Friday, March 15, 2024

Prominent Group of Writers Lead Global Protest Against Ongoing Genocide in Gaza by Withdrawing from PEN World Voices Festival

https://www.nytimes.com/2024/03/15/books/booksupdate/pen-world-voices-festival-israel-gaza.html

Authors Withdraw From PEN World Voices Festival Over Its Response to Gaza War

More than a dozen authors, including Lorrie Moore, Naomi Klein, Michelle Alexander, Hisham Matar and Isabella Hammad, have signed a protest letter that announced their withdrawal.


PHOTO: Authors who protested the free speech organization’s response to the war include, clockwise from top left: Isabella Hammad, Michelle Alexander, Naomi Klein; Susan Muaddi Darraj, Hisham Matar and Maaza Mengiste.Credit...Clockwise from top left: Heather Sten for The New York Times; Andrew Spear for The New York Times; Andrew Medichini/Associated Press; Naima Green for The New York Times; Ellie Smith for The New York Times; Daniel Michael Vasta for The New York Times

by Alexandra Alter
March 15, 2024
New York Times


A group of prominent authors announced that they have withdrawn from this year’s PEN World Voices Festival over what they described as PEN America’s inadequate response to the war and humanitarian crisis in Gaza.

In an open letter dated Wednesday that has drawn more than a dozen signatures, writers called on PEN America, the free speech organization hosting the event, to do more to address civilian casualties and the deaths of journalists and writers in Gaza.

“We have concluded that attending this year’s festival would only serve to contribute to the illusion that PEN America is truly devoted to ‘the defense of free speech at the center of humanity’s struggle against repression,’ as it has claimed,” the letter says. “In the context of Israel’s ongoing war on Gaza, we believe that PEN America has betrayed the organization’s professed commitment to peace and equality for all, and to freedom and security for writers everywhere.”

The letter, signed by a group that includes novelists, poets and nonfiction writers, among them Lorrie Moore, Naomi Klein, Michelle Alexander, Hisham Matar, Isabella Hammad, Maaza Mengiste and Zaina Arafat, is the latest example of growing divisions in the literary world over the war in Gaza, as literary journals, book fairs and festivals have wrestled with how to navigate tensions around the conflict.


The PEN World Voices Festival, which is scheduled to take place in May in New York City and Los Angeles, typically draws hundreds of American and international authors. The event was launched some 20 years ago, with the aim of generating dialogue between writers from around the world to counter isolationism and xenophobia in the United States after the Sept. 11 attacks. In previous years, the festival has held panels on issues such as gender and power, political unrest and resistance, online harassment and threats to privacy and free speech.
 
In their letter, the writers who have decided not to participate this year criticized PEN America for not doing enough to highlight “the scale and scope of the attacks on writers in Gaza, or on Palestinian speech and culture more broadly,” and drew a contrast with the organization’s forceful condemnation of the war in Ukraine. In 2022, in response to Russia’s invasion of Ukraine, PEN added a “Emergency World Voices Congress of Writers” to its World Voices Festival to address the conflict and discuss how authors can encourage dialogue and protect free speech in times of war.
Updated
March 15, 2024, 2:31 p.m. ET2 hours ago
 
2 hours ago:
 
 
Biden embraces Schumer’s speech castigating Netanyahu.

In a statement addressing the withdrawals from its festival, PEN America said that members of the organization are “aghast witnessing the brutal toll of human suffering,” and acknowledged the challenges that literary and cultural institutions are facing in their efforts to address the conflict.

“As an organization with a mission to unite writers across divides, we are enduring the same shock waves coursing through so many colleague institutions,” the statement said. “We are talking to many writers about how we can be true to our varied constituencies, and to our principles and mission. We are deeply focused on how, in this moment of escalating polarization, we can fulfill the promise of an organization whose mission, for over a century, has been to elevate writers and literature as a bridge across deep divides.”

PEN said the schedule for this year’s festival has not been finalized, and that it couldn’t provide details on whether or how the crisis in Gaza will be addressed at the event.

The conflict in Israel and Gaza has become a polarizing issue in the literary world.


In the fall, the organizers of the Frankfurt Book Fair faced a backlash after the cancellation of an event honoring a Palestinian author. The 92NY, one of New York’s leading cultural institutions, found itself mired in controversy over its decision to call off an appearance by the novelist Viet Thanh Nguyen after he signed an open letter criticizing Israel’s military campaign in Gaza.

More recently, Guernica, an online literary magazine, faced outside criticism and a staff rebellion after publishing — and then retracting — a personal essay about coexistence and war in the Middle East by Joanna Chen, an Israeli writer and a translator of Hebrew and Arabic poetry and prose. Following the essay’s publication, multiple members of the magazine’s volunteer staff resigned in protest; after its removal, the magazine faced fresh criticism for deleting it.

PEN America, which has taken stances against book banning, censorship and cancel culture, has already drawn criticism from writers who are urging the organization to show more support for Palestinian writers and civilians. In February, hundreds of authors signed a letter demanding that PEN “respond to the extraordinary threat that Israel’s genocide of Palestinians represents for the lives of writers in Palestine and to freedom of expression everywhere.”



ABOUT THE AUTHOR:


Alexandra Alter writes about books, publishing and the literary world for The Times.


More about Alexandra Alter

IMPORTANT NEW BOOK:

Yale and Slavery: A History
by David W. Blight
Yale University Press, 2024

[Publication date: February 16, 2024]

A comprehensive look at how slavery and resistance to it have shaped Yale University
 
Award-winning historian David W. Blight, with the Yale and Slavery Research Project, answers the call to investigate Yale University’s historical involvement with slavery, the slave trade, and abolition. This narrative history demonstrates the importance of slavery in the making of this renowned American institution of higher learning.
 
Drawing on wide-ranging archival materials,
Yale and Slavery extends from the century before the college’s founding in 1701 to the dedication of its Civil War memorial in 1915, while engaging with the legacies and remembrance of this complex story. The book brings into focus the enslaved and free Black people who have been part of Yale’s history from the beginning—but too often ignored in official accounts. These individuals and their descendants worked at Yale; petitioned and fought for freedom and dignity; built churches, schools, and antislavery organizations; and were among the first Black students to transform the university from the inside.
 
Always alive to the surprises and ironies of the past,
Yale and Slavery presents a richer and more complete history of Yale, the third-oldest college in the country, showing how pillars of American higher education, even in New England, emerged over time intertwined with the national and international history of racial slavery.

REVIEW:


“Exhaustively researched, lyrically written, and fearlessly honest, Blight’s book represents not only a worthy capstone to the efforts of the Yale and Slavery Working Group, but also the culmination of a generation of scholarly inquiry into the tangled relationship of universities and slavery.”—James T. Campbell, Stanford University

ABOUT THE AUTHOR:


David W. Blight is professor of American history and director of the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at Yale University. He is the critically acclaimed author of eight books, including his magisterial magnum opus Frederick Douglass: Prophet of Freedom. Simon & Schuster (2018) which won the Pulitzer Prize in History in 2019.
 

Awards

 

 

 

Journalist, Broadcaster, Public Intellectual, Activist, and Former MSNBC Host Mehdi Hasan on the Ongoing Deadly Genocide in Gaza, and the Surging Rise of Fascism in the United States

Mehdi Hasan on Genocide in Gaza, the Silencing of Palestinian Voices in U.S. Media & Trump's Fascism

Acclaimed journalist Mehdi Hasan joins us to discuss U.S. media coverage of the Israeli war on Gaza and how the war is a genocide being abetted by the United States. Hasan says U.S. media is overwhelmingly pro-Israel and fails to convey the truth to audiences. "Palestinian voices not being on American television or in American print is one of the biggest problems when it comes to our coverage of this conflict," he says. Hasan has just launched a new media company, Zeteo, which he started after the end of his weekly news program on MSNBC and Peacock earlier this year. The cable network announced it was canceling his show in November. The move drew considerable outrage, with critics slamming MSNBC for effectively silencing one of the most prominent Muslim voices in U.S. media. Hasan also warns U.S. media coverage of the 2024 election is largely unable to capture the threat to democracy posed by Donald Trump and the modern Republican Party. “We need to speak very clearly about what that fascist threat is,” says Hasan, who warns media outlets cannot “normalize his extremism and racism and bigotry,” because the right to free press itself could be under threat if he regains power. “One of our two major parties has been fully radicalized and is now in bed with white supremacists. … Let’s be plain about that.”  

00:10 Intro 

3:48   U.S. Media  

15:52 Gaza  

27:52 Covering Trump & Fascism  

30:40 Banning TikTok 

Democracy Now! is an independent global news hour that airs on over 1,500 TV and radio stations Monday through Friday. Watch our livestream at democracynow.org Mondays to Fridays 8-9 a.m. ET.

 

VIDEO:  

https://www.youtube.com/watch?v=nJGumuVW2iA


 

 

 

 

 

Wednesday, March 13, 2024

The Fundamental Crisis and Foundational Contradiction Facing the United States During the Upcoming Presidential Election Year of 2024: Fascism guided, informed, and enabled by the Doctrines and Practices of White Supremacy and Global Capitalism--PART 20

Racial Fascism
Alberto Toscano

Installation view of Kinetics of Violence by Alexander Calder and Cady Noland, New York, Venus Over Manhattan, 2017.

