with Howard Zinn and Dana Frank, Three Strikes: The Fighting Spirit of Labor’s Last Century (Beacon Press, 2001)

Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America (Boston: Beacon Press, 1997).

Selected Best book of 1997 by Village
Voice; Outstanding Book on Human Rights,
Gustavus Myers Center for the Study of
Human Rights in the United States,
1997-98.

**Translated in Japanese, as Yo Mama’s DisFunktional!: Representing America’s Urban Crisis (Hanmoto Publishers, 2007), translated by Kosuzu Abe and Katsuyuki Murata. New foreword by author

Race Rebels: Culture, Politics, and the Black Working Class (New York: The Free Press, 1994).

Outstanding Book, National Conference of
Black Political Scientists, 1995.

Hammer and Hoe: Alabama Communists During the Great Depression (Chapel Hill, NC: University of North Carolina Press, 1990).

Elliot Rudwick Prize, Organization of
American Historians, 1991;
Francis Butler Simkins Prize, Southern
Historical Association
Outstanding book on Human Rights,
Gustavus Myers Center for the Study of
Human Rights in the United States, 1991.

Edited Books and Collections

Walter Rodney, The Russian Revolution: A View From the Third World, eds. Robin D. G. Kelley and Jesse Benjamin (New York: Verso, 2018)

Co-edited with Stephen Tuck, The Other Special Relationship: Race, Rights and Riots in Britain and the United States (New York: Palgrave, 2015)

Co-edited with Franklin Rosemont, Black, Brown and Beige: Surrealist Writings from Africa and the African Diaspora (Austin: University of Texas Press, 2009).

Winner, American Book Award, the Before
Columbus Foundation.

Co-edited with Earl Lewis, To Make Our World Anew: A History of African Americans (Oxford University Press, 2000). Two Volume edition, 2004.

Selection of History Book Club and Choice
Outstanding Academic Title.
Chosen as an Outstanding book on Human
Rights, Gustavus Myers Center for the
Study of Human Rights in the United
States, 2002.

Co-edited with Sidney J. Lemelle, Imagining Home: Class, Culture, and Nationalism in the African Diaspora (London: Verso Books, 1995).