Issue #139
October 2023
 
"Swastikas bloomed in Chicago parks like misbegotten weeds."
—Martin Luther King, “Drive to End Slums” (1967)

"Nothing is more important than stopping fascism because fascism will stop us all."
—Fred Hampton (1969)


"Fascism was a monster born of capitalist parents. Fascism came as the end-product of centuries of capitalist bestiality, exploitation, domination and racism—mainly exercised outside of Europe. It is highly significant that many settlers and colonial officials displayed a leaning towards fascism."
—Walter Rodney, How Europe Underdeveloped Africa (1972)

"Let us be reminded that before there is a final solution, there must be a first solution, a second one, even a third."
—Toni Morrison, “Racism and Fascism” (1995)


It Did Happen Here

Just as the aftermath of the 2016 US presidential election witnessed the mainstreaming of scholarly and activist discussions of fascism in the United States and beyond, the frantic quickening of the news cycle on the eve of the 2020 contest was again accompanied by multiple efforts to check America’s authoritarian pulse. Despite the deadly farce of the January 6 white riot (America’s own beer-bong putsch), the departure of the forty-fifth president has made way for a rushed remaindering in some quarters of the debate on native (or, better, nativist) fascism. The Black radical perspectives on the fascist problematic surveyed below—with their commonly neglected insistence on the structuring role of fascist potentials to the US body politic—would suggest that we instead stay with the trouble that briefly forced even some liberal partisans of American exceptionalism to consider that fascism was not some dreadful anachronism imported from the Old World; that instead, to paraphrase H. Rap Brown, it might be “as American as cherry pie,” deeply enmeshed in histories of enslavement and extermination, dispossession and domination that continue to shape the US present, materially and ideologically.

Where in 2016 attention gravitated towards the incoming administration’s organic and ideological links with the extreme right (Bannon, Miller, Spencer & Co.), the context of a mass civic insurgency against police murder and racial terror—the George Floyd Rebellion—shifted the tenor and relevance of invocations of fascism in ways that should be allowed to resonate irrespective of changed occupancy in the Oval Office. In the months leading up to the 2020 election, the systemic challenge posed by mass Black-led movements against the racial and carceral state was displaced by the US government onto the familiar figure of the (white) anarchist (or communist) agitator, as “Antifa” became a target for William Barr’s Department of Justice (still undecided whether this was a “foreign terrorist organization” or an internal “seditious” group). In the interim, the fauna of right-wing agitation grew weirder and more sinister still, thanks to QAnon, the Boogaloo movement, the Oath Keepers, and the Proud Boys—who clearly took the presidential guidance to “stand down and stand by” all too literally. The state’s exceptional powers—that dependable matrix of historical fascisms—were flexed in scenes of unidentified federal agents bundling protesters into unmarked rental vans and in the shooting of Michael Reinoehl by a US Marshals task force, even if further escalations did not eventuate.

Meanwhile, on the ideological stage, “critical race theory” (along with the New York Times’ “1619 Project”) was loudly proclaimed to be an “ideological poison” that must be “quickly extinguished”; the Executive Branch’s Office of Management and Budget dispatched a memo to all federal agencies to “cease and desist from using taxpayer dollars to fund … divisive, un-American propaganda training sessions”; and an executive order condemned anti-racist critics for advancing a “vision of America that is grounded in hierarchies based on collective social and political identities,” a ludicrous case of projection if there ever was one. This very recent history should not be treated as a freakish blip; rather, as demonstrated by the persistence of the politics and personnel that made it possible (not least at the level of state legislatures that have ramped up their projects of racial disenfranchisement, dispossession, and ecocide), it demands acknowledgment as the index of an entrenched and arguably burgeoning political potential.

Notwithstanding the changing terrain, talk of fascism has generally stuck to a familiar groove, namely asking whether present phenomena are analogous to those of interwar European fascisms.

Skeptics of comparison will underscore how the analogy of fascism either treats the present moment as exceptional, papering over US histories of authoritarianism, or, alternatively, is so broad as to fail to define what is unique about our current predicament. Analogy’s advocates will instead point to the need to detect family resemblances with past despotisms before it’s too late, often making their case by advancing some ideal-typical check list, whether in terms of the elements of or the steps towards fascism. But what if our talk of fascism were not dominated by the question of analogy?

Attending to the long history of Black radical thought about fascism and anti-fascist resistance—what Cedric Robinson called a “Black construction of fascism,” an alternative to the “the historical manufacture of fascism as a negation of Western Geist”—could serve to dislodge the debate about fascism from the deadlock of analogical thinking, providing the resources to confront our volatile interregnum.

Long before Nazi violence came to be conceived as beyond comparison, Black radical thinkers sought to expand the historical and political imagination of an anti-fascist left by detailing how what could be perceived from a European or white vantage point as a radically new form of ideology and violence was in effect continuous with the history of (settler-)colonial dispossession and racial slavery.


Langston Hughes in a 1943 photo taken by Gordon Parks for the US Office of War Information. Source: Library of Congress.

The pan-Africanist intellectual and activist George Padmore, breaking with the Communist International over its failure to think the nexus between “democratic” imperialism and fascism, would write in How Britain Rules Africa (1936) of settler-colonial racism as “the breeding-ground for the type of fascist mentality which is being let loose in Europe today.” He would go on to see in South Africa “the world’s classic Fascist state” grounded on the “unity of race as against class.”

Padmore’s anatomy of what he termed “colonial fascism” thus anticipated the memorable depiction of fascism as the boomerang effect of European imperialist violence in Césaire’s Discourse on Colonialism. It was also echoed by the Tunisian-Jewish writer Albert Memmi, and by the Guyanese historian and activist Walter Rodney, when he wrote of the “fascist potential of colonialism” with specific reference to settler support for the Vichy regime and pied-noir efforts to destabilize liberal rule in metropolitan France. The anti-colonial conviction whereby the standpoint of the targets of racial violence gives the lie to the exceptionality of intra-European fascism was also echoed by African-American intellectuals. Speaking in Paris at the anti-fascist International Writer’s Congress in 1937, the poet Langston Hughes would declare: “In America, Negroes do not have to be told what fascism is in action. We know. Its theories of Nordic supremacy and economic suppression have long been realities to us.” This was a lesson that could also be drawn from the monumental historical reckoning with US racial capitalism that is Du Bois’s 1935 Black Reconstruction in America. As Amiri Baraka suggested, the overthrow of Reconstruction enacted a “racial fascism” that long predated Hitlerism in its use of racial terror, co-optation of poor whites, and passionate investments in white supremacy among ample sectors of the capitalist class, financial as well as industrial. Reading the present via this lens can make palpable how and why “institutionally the historical furniture filling America’s political space has already been arranged in such a way that it would always leave open the prospect of evolving even greater authoritarian forms like fascism.”In this view, an American racial fascism could go unremarked because it operated on the other side of the color line, just as colonial fascism took place at a spatial and epistemic remove from the imperial metropole. As Jean Genet observed on May 1, 1970 at a rally in New Haven for the liberation of Black Panther Party Chairman Bobby Seale: “Another thing worries me: fascism. We often hear the Black Panther Party speak of fascism, and whites have difficulty accepting the word. That’s because whites have to make a great effort of imagination to understand that blacks live under an oppressive fascist regime.”

Fascism, Prisons, and Black Liberation

It was largely due to the Panthers, or at least in their orbit, that “fascism” returned to the forefront of radical discourse and activism in the late 1960s and early 1970s—the United Front Against Fascism conference held in Oakland in 1969 brought together a wide swath of the Old and New Lefts, as well as Asian-American, Chicano, and Puerto Rican activists who had developed their own perspectives on American fascism (for instance, by foregrounding the experience of Japanese internment during World War II).

In a striking testament to the peculiarities and continuities of US anti-fascist traditions, among the chief planks of the conference was the notionally reformist demand for community or decentralized policing—to remove racist white officers from Black neighborhoods and exert local checks on law enforcement. It is not, however, to leading members of the Black Panther Party but to political prisoners close to the Panthers that we must turn for theories about the nature of late fascism in the United States. While debates about “new fascisms” were polarizing radical debate across Europe, the writing and correspondence of Angela Y. Davis and George Jackson outlined the possibility of theorizing fascism from the direct experience of the violent nexus between the carceral state and racial capitalism.

In one of his prison letters on fascism, collected in Blood in My Eye, George Jackson offered the following reflection:

When I am being interviewed by a member of the old guard and point to the concrete and steel, the tiny electronic listening device concealed in the vent, the phalanx of goons peeping in at us, his barely functional plastic tape-recorder that cost him a week’s labor, and point out that these are all manifestations of fascism, he will invariably attempt to refute me by defining fascism simply as an economic geo-political affair where only one party is allowed to exist aboveground and no opposition political activity is allowed.

Following Jackson, we might ask: What happens to the turns and returns of the theoretical debate over fascism and (neo-)authoritarianism when it undergoes a Gestalt shift and takes the racial capitalist state and its carceral apparatus as its fulcrum, in something like a “tilt shot angled from below” that might disclose “a panorama of violence endured”?

As Jacques Derrida intimated in an unsent letter to Jean Genet, dated one day prior to Jackson’s assassination by a guard sniper at San Quentin:

"In a prison—this one and others—where it thought it had put its outside in chains, the system of (Western-white-capitalist-racist) society has made possible, by this act, the analysis of its functioning, a practical analysis that is at once the most implacable, the most desperate, but also the most affirmative."

It has become commonplace in discussions of fascism to castigate the 1970s as a kind of cognitive nadir when fascism was degraded from a category of historical analysis and taxonomy into a one-size-fits-all political insult, with dire consequences. In what follows, I want to take the imprudent wager that there is virtue and insight in the seeming exaggeration or inflation of fascism in the context of seventies radicalism and liberation politics. But I especially want to underscore how viewing fascism through the prism of Black radical intellectual traditions can redirect our contemporary debate in fruitful and important ways. What might happen to our conceptions of fascism and authoritarianism if we took our bearings not from putative analogies with the European interwar scene, but, for instance, from the materiality of the prison-industrial complex, from the “concrete and steel,” from the devices and the personnel of surveillance and repression? Probing the analytical nexus of fascism and racial capitalism forged in the liberation struggles of the 1970s, we can also connect it back to the analysis of fascism emerging from Black theorists in the interwar period and forward to the afterlives of fascism in the late twentieth and early twenty-first centuries.


February, 1972: Angela Davis speaks to the press at a press conference following her release on bail during her trial. L-R: Howard Moore (lawyer), Fania Jordan, Angela. Franklin Alexander stands behind Angela. Photo: Stephen Shames.

In their writing and correspondence, which is marked by differences of interpretation interwoven with a profound comradeship, both Angela Y. Davis and George Jackson identified the US state apparatus as the site for a reemergence or indeed a perfecting of certain features of (European) historical fascisms. Much of their theorizing is suffused by contemporary debates on the nature of monopoly capitalism, imperialism, and capitalist crises, as well as, in Jackson’s case, by an effort to revisit the classical historiography on fascism. Of note and relevance for contemporary concerns is the specific light that the prism of race—of racial domination and racial capitalism—sheds on the nexus of fascism and democracy, and how it can help us to interrogate and displace the normative conviction regarding the absolute antithesis between fascist despotism and liberal democracy. Both Jackson and Davis are profoundly aware of the disanalogies between present forms of domination and historical fascism, but they both assert the epistemologically privileged vantage point provided by the view from within a carceral-judicial system that could fairly be described as a racial state of terror. In distinct ways, they can be seen to relay and recode that foundational gesture of anti-racist and Black radical anti-fascism crystallized in Césaire’s Discourse on Colonialism. As the Martinican poet and politician tells it: “And then one fine day the bourgeoisie is awakened by a terrific boomerang effect: the gestapos are busy, the prisons fill up, the torturers standing around the racks invent, refine, discuss.”

But the new form of American fascism that Jackson and Davis anatomize is not an unwanted return from the other space of colonial violence; it originates from the bosom of liberal democracy itself. The prisons are already full. And rather than a boomerang, the generalization of racialized carceral terror into society at large—which is one of the foremost features of the new fascism—is a much less dramatic or sudden process of seepage, the permeation of the social space of actually existing liberalism by models and devices invented, refined, and discussed amid concrete and steel. As Mullen and Vials justly observe:

For people of color at various historical moments, the experience of racialization within a liberal democracy could have the valence of fascism. That is to say, while a fascist state and a white supremacist democracy have very different mechanisms of power, the experience of racialized rightlessness within a liberal democracy can make the distinction between it and fascism murky at the level of lived experience. For those racially cast aside outside of liberal democracy’s system of rights, the word “fascism” does not always conjure up a distant and alien social order.

Like Davis, Jackson also stresses the necessity to grasp fascism not as a static form but as a process, profoundly affected by its political and economic contexts and conjunctures. Whence the limits of models, analogies, or ideal types. Jackson comments on “the defects of trying to analyse a movement outside of its process and its sequential relationships. You gain only a discolored glimpse of a dead past”; he remarks how, historically, fascism “developed from nation to nation out of differing levels of traditionalist capitalism’s dilapidation.” Now, while for the author of Soledad Brother fascism is profoundly linked to a restructuring of the capitalist state, it is also fundamentally a counterrevolutionary form, manifesting in the violence with which it meets any substantive threat to the integrity of the state of capital. It is nevertheless instructive to note that, echoing Nicos Poulantzas’s analysis in Fascism and Dictatorship, for Jackson fascism does not respond directly to an ascendant revolutionary force; it is a kind of delayed counterrevolution, parasitic on the weakness or defeat of the anti-capitalist left. The “opposition of a weak socialist revolution” is thus a shared feature among the various fascisms (one can sense the indictment of the contemporary left in Jackson’s historical allusion). In a nutshell then: “Fascism must be seen as an episodically logical stage in the socio-economic development of capitalism in a state of crisis. It is the result of a revolutionary thrust that was weak and miscarried—a consciousness that was compromised.” Viewed from the US vantage point, that compromise is necessarily entangled with the persistent pattern of the racialization of class that defines American history ever since the white-supremacist counterrevolution against Black Reconstruction, or indeed ever since Bacon’s Rebellion and the concomitant “invention of the white race.” As Jackson quips: “Marx’s definition of history as a broken, twisted, sordid spectrum of class struggles is substantiated by Amerikan labor history.”

Fascism in the United States had achieved a kind of perfected form for Jackson—all the more insidiously hegemonic because of the marriage of monopoly capital with the (racialized) trappings of liberal democracy. As he declared:

Fascism has established itself in a most disguised and efficient manner in this country. It feels so secure that the leaders allow us the luxury of faint protest. Take protest too far, however, and they will show their other face. Doors will be kicked down in the night and machine-gun fire and buckshot will become the medium of exchange.


Emory Douglas’s work for The Black Panther newspaper, 1969.

Notwithstanding the national and conjunctural mutability of fascism, Jackson provocatively claimed that (economic) reform could be identified as “a working definition of fascist motive forces,” one that was particularly apt for the political expressions of US monopoly capital.

In Angela Y. Davis’s concurrent analysis, the carceral, liberationist perspective on fascism is both further refined and shifted. For Davis, American fascism in the early 1970s took what was best described as a preventive and incipient form. The terminology was borrowed and adapted from her former teacher Herbert Marcuse. In a 1970 interview with Hans Magnus Enzensberger, Marcuse had proposed inverting the customary political sequence that would see fascism as reactive not just in social content but in temporal form—whether responding immediately to a potentially triumphant revolutionary upsurge or, in a mediated way, to an already defeated or ebbing challenge to capitalism. It is not reaction but anticipation that animates this new figure of fascism. As Marcuse tells Enzensberger:

I believe that there is something like preventative fascism. In the last ten to twenty years we’ve experienced a preventative counter-revolution to defend us against a feared revolution, which, however, has not taken place and doesn’t stand on the agenda at the moment. In the same way preventative fascism comes about.

The question of the possibility of fascism in the United States, much debated by liberation movements and the far left throughout the seventies and into the eighties, is for Marcuse deeply entangled with the concrete forms taken by “preventative counterrevolution” as a core strategic imperative of the capitalist establishment, as well as its specific modalities of “preventive counter-violence.”

The specificity of this anticipatory logic is also closely linked to the distinctive disanalogies between this “incipient fascism” and its interwar European precursors. As Marcuse reflects:

The question is whether fascism is taking over in the United States. If by that we understand the gradual or rapid abolition of the remnants of the constitutional state, the organization of paramilitary troops such as the Minutemen, and granting the police extraordinary legal powers such as the notorious no-knock law which does away with the inviolability of the home; if one looks at the court decisions of recent years; if one knows that special troops—so-called counterinsurgency corps—are being trained in the United States for possible civil war; if one looks at the almost direct censorship of the press, television and radio: then, as far as I’m concerned, one can speak with complete justification of an incipient fascism … American fascism will probably be the first which comes to power by democratic means and with democratic support.

Fascism here defines a set of repressive tactics, as well as an encompassing political and ideological process, which differentially targets racialized and subaltern populations whose very existence and sociality are perceived as a threat—whence the porous borders between the “criminal” and the “political prisoner.” It is a process in which—to borrow from Jackson’s characterization of the “oppressive contract” underlying US capitalism—“accrual of contempt [for the oppressed] is [a] fundamental survival technique.”Davis develops the Marcusean thesis that “fascism is the preventive counter-revolution to the socialist transformation of society,” specifying that transformation from the vantage point of the lived experience of racialized communities in the United States. For the state, the most threatening feature of Black revolutionary politics takes the form not so much of the armed struggle invoked by Jackson but of the “survival programs,” the enclaves of autonomous social reproduction practiced by the Black Panthers and other militant and activist groups. What can be gleaned from Davis’s account more broadly are the differential visibility and experience of both fascism and democracy. In this regard, it can help to attune us to the ways in which race and gender, alongside class, can also determine the modality in which fascism is lived.There is a kind of everyday fascism that marks the interaction of people of color with the state, and which, while acting as the repressive infrastructure of a liberal democracy still steeped in the legacies of white supremacy, also signals the possibility or tendency to generalize incipient or preventive fascism to the population at large. As Davis warns, fascism in the early 1970s is “primarily restricted to the use of the law-enforcement-judicial-penal apparatus to arrest the overt and latent-revolutionary trends among nationally oppressed people, tomorrow it may attack the working class en masse and eventually even moderate democrats.” But the latter are, alas, unlikely fully to perceive this phenomenon, both because of the making invisible of its site—carceral space with its “totalitarian aspirations”—and the dilated character of its unfolding, of its time. The kind of fascism diagnosed by Davis is a “protracted social process,” whose “growth and development are cancerous in nature.”

Davis’s analyses direct us to the prison as a racialized enclave or laboratory for the fascistic strategies and tactics of counterrevolution, which are in turn understood in terms of a molecular social process. Both spatially and temporally, the perception of fascist realities and potentialities is occluded by the opacity of their social and political infrastructure. As Davis would later write, in the context of her abolitionist activism:

The dangerous and indeed fascistic trend toward progressively greater numbers of hidden, incarcerated human populations is itself rendered invisible. All that matters is the elimination of crime—and you get rid of crime by getting rid of people who, according to the prevailing racial common sense, are the most likely people to whom criminal acts will be attributed.

Dylan Rodriguez has powerfully captured the originality and challenge of the “fascism problematic” that Davis and Jackson forged out of the political violence of confinement. Notwithstanding their partially divergent evaluations, in naming a fascist present in the United States (whether incipient or accomplished) they share in “a theoretical and symbolic political gesture that fosters an epistemological break from the common sense of U.S. white supremacy and the regime of state violence on which it is premised.” This gesture is twofold. On the one hand, it anchors racial, carceral, and counterinsurgent violence in political economy—not just by identifying the instrumentality of brutal repression in the reproduction of class relations, but by amplifying the Fanonian insight that we should consider violence “as a primary and productive (rather than merely repressive) articulation of particular social formations.” On the other, the reformulation of the fascist problematic from the vantage point of racialized political incarceration has the lasting virtue of troubling the facile if ideologically inescapable opposition of fascism and (liberal) democracy. As Rodriguez pointedly asks: “How might our political understanding of the United States be altered or dismantled if we were to conceptualize fascism as the restoration of a liberal hegemony, a way out of crisis, rather than as the symptom of crisis or the breakdown of ‘democracy’ and ‘civil society’?”

As ever, rearticulating the analysis and etiology of fascism also inflects the strategic imaginary of anti-fascism:

The dynamic, strategic relations of violence condensing within the American social formation at different times and in different places are neither accidental nor excessive, and the challenge of this reconceptualized fascism problematic is to comprehend the socially reproductive capacities of coercive technologies and (proto-)genocidal practice within the current order.

From a complementary angle, Nikhil Pal Singh has illuminated the historical nexus between the “preventive wars” waged by US imperialism and the fascist potentialities inherent to settler-colonialism and chattel slavery. As he writes:

Poet Langston Hughes once described the casualties of U.S. expansion, slavery, and segregation as the victims of “our native fascisms”; as careful scholars affirmed, fascism was largely a deviation of democratic regimes. Thus, while democratic liberalism continually reimagines fascism as its monstrous Other, fascism might be better understood as its doppelganger or double—an exclusionary will to power that has regularly re-emerged, manifesting itself in: (1) those zones of internal exclusion within liberal-democratic societies (plantations, reservations, ghettos, and prisons); and (2) those sites where liberalism’s expansionist impulse and universalizing force has been able to evade its own “constitutional restraints” (the frontier, the colony, the state of emergency, the occupation, and the counter-insurgency).


Gary Simmons, Recapturing Memories of the Black Ark (2014–ongoing).

Delving into racial and colonial fascisms—and into European “historical fascism” as “the last major drive for European colonial ventures in the twentieth century”—makes intelligible the superficially paradoxical notion of a “fascist freedom” (and the subjectivities of the Herrenvolk liberals and democrats who promote it).

If fascism is also a product of the long history of “race wars,” then we cannot understand the fascist potentials of US nativism without attending, as Singh does, to the Indian Wars, and to the ways in which the settler-colonial organization of dispossessive violence vested “ordinary citizens with an expansive police power.”

Unlike classical European fascisms, US racial and settler-colonial fascism does not manifest univocally as the apotheosis of sovereignty, as a jackbooted Leviathan. Rather, as Singh observes:

The construction of racist individualism and settler freedom that distinguished the Jacksonian democracy idealized by [Steve] Bannon, for instance, encouraged a slackness of centralized government control tethered to a violence exercised at its borders and margins, something that seemed chaotic, unstable, and disordered from the controlling seat of power. Considered in these terms, the Trump administration hardly needs organized paramilitaries to do its bidding, given the normative, historical, and institutional ways in which police powers in the United States operate as delegated and sovereign prerogatives to master and control indigenous and exogenous others.


Notes:

On Toni Morrison’s reflections on fascism, see Roderick Ferguson’s illuminating essay “We Cannot Be the Same After the Siege,” Allies, ed. Ed Pavlić et al. (Boston Review, 2019). See also Ferguson’s powerful call for an anti-fascist politicization grounded in queer-of-color critique in “Authoritarianism and the Planetary Mission of Queer of Color Critique,” Safundi: The Journal of South African and American Studies 21, no. 3 (2020).

Mike Baker and Evan Hill, “Police Say an Antifa Activist Likely Shot at Officers. His Gun Suggests Otherwise,” New York Times, April 10, 2021.

The recent New York Review of Books debate featuring Peter E. Gordon, Sam Moyn, and Sarah Churchwell provides an informative panorama of positions on this question. Peter E. Gordon, “Why Historical Analogy Matters,” New York Review of Books, January 7, 2020; Samuel Moyn, “The Trouble with Comparisons,” New York Review of Books, May 19, 2020; Sarah Churchwell, “American Fascism: It Has Happened Here,” New York Review of Books, June 22, 2020.

Cedric J. Robinson, “Fascism and the Response of Black Radical Theorists,” in Racial Capitalism, Black Internationalism and Cultures of Resistance, ed. H. L. T. Quan (Pluto, 2019), 149.

Quoted in Bill Schwartz, “George Padmore,” in West Indian Intellectuals in Britain, ed. Bill Schwartz (Manchester University Press, 2003), 141–2. Though unlike Padmore he maintained his fealty to Soviet Communism, R. Palme Dutt also discerned the continuities between European fascism and Empire: “In the poems of a Kipling, in the Boer War agitation of a Daily Mail, in the war dictatorship of a Lloyd George riding roughshod over constitutional forms and driving to the aim of a ‘Knock-out Blow,’ the spirit of Fascism is already present in embryonic forms.” R. Palme Dutt, Fascism and Social Revolution (Lawrence & Wishart, 1935), 240. See also Alfie Hancox, “Fascisation as an Expression of Imperialist Decay: Rajani Palme Dutt’s Fascism and Social Revolution,” Liberated Texts, March 23, 2021.

“Every colonial nation carries the seeds of fascist temptation in its bosom. What is fascism, if not a regime of oppression for the benefit of a few?” Albert Memmi, The Colonizer and the Colonized (1957; Earthscan, 2003), 106–7; Walter Rodney, How Europe Underdeveloped Africa (1972; Verso, 2018), 243.

Langston Hughes, “Too Much of Race,” Crisis 44, no. 9 (September 1937), 272. See also the poem “Beaumont to Detroit: 1943,” whose final lines are: “How long I got to fight / BOTH HITLER—AND JIM CROW.”

I borrow the term “racial fascism” from Baraka, who crucially posits a violent dialectic between the dynamics of racial domination in the United States and imperialism, a theme that Du Bois himself had powerfully underscored as early as “The African Roots of War” (1915): “Andrew Johnson’s point position in overthrowing Reconstruction and imposing a racial fascism on Afro America and the Afro American people readied the whole of the U.S. nation for imperialist rule, which today has moved to complete control of the entire nation.” Amiri Baraka, “Black Reconstruction: Du Bois & the U.S. Struggle for Democracy & Socialism,” Conjunctions, no. 29 (1997): 78.

Harry Harootunian, “A Fascism for Our Time,” Massachusetts Review, 2021. Harootunian details the “founding oligarchical intentions” and constitutional constructions that, in conjunction with the material histories of racial capitalism, have seeded sui generis fascist potentials into the US body politic and its ruling institutions.

Jean Genet, “May Day Speech,” in The Declared Enemy: Texts and Interviews, trans. Jeff Fort, ed. Albert Dichy (Stanford University Press, 2004), 38.

On anti-imperialist anti-fascism as coalitional politics among people of color in the United States, see also the fascinating essay by Michael Staudenmaier, “‘America’s Scapegoats’: Ideas of Fascism in the Construction of the US Latina/o/x Left, 1973–83,” in “Fascism and Anti-Fascism Since 1945,” special issue, Radical History Review, no. 138 (October 2020).

See for instance the dossier on “new fascism, new democracy” organized by Maoist militants around the newspaper La Cause du peuple in Les Temps modernes, no. 310 (1972), especially André Glucksmann’s article “Fascisme: L’ancien et le nouveau.” For the French Trotskyist debate, see Jean-Marie Brohm et al., Le gaullisme, et après? État fort et fascisation (François Maspero, 1974). The best critical appraisal of theories of fascism in the US revolutionary left in the 1970s is Noel Ignatin (Ignatiev), “Fascism: Some Common Misconceptions,” Urgent Tasks, no. 4 (1978)

George Jackson, Blood in My Eye (1972; Penguin, 1975), 121–22. For a contemporary theoretical discussion of Jackson’s theses, see ARM (Association for the Realization of Marxism), “George Jackson, Monopoly Capitalism and the Fascist Type of State,” The Black Liberator 2, no. 3 (1974–75).

Jean-Paul Sartre, “A Plea for Intellectuals,” in Between Existentialism and Marxism (Basic Books, 1974), 256.

Jacques Derrida, “Letter to Jean Genet (fragments),” Negotiations, ed. and trans. Elizabeth Rottenberg (Stanford University Press, 2002), 43. See also Mikkel Bolt Rasmussen, “Yes Of Course … Derrida to Genet on Commitment in Favor of Jackson,” New Formations, no. 75 (2012); Tyler M. Williams, “Derrida and the Censorship of Literature,” New Centennial Review 20, no. 1 (2020).

Aimé Césaire, Discourse on Colonialism, trans. Joan Pinkham (Monthly Review Press, 2001), 36. Where Pinkham translates “boomerang,” the original French speaks of a “choc en retour,” a “recoil,” “return shock,” or “backlash.”

Bill V. Mullen and Christopher Vials, editorial introduction to Penny Nakatsu, “Speech at the United Front against Fascism Conference (1969),” in The US Antifascism Reader, ed. Mullen and Vials (Verso, 2020), 271. See also the discussion of the “spatial metaphor” of fascism in Christopher Vials, Haunted by Hitler: Liberals, the Left, and the Fight Against Fascism in the United States (University of Massachusetts Press, 2014).

Jackson, Blood in My Eye, 124, 125.
Jackson, Blood in My Eye, 125.
Jackson, Blood in My Eye, 126.

Theodore W. Allen, The Invention of the White Race, vol. 2, The Origin of Racial Oppression in Anglo-America (Verso, 2012).

Jackson, Blood in My Eye, 148.

Jackson, Blood in My Eye, 158. See also Kathleen Cleaver, “Racism, Fascism, and Political Murder,” The Black Panther, September 14, 1968, 8.

Herbert Marcuse, “USA: Questions of Organization and the Revolutionary Subject,” The New Left and the 1960s: Collected Papers of Herbert Marcuse, vol. 3, ed. Douglas Kellner (Routledge, 2005), 138. The notion of preventive counterrevolution had been used to define fascism in the Italian anarchist Luigi Fabbri’s La contro-rivoluzione preventiva: Riflessioni sul fascismo (L. Cappelli, 1922). See also R. Palme Dutt, Fascism and Social Revolution (Wildside Press, 2020), 123.

Étienne Balibar, “Outlines of a Topography of Cruelty: Citizenship and Civility in the Era of Global Violence,” Constellations 8, no. 1 (2001): 16.

Marcuse, “USA,” 137–38. The question of fascism’s new modalities is a leitmotif in the writings of Marcuse’s last decade. Sometimes he stresses, as in this passage, the objective possibility of a new fascism; at others, he soberly notes the limited if real freedoms that residually obtain in liberal capitalist democracies. See also Herbert Marcuse, “Le Monde Diplomatique” (1976), in Marxism, Revolution and Utopia: Collected Papers of Herbert Marcuse, vol. 6, ed. Douglas Kellner and Clayton Pierce (Routledge, 2014), 360.

Jackson, Blood in My Eye, 162.

Angela Y. Davis and Bettina Aptheker, “Preface,” in If They Come in the Morning: Voices of Resistance, ed. Angela Y. Davis (1971; Verso, 2016), xiv. See also Angela Y. Davis, “Political Prisoners, Prisons and Black Liberation,” in If They Come in the Morning, 37.

Half a century on, Davis insists on the relevance of the category of fascism, and its character as a reaction to Black liberation struggles. See “Interview with Angela Y. Davis,” in Revolutionary Feminisms: Conversations on Collective Action and Radical Thought, ed. Brenna Bhandar and Rafeef Ziadah (Verso, 2020), 209–10. Davis’s principal reference in her discussion of fascism remains Marcuse, especially his 1934 essay “The Struggle against Liberalism in the Totalitarian View of the State.”

Davis, “Political Prisoners, Prisons and Black Liberation,” 41.

Davis, “Political Prisoners, Prisons and Black Liberation,” 44.

Davis and Aptheker, “Preface,” xv; Davis, “Political Prisoners, Prisons and Black Liberation,” 41.

Angela Y. Davis, “Race and Criminalization: Black Americans and the Punishment Industry,” in The Angela Y. Davis Reader, ed. Joy James (Blackwell Publishers, 1998), 63. Cited in Dylan Rodriguez, Forced Passages: Imprisoned Radical Intellectuals and the U.S. Prison Regime (University of Minneapolis Press, 2006), 141.

Rodriguez, Forced Passages, 117.
Rodriguez, Forced Passages, 130.

Rodriguez, Forced Passages, 137. For a provocative exploration of the superimposition of fascism and liberal legality under late-capitalist crisis conditions, see Antonio Negri, “Fascismo e diritto: un esperimento di metodo,” in Macchina tempo: Rompicapi Liberazione Costituzione (Feltrinelli, 1982). See also “Interview with Toni Negri (1980),” in Revolution Retrieved: Writings on Marx, Keynes, Capitalist Crisis and New Social Subjects (1967–1983) (Red Notes, 1988), 122.

Rodriguez, Forced Passages, 140–41.

Nikhil Pal Singh, “The Afterlife of Fascism,” South Atlantic Quarterly 105, no. 1 (2006): 79.

Tiago Saraiva, Fascist Pigs: Technoscientific Organisms and the History of Fascism (MIT Press, 138). Saraiva’s book is an immensely original and methodologically rich study of fascism in its settler-colonial dimensions, drawing critically on studies of science and technology.

Nikhil Pal Singh, Race and America’s Long War (University of California Press, 2017), 26.

Singh, Race and America’s Long War, 172–73. The juridical devices for the dispossession and racialization of Indigenous people in the United States in turn played a formative role in Nazi legal thought, which extended Hitlerism’s self-identification as a white settler-colonial project (the Generalplan Ost as replica of Manifest Destiny) into racial laws forged after the US example. See James Q. Whitman’s enlightening Hitler’s American Model: The United States and the Making of Nazi Race Law (Princeton University Press, 2018).

Category

Fascism

Subject

Black Power, Black Studies, Revolution

Return to Issue #139


This text is excerpted from chapter 2 of Alberto Toscano, Late Fascism: Race, Capitalism and the Politics of Crisis, published by Verso this month


ABOUT THE AUTHOR:


Alberto Toscano teaches at the School ofCommunications, Simon Fraser University, and co-directs the Centre for Philosophy and Critical Theory at Goldsmiths, University of London. He is the author of Fanaticism: On the Uses of an Idea (Verso, 2010; 2017, 2nd ed.), Cartographies of the Absolute (with Jeff Kinkle, Zero Books, 2015), La abstracción real. Filosofia, estética y capital (Palinodia, 2021), and Terms of Disorder: Keywords for an Interregnum (Seagull, 2023). He is the co-editor of the 3-volume The SAGE Handbook of Marxism (with Sara Farris, Bev Skeggs and Svenja Bromberg, SAGE, 2022), Ruth Wilson Gilmore’s Abolition Geography: Essays in Liberation (with Brenna Bhandar, Verso, 2022), and Georges Bataille’s Critical Essays (with Benjamin Noys, Seagull, 2023). He is a member of the editorial board of the journal Historical Materialism: Research in Critical Marxist Theory and series editor of Seagull Essays and The Italian List for Seagull Books. He has also translated the work of Antonio Negri, Alain Badiou, Franco Fortini, and Furio Jesi.



© 2023 e-flux and the author

Monday, March 11, 2024

The Fundamental Crisis and Foundational Contradiction Facing the United States During the Upcoming Presidential Election Year of 2024: Fascism guided, informed, and enabled by the Doctrines and Practices of White Supremacy and Global Capitalism--PART 19

"Fascism is a new name for that kind of terror the Negro has always faced in America."
--Langston Hughes (1936) 
LANGSTON HUGHES (1902-1967)
“I come from a land whose democracy from the very beginning has been tainted with race prejudice born of slavery, and whose richness has been poured through the narrow channels of greed into the hands of the few. I come to the Second International Writers Congress representing my country, America, but most especially the Negro peoples of America, and the poor peoples of America—because I am both a Negro and poor. And that combination of color and of poverty gives me the right then to speak for the most oppressed group in America, that group that has known so little of American democracy, the fifteen million Negroes who dwell within our borders.

We are the people who have long known in actual practice the meaning of the word Fascism—for the American attitude towards us has always been one of economic and social discrimination: in many states of our country Negroes are not permitted to vote or to hold political office. In some sections freedom of movement is greatly hindered, especially if we happen to be sharecroppers on the cotton farms of the South. All over America we know what it is to be refused admittance to schools and colleges, to theatres and concert halls, to hotels and restaurants. We know Jim Crow cars, race riots, lynchings, we know the sorrows of the nine Scottsboro boys, innocent young Negroes imprisoned some six years now for a crime that even the trial judge declared them not guilty of having committed, and for which some of them have not yet come to trial. Yes, we Negroes in America do not have to be told what Fascism is in action. We know. Its theories of Nordic supremacy and economic suppression have long been realities to us.”--July, 1936

― Langston Hughes,Good Morning, Revolution: Uncollected Social Protest Writings (Lawrence Hill, 1973)


https://go.gale.com/ps/i.do?
id=GALE%7CA664550456&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=14814374&p=LitRC&sw=w&userGroupName=anon%7Ea69c52aa&aty=open-web-entry

Incipient Fascism: Black Radical Perspectives.

Author: Alberto Toscano
Date: March 2021


From: CLCWeb: Comparative Literature and Culture(Vol. 23, Issue 1)
Publisher: Purdue University Press


Abstract:

The sordid twilight of the Trump presidency raised the stakes of the debate on fascism. While much of the discussion has been magnetised by the legitimacy of analogies with the 1930s, this article argues that a rich and complex tradition of Black radical critique of right-wing authoritarianism provides a vital resource for thinking through the problem of US fascism beyond analogy--beginning with the DuBoisian insight that a racial fascism forged by chattel slavery and settler-colonialism anticipated the ascendancy of European fascisms. The article homes in on Black radical theories of fascism developed in the wake of the movements and uprisings of the 1960s and the US state's intensification of its repressive and carceral apparatus. Exploring the theoretical insights generated in the prison writings of George Jackson and Angela Y. Davis, it challenges the widely held belief that the 1970s stood as the nadir of theorisation of fascism, its degradation into mere political insult. Instead, with particular emphasis on Davis's articulation of an incipient or preventive fascism, it investigates the theoretical consequences of the differential experience of fascism across axes of racialisation and reflects on the pertinence of Black radical theories of fascism to our current moment of recombinant White supremacy.

"Let us be reminded that before there is a final solution, there must be a first solution, a second one, even a third."
--Toni Morrison, "Racism and Fascism" (1995) (1)

BALDWIN: It's very hard to recognize that the standards which have almost killed you are really mercantile standards. They're based on cotton; they're based on oil; they're based on peanuts; they're based on profits.

GIOVANNI: To this day.

BALDWIN: To this hour.
--James Baldwin & Nikki Giovanni, A Dialogue (1971)

"Swastikas bloomed in Chicago parks like misbegotten weeds."
--Martin Luther King, "Drive to End Slums" (1967)

"Fascism is a new name for that kind of terror the Negro has always faced in America."
--Langston Hughes (1936)

In one of his prison letters on fascism, collected in Blood in My Eye, George Jackson offered the following reflection: When I am being interviewed by a member of the old guard and point to the concrete and steel, the tiny electronic listening device concealed in the vent, the phalanx of goons peeping in at us, his barely functional plastic tape-recorder that cost him a week's labor, and point out that these are all manifestations of fascism, he will invariably attempt to refute me by defining fascism simply as an economic geo-political affair where only one party is allowed to exist aboveground and no opposition political activity is allowed (121-122).

Following Jackson, we might ask: what happens to the turns and returns of the theoretical debate over fascism and (neo-)authoritarianism when it undergoes a Gestalt shift and takes racial capitalism and its carceral apparatus as its fulcrum, in something like a "tilt shot angled from below" capable of disclosing "a panorama of violence endured" (Sartre 244)? As Jacques Derrida intimated in an unsent letter to Jean Genet, dated one day prior to Jackson's assassination by a guard sniper in San Quentin: "In a prison--this one and others--where it thought it had put its outside in chains, the system of (Western-white-capitalist-racist) society has made possible, by this act, the analysis of its functioning, a practical analysis that is at once the most implacable, the most desperate, but also the most affirmative" (43). (2)

It has become commonplace in the incessant academic metacommentary on theories of fascism to castigate the 1970s as a kind of cognitive nadir, when fascism was degraded from a category of historical analysis and taxonomy into a one-size-fits-all political insult. In what follows, I want to take the imprudent wager that there is virtue and insight in the seeming exaggeration or inflation of fascism in the context of 70s radicalism, but especially to underscore how viewing fascism through the prism of the Black radical tradition can redirect our contemporary debate in fruitful and important ways. I will draw on the experience of Black political prisoners in the US as my point of departure. What happens to our conceptions of fascism and authoritarianism if we take our bearings not from putative analogies with the European interwar scene, but, for instance, from the materiality of the prison-industrial complex, from the "concrete and steel," from the devices and personnel of surveillance and repression? I want to probe the analytical nexus of fascism and racial capitalism forged in the liberation struggles of the 1970s, whilst threading it back to the analysis of fascism emerging from Black theorists in the interwar period and forward to the afterlives of fascism in the late twentieth and early twenty-first centuries.

In their writing and correspondence, which is marked by differences of interpretation interwoven with a profound comradeship, both Angela Y. Davis and George Jackson identified the US state as the site for a re-emergence or indeed a perfecting of certain features of (European) historical fascisms. Much of their theorising is suffused by contemporary debates on the nature of monopoly capitalism, imperialism and capitalist crises, as well as, in Jackson's case, by an effort to revisit the classical historiography on fascism. Of particular note and relevance for contemporary concerns is the specific light that the prism of race--of racial domination and racial capitalism--sheds on the nexus of fascism and democracy, the way it interrogates and displaces the normative conviction regarding the absolute antithesis between fascist rule and liberal democracy. Jackson and Davis are profoundly aware of the disanalogies of present forms of domination with historical fascism, but they both affirm the epistemologically privileged vantage point provided by the view from within a prison-judicial system that could accurately be described as a racial state of terror. In distinct ways, they can be seen to relay and recode that foundational gesture of anti-racist and Black radical anti-fascism crystallised in Aime Cesaire's Discourse on Colonialism. As the Martinican poet and politician recounted: "And then one fine day the bourgeoisie is awakened by a terrific boomerang effect: the gestapos are busy, the prisons fill up, the torturers standing around the racks invent, refine, discuss" (Cesaire 36).

But the new, American fascism that Jackson and Davis strive to delineate is not an unwanted return from the "other scene" of colonial violence, it originates from liberal democracy itself. The prisons are already full. And rather than a boomerang, the generalisation of racialised carceral terror into the socius at large--which is one of the foremost ingredients of the new fascism--is a much less dramatic or sudden process of seepage, the permeation of the social space of actually-existing liberal democracy with models and devices invented, refined and discussed amid "concrete and steel." As Mullen and Vials put it: for people of color at various historical moments, the experience of racialization within a liberal democracy could have the valence of fascism. That is to say, while a fascist state and a white supremacist democracy have very different mechanisms of power, the experience of racialized rightlessness within a liberal democracy can make the distinction between it and fascism murky at the level of lived experience. For those racially cast aside outside of liberal democracy's system of rights, the word 'fascism' does not always conjure up a distant and alien social order. (3)

Or, as Jean Genet had observed on 1 May 1970, at a rally in New Haven for the liberation of Black Panther Party Chairman Bobby Seale: "Another thing worries me: fascism. We often hear the Black Panther Party speak of fascism, and whites have difficulty accepting the word. That's because whites have to make a great effort of imagination to understand that blacks live under an oppressive fascist regime" (Genet 38). (4)

Like Davis, Jackson also stresses the necessity to grasp fascism not as a static form but as a process, profoundly inflected by its political and economic contexts and conjunctures. Whence the limits of models, analogies or ideal types. He comments on the "the defects of trying to analyse a movement outside of its process and its sequential relationships. You gain only a discolored glimpse of a dead past" (Jackson, Blood 124), and further notes how historically, it "developed from nation to nation out of differing levels of traditionalist capitalism's dilapidation" (125). Now, while for Jackson fascism is profoundly linked to a restructuring of the capitalist state, it is also fundamentally a counter-revolutionary form, revealed by the violence with which it represses anything that poses a consequential threat to that state. It is nevertheless instructive to note that, echoing Nicos Poulantzas's analysis in Fascism and Dictatorship, for Jackson fascism does not react immediately against an ascendant revolutionary force; it is a kind of delayed counter-revolution, parasitic on the weakness or defeat of the anti-capitalist Left. The "opposition of a weak socialist revolution" (Jackson, Blood) is a shared feature among the various fascisms (and one can of course sense the indictment of the contemporary Left in Jackson's historical allusion). In a nutshell then: "Fascism must be seen as an episodically logical stage in the socio-economic development of capitalism in a state of crisis. It is the result of a revolutionary thrust that was weak and miscarried--a consciousness that was compromised" (Jackson, Blood 126). Viewed from the US vantage point, that compromise is necessarily entangled with the persistent pattern of the racialization of class that defines American history ever since the white-supremacist counter-revolution against "Black Reconstruction," or indeed ever since Bacon's Rebellion and the concomitant "invention of the white race" (in Theodore W. Allen's formulation). As Jackson quips: "Marx's definition of history as a broken, twisted, sordid spectrum of class struggles is substantiated by Amerikan labor history" (148).

In Angela Y. Davis's concurrent analysis, the carceral, liberationist perspective on fascism is both further refined and shifted. Fascism in the US was a kind of perfected form for Jackson--all the more insidiously hegemonic because of the marriage of monopoly capital with the (racialized) trappings of liberal democracy. As he declared: "Fascism has established itself in a most disguised and efficient manner in this country. It feels so secure that the leaders allow us the luxury of faint protest. Take protest too far, however, and they will show their other face. Doors will be kicked down in the night and machine-gun fire and buckshot will become the medium of exchange" (Blood 158). (5) Notwithstanding the national and conjunctural mutability of fascism, Jackson provocatively claimed that (economic) reform could be identified as "a working definition of fascist motive forces," and one that was particularly apt for the political manifestations of US monopoly capital. For Davis, fascism in the US of the early 1970s took instead what was best defined as a preventive and incipient form. The terminology was borrowed and adapted from her teacher Herbert Marcuse. In a 1970 interview with Hans Magnus Enzensberger for the latter's journal Kursbuch, entitled "USA: Questions of Organization and the Revolutionary Subject," Marcuse had proposed to invert the customary political sequence that would see fascism as reactive not just in social content but in temporal form--whether responding immediately to a potentially triumphant revolutionary upsurge, or, in a mediated way, to an already defeated or ebbing challenge to capitalism. It is not reaction but anticipation that animates this new figure of fascism. As Marcuse tells Enzensberger: "I believe that there is something like preventative fascism. In the last ten to twenty years we've experienced a preventative counterrevolution to defend us against a feared revolution, which, however, has not taken place and doesn't stand on the agenda at the moment. In the same way preventative fascism comes about" (Marcuse, "USA" 138).

The question of the possibility of fascism in the US, much debated by liberation movements and the far Left throughout the 70s, is for Marcuse deeply entangled with the concrete forms taken by preventative counterrevolution as a core strategic imperative of the capitalist order. The specificity of this anticipatory logic is also closely linked to the distinctive disanalogies between this "incipient fascism" and its interwar European precursors: The question is whether fascism is taking over in the United States. If by that we understand the gradual or rapid abolition of the remnants of the constitutional state, the organization of paramilitary troops such as the Minutemen, and granting the police extraordinary legal powers such as the notorious no-knock law which does away with the inviolability of the home; if one looks at the court decisions of recent years; if one knows that special troops--so-called counterinsurgency corps--are being trained in the United States for possible civil war; if one looks at the almost direct censorship of the press, television and radio: then, as far as I'm concerned, one can speak with complete justification of an incipient fascism.... American fascism will probably be the first which comes to power by democratic means and with democratic support. (137-138) (6)

Fascism here defines a set of repressive tactics, as well as an encompassing political and ideological process, which differentially targets racialised and subaltern populations whose very existence and sociality is increasingly perceived as a threat--whence the porous borders between the "criminal" and the "political prisoner." It is a process in which, to borrow from Jackson's characterization of the "oppressive contract" underlying US capitalism: "Accrual of contempt [for the oppressed] is [a] fundamental survival technique" (Jackson, Blood 162).

Davis develops the Marcusean thesis that "fascism is the preventive counter-revolution to the socialist transformation of society" (Davis & Aptheker, "Preface" xiv), (7) to specify that transformation from the vantage point of the lived experience of racialised communities in the US--where the most threatening feature of Black revolutionary politics for the state takes the form not so much of the armed struggle imagined by Jackson but of the "survival programs," the enclaves of autonomous social reproduction practiced by the Black Panthers and other groups. What can be gleaned from Davis's account more broadly is the differential visibility and experience of both fascism and democracy. In this regard, it can help to attune us to the ways in which race and gender, alongside class, can also determine the modality in which fascism is lived. (8) There is a kind of everyday fascism, so to speak, that marks the interaction of people of colour with the state, and which, while acting as the repressive infrastructure of a liberal democracy still steeped in the legacies of white supremacy, also signals the possibility or tendency to generalise this incipient or preventive fascism to the population at large. As Davis puts it, fascism today is "primarily restricted to the use of the law-enforcement-judicial-penal apparatus to arrest the overt and latent-revolutionary trends among nationally oppressed people, tomorrow it may attack the working class en masse and eventually even moderate democrats" (Davis, "Political" 41). But the latter are, alas, unlikely fully to perceive this phenomenon, both because of the invisibilisation of its site--its carceral space with its "totalitarian aspirations" (44)--and the dilated character of its unfolding, its time. The kind of fascism diagnosed by Davis is a "protracted social process" (Davis & Aptheker, "Preface" xv), whose "growth and development are cancerous in nature" (Davis, "Political" 41). We thus have the correlation in Davis's analysis between, on the one hand, the prison as a racialised enclave or laboratory and, on the other, the fascistic strategy and tactics of counter-revolution, which are in turn understood in terms of a molecular social process. Both spatially and temporally, the perception of fascist realities and potentialities is occluded by its carceral frame. As Davis will later write: "The dangerous and indeed fascistic trend toward progressively greater numbers of hidden, incarcerated human populations is itself rendered invisible. All that matters is the elimination of crime--and you get rid of crime by getting rid of people who, according to the prevailing racial common sense, are the most likely people to whom criminal acts will be attributed (Davis, "Race" 63). (9)

Dylan Rodriguez has powerfully captured the originality and challenge of the "fascism problematic" that Davis and Jackson forged out of the political violence of confinement. Notwithstanding their partially divergent evaluations, in naming a fascist present in the US (be it emergent or consummated), they share in "a theoretical and symbolic political gesture that fosters an epistemological break from the common sense of U.S. white supremacy and the regime of state violence on which it is premised" (117). This gesture is twofold. On the one hand, it anchors racial, carceral and counter-insurgent violence in political economy--not just by identifying the instrumentality of brutality and repression to the reproduction of class relations but by amplifying the Fanonian insight that we should consider violence "as a primary and productive (rather than merely repressive) articulation of particular social formations" (130). On the other hand, the reformulation of the fascist problematic from the vantage point of racialised political incarceration has the lasting virtue of troubling the facile if ideologically vital opposition between fascism and (liberal) democracy. As Rodriguez pointedly asks: "how might our political understanding of the United States be altered or dismantled if we were to conceptualize fascism as the restoration of a liberal hegemony, a way out of crisis, rather than as the symptom of crisis or the breakdown of 'democracy' and 'civil society' (137)?" As ever, rearticulating the analysis and aetiology of fascism also inflects the strategic imaginary of anti-fascism: "The dynamic, strategic relations of violence condensing within the American social formation at different times and in different places are neither accidental nor excessive, and the challenge of this reconceptualized fascism problematic is to comprehend the socially reproductive capacities of coercive technologies and (proto)genocidal practice within the current order" (140-141).

What relation might we trace between the fascism problematic differentially articulated by Jackson and Davis, on the one hand, and earlier theorisations of fascism by black radical intellectuals, on the other? In a 1990 lecture that was only recently published, Cedric J. Robinson advanced the proposition that chronic neglect of autonomous traditions of Black radical theorising has impeded engagement with a "Black construction of fascism" that is alternative, indeed antithetical, to a "euphonious recital of fascism" in mainstream theorization of the phenomenon (Robinson, "Fascism" 149). (10) Drawing on Hayden White's critical anatomy of Western historiography, Robinson surveys the platitudes and incoherencies of contemporary academic analyses of fascism to reveal a founding conceit or forgery, namely "the historical manufacture of fascism as a negation of Western Geist," the dark side of Western civilisation--in an "exemplary narrative" where the fascist nemesis confirms the essential superiority of Western liberalism, confirming "the existence of the epistemic West" and the "philosophic identity between Western civilization, Western culture, and human destiny" (152). Conversely, from the perspective of non-Western peoples and black radical movements, as Cesaire had crystallised in his Discourse, fascism, "was no more an historical aberration than colonialism, the slave trade, and slavery. Fascism was and is a modern social discipline [of domination] which much like its genetic predecessors, Christianity, imperialism, nationalism, sexism, and racism, provided the means for the ascent to and preservation of power for elitists" (Robinson, "Fascism").

But, in keeping with the argument articulated in Black Marxism regarding the autonomy of a black radical tradition from Marxist theory, Robinson is compelled to argue that most Black radical theorists of fascism (including C.L.R. James, George Padmore, and to an extent even Oliver Cromwell Cox) remained captive to the "Euro-Marxist construction of fascism" (11) ("Fascism" 155) that subordinates the civilizational and racializing continuities between Western colonialism and fascism to economic determinism and class consciousness. The signal exception to this, for Robinson, was W.E.B. Du Bois, who affirmed "the cultural identity between fascism and the putative democracies" (156), anticipating Cesaire in his assertion that "the precondition for fascism was a civilization profoundly traumatized by slavery and racism" (157). (12) Yet there is something both intriguing and symptomatic about Robinson's concluding reflection about the fact that Du Bois's most forceful and resonant account of the continuity between the history of white racism and fascism "paradoxically ... coincided with that moment when Du Bois was most influenced by Marxism" ("Fascism"). Was this really a paradox? Du Bois's own account two decades earlier of the "African roots" of World War 1 had established a nexus between capitalist imperialism and racist oppression remarkably consonant with Lenin's contemporaneous treatment of imperialism; (13) similarly, the pioneering account of autonomous black agency (the slaves' "general strike") and insight into the capitalist infrastructure of racism in Black Reconstruction in America amply demonstrate that grasping the racial and capitalist origins of the West's disciplines of domination was an abiding concern for Du Bois. To say, with the latter, that "the essence of fascism was racial" is thus only persuasive as long as this is not in opposition to the notion that the essence of fascism was "also" capitalist. (14) In other words, it is only if "racial capitalism" is not reduced to a cultural or civilizational determinant of that massive if spectral discursive entity that is "the West" that it can be articulated to the new phenomenologies of fascism that the likes of Jackson and Davis sought to explore--in ways that did not sunder insurgent black movements and Marxist theories, however "stretched."

The recovery of 1970s debates so often stigmatised for their exaggerations is not here an argument for a simple return to the fascist problematic forged by Black political prisoners and theorists. Notwithstanding the tenacious link between incarceration, racism and capitalist power, historical disanalogies remain evident, not least in the fact that contemporary authoritarianism is, alas, not best approached in terms of its prevention of or reaction to revolutionary trends (though we could certainly see it as a response to reformist ones). It also does not harm to recall Stuart Hall's warning, in presenting his analyses of Thatcherism and authoritarian statism, about the problematic pleasures of a certain antifascism: There is a sense in which the appearance of organized Fascism on the political stage seems to solve everything for the Left. It confirms our best-worst suspicions, awakening familiar ghosts and spectres. Fascism and economic recession together seem to render transparent those connections which most of the time are opaque, hidden and displaced. Away with all those time-wasting theoretical speculations! ... What we have to explain is a move toward 'authoritarian populism'--an exceptional form of the capitalist state--which, unlike classical fascism, has retained most (though not all) of the formal representative institution in place, and which at the same time has been able to construct around itself an active popular consent. (15)

Visible fascists can distract us from more enduring and regressive transformations, Hall suggests, while their absence can also serve to minimise profoundly violent and "fascistic" mutations in the state that may be invisible to the self-designated majority while being visited on the most vulnerable, as Davis intimates. But are we to remain stuck, when thinking our present, in an alternative between two positions, both seemingly compatible with the persistence of liberal-democratic institutions, however distorted and corrupted? On the one hand, fascists without fascism (the UK in the late 1970s according to Hall), on the other, fascism without fascists (which could be a way of defining the US in the 1970s, from the vantage point of its Black political prisoners). Perhaps to bridge this antinomy we need to reflect on the connection between the forms of "incipient fascism" identified by Davis--in the specific US case the normalisation of forms of terror and extreme repression against racialised and subaltern populations--and the emergence of explicitly fascistic movements and ideologies; to think about the mediations between the extreme levels of classed and racialised violence that accompany actually-existing liberal democracies (think, for instance, of the so-called "migration crisis") and the emergence of movements and ideologies which paradoxically argue that state and culture have been occupied by the Left, that racism is now meted out against formerly dominant ethno-national majorities, and that deracinated elites have conspired with the wretched of the earth to destroy properly "national" populations who can only be rescued by a revanchist politics of security and protectionism.

In an essay written in the wake of the 1992 L.A. uprising, Ruth Wilson Gilmore presciently bridged the black radical theories of fascism forged amid the crushed revolutions of the 60s and 1970s with the analysis of the mutations of racial capitalism in the age of so-called neoliberalism. Combining Robinson's internationalism with Jackson and Davis's insistence on the analysis of capital, Gilmore argued that reckoning with the terror waged by the US "crisis state" demands thinking its articulation with a geoeconomic order in which the United States was losing hegemony and the capacity for a pacifying redistribution of imperial dividends. Continuing in the tradition of Du Bois's historical audit of the "psychological wages of whiteness," Gilmore mediates the revanchist white supremacist ideologies crystallised around the trial of the LAPD officers who brutalised Rodney King and the impasse experienced by US imperialism and capitalist hegemony. (15) White nationalism here appears as a crisis ideology, which is also to say a revanchist victimology haunted by demotion and loss, "the idea and enactment of winning, of explicit domination set against the local reality of decreasing family wealth, fear of unemployment, threat of homelessness, and increased likelihood of early, painful death from capitalism's many toxicities" (Gilmore, "Austerity" 27). Racial ideologies do political economic work, as civilisational narratives fuelled by ressentiment find outlets in policy platforms, exploiting "the need for an enemy whose threat obliges endless budgetary consideration"--as writ large in the ensuing trajectory of mass incarceration (30). (16) At levels which are at once affective, ideological, political-economic, and international, incipient fascism returns here as the negative horizon of an anti-capitalist politics of liberation or abolition set against racial capitalism and its authoritarian investments. As Gilmore noted, in terms that continue to resonate with the present: "the very crisis which we must exploit--the raw materials of profound social change--is the tending toward fascism through the romance of identity, forged in the always already of the American national project. Our work is to rearticulate our own connections in new (and frightening) forward-looking moves in order to describe, promote, organize, bargain in the political arenas" ("Austerity" 30).

As already occurred in past conjunctures in US history (Woodrow Wilson/the Klan/Birth of a Nation in the 1910s; George Wallace/Richard Nixon/the "Southern Strategy"/"Law and Order" in the late 1960s-early 1970s; Reagan and a far right surge in the early 1980s), the contemporary moment has witnessed the sinister connubium between mainstream neo-authoritarianism, on the one hand, and white nationalist or neo-fascist street and ideological movements, on the other--with the latter often functioning as incubator or intercessor for the former. (17) In attending to the recombinant and plural character of contemporary authoritarian politics it is worth reminding ourselves of some methodological lessons from prior militant inquiries into fascism, racism and the state. Especially pertinent to our moment is Poulantzas's warning not to expect ideological cohesion or univocity from fascist ideologies. On the contrary, what the Greek Marxist theorist termed the "popular impact" of fascism stemmed from its ability to modulate its discourse in order to enlist and energise different class fractions, thereby capturing, diverting and corrupting popular aspirations (Poulantzas 265). Or, as the playwright David Edgar observed in his brief anatomy of British fascism: "the very contradictions of the doctrine, and their irrational resolution, are at the core of its functional effectiveness as a mobilizer of support" (Edgar, "Racism" 112). (18) Now, whereas Poulantzas was analysing a historical fascism deliberately playing across class registers, the contemporary ecology of the authoritarian right--including in the multiplicity of its vectors of communication--can be seen to replicate fascism's "pluralism" in a less centralised form, allowing tactical and strategic convergences between authoritarian imaginaries that might seem incompatible "on paper." Approached from such a perspective, which highlights the composite character of fascism as a crisis ideology that accrues efficacy by dint of its contradictory character (which is not the weakness a rationalist left may take it to be), the presence within contemporary authoritarianism of neoliberal rationalities together with (racialized) nostalgia for the "working class" or aversions to "globalism" is less of an enigma than it might otherwise be.

Poulantzas's insight on fascism's discursive pluralism can be critically enhanced by attending to Black radical perspectives on fascism and authoritarianism, which force us to articulate, to think together what mainstream critical theory often compartmentalises. Thus, for instance, to treat racist authoritarian populisms primarily as "effects of neoliberal reason--its expansion of the domain and claim of the private for persons and corporations alike, and its rejection of political and social (as opposed to market) justice" (Brown 21), is to sever actually-existing neoliberalism from its imbrication with the changing imperatives of racial capitalism and the reconfigurations of the racial state into an "anti-state state." (19) To say that the "energies of aggrieved power" coalescing into contemporary neo-authoritarian and white nationalist ideologies "remained on the political fringe until recent years," namely until "a liberal or social democratic order" was sapped by neoliberal reason (22), is to imply a periodisation that would be largely unrecognisable to the Black radical theorists and movements explored above. First--and without discounting the way in which dimensions of liberalism or social democracy were shaped by Black struggles, at the same time as they were also constituted by hierarchies of difference--racist ideologies and practices were never on the "fringe," witness the fact that fascism became an object of intense theorising and signification in radical Black (as well as Asian and Latino) movements in the US in what is now retrospectively imagined as the heyday of liberalism. Second, the political emergence of neoliberalism as a discourse of state managers (rather than of an insurgent intellectual elite) under Reagan and Thatcher was profoundly if insidiously racialized from the start, and deeply shaped by the "law and order" agendas that developed in explicit antagonism to the radical insurgencies of the late 1960s and early 1970s. (20)

The Black radical perspectives on authoritarian politics briefly explored in this article can contribute to overcoming the methodological conceit that leads us to project typology onto history, treating "liberalism," "social democracy," "neoliberalism" or indeed "fascism" itself as political orders that can be exhaustively defined and recognized as operative in particular spaces and times. They can also contribute to breaking the repetition compulsion that underlies the debate on whether the present can be captured critically by analogy or comparison with (European interwar) fascism. (21) What happens if we recall Langston Hughes's suggestion that the fascism of the 1930s was a "new name" for a racial terror familiar to Black, as well as indigenous and colonized, peoples? What if the defamiliarizing "tilt shot" that such perspectives enact forces us to recognize that the political order is not "one," that, for instance, the US has at various points been "experienced as something uncannily similar [to fascism] by people of color living outside of its system of rights" (Vials, Hitler 165)? Fully assuming the differential, situated experience of authoritarian political orders and ideologies is the premise of a critical, reflective antiauthoritarian politics, one that confronts head-on the material blockages to coalitional possibilities, recalling George Jackson's incisive warning that "fascism takes any latent divisible forces and develops them into divisions in fact" (Soledad 237). (22) Indeed, it was precisely a coalitional horizon that led the Black Panthers, Brown Berets, Young Lords, the Asian-American Political Alliance and others in the late 1960s and early 1970s to turn to the organizing discourse of anti-fascism (Vials, Hitler 161 192). If one of the hallmarks of fascism as an inter-classist politics of domination--what I have termed its "pluralism" --is the cynical amalgam of contradictory aspirations, a fatuous fusion of differences, then a creative appropriation of anti-fascist and anti-authoritarian traditions today will perforce require working through the realization that domination is not homogeneously experienced because it is not homogeneously exercised. It is on this background too that we may work politically to rearticulate our connections. 


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Author's profile:
 
Alberto Toscano is Reader in Critical Theory, Dept of Sociology, and Co-Director of the Centre for Philosophy and Critical Thought at Goldsmiths, University of London. He is currently Visiting Faculty at the Digital Democracies Institute, School of Communication, Simon Fraser University. He is the author of Fanaticism: On the Uses of an Idea (2nd edn, Verso, 2017) and, most recently, of the introduction to the new edition of Leo Lowenthal and Norbert Guterman's Prophets of Deceit (Verso, 2021). He is a member of the editorial board of Historical Materialism and editor of the Italian List for Seagull Books. Email: <alberto.toscano77@gmail.com>

(1) On Toni Morrison's reflections on fascism, see Ferguson ("Siege").

(2) This was the first publication of the letter in any language. On Derrida's reply to Genet, see Rasmussen and Williams (1-22).

(3) Vials & Mullen (271), editorial introduction to Penny Nakatsu's speech at the United Front against Fascism Conference, July 1969. See also the discussion of the "spatial metaphor" of fascism, understood as expanding out of racialized spaces of subalternity, abjection or second-class citizenship, in Vials (Hitler 159-193), Chapter 6: "United Front Against Genocide: African American Antifascism, the Black Panthers, and the Multiracial Coalitions of the Late 1960s."

(4) On this speech and Genet's relation to the Panthers, see Frost.

(5) See also Cleaver (8).

(6) The question of the new modalities of fascism is a leitmotiv in the writings from Marcuse's last decade, which sees him sometimes stressing, as in this passage, the objective possibility of a new fascism, and at others soberly noting the limited if real freedoms that residually survive in liberal capitalist democracies. A particularly striking formulation of the problem, with special reference to the US, is provided in a short piece written by Marcuse at the request of Le Monde diplomatique on the 200th anniversary of the American Declaration of Independence. There, Marcuse concludes his reflections as follows: "Today, the initiative is with the other side: totalization of controls. A new social system may well be in the making: a neo- or semi-fascist regime on a broad popular basis. There are signs pointing in this direction: the narrowing of the possibilities of capital expansion, the growth of the dependent population, the alliance of Mafia and legitimate business, the spread of violence, continued racism, the concentration of the weapons of annihilation in the hands of the powers that be, the pervasive corruption of the democratic process. Against the specter of a fascism American-style, the Left is waging an uphill fight: divided in itself, without effective organization. Its main weapon is still political education--countereducation--in theory and practice: the slow painful process of making people aware of the fact that the repressions required for maintaining the established society are no longer necessary, that they can be abolished without being replaced by another system of domination" ("Diplomatique" 360).

(7) See also Davis ("Political" 37); as well as the extensive discussion of the nexus of racism and incipient fascism in the US (with special focus on both its judicial dimensions and the racist nature of the Vietnam war) in Davis ("Oppression and Repression").

(8) Half a century on, Davis insists on the relevance of the category of fascism, and its character as a reaction to Black liberation struggles: "The outcome of the US presidential elections in 2016 would have been different if not for tendencies that are, unfortunately, best described as "fascist." ... Fascist tendencies that have become apparent today have been produced from within the liberal democracies of Europe and the Americas. As I have said, the structural racism that has characterized the United States since the very beginning of its history has been one of the primary internal contradictions to democracy. On the other hand, every moment of considerable progress, where democracy is concerned, has emanated from Black people's struggles against racism. Political forces of conservatism and reaction have always relied on racism and, as has been evident in the recent period, the ultranationalism represented by the current president is anchored in a fascist notion of the nation that calls for exclusionary strategies that are racist and Islamophobia" ("Interview" 209-10). Davis's reference in her recent discussion of fascism remains Marcuse, in particular his 1934 essay "The Struggle against Liberalism in the Totalitarian View of the State."

(9) Cited in Rodriguez (141).

(10) This essay is a pendant to Robinson's earlier excavation of the autonomy of black anti-fascist movements in the context of mobilizations around the invasion of Ethiopia by Fascist Italy, see Robinson ("Fascism" 87-109). Robinson's conclusions to his historical investigation are worth quoting: "For many if not most Blacks, the historical significance of fascism was clear: at home it foreshadowed the descent of liberalism and even the faint suggestion of racial tolerance; elsewhere it meant the destruction of even the symbols of racial liberation. Stung by the co-option of much of their leadership in the business of domination and exploitation, and effectively abandoned by the Left and the enlightened faction of American capital, they withdrew to their own council. With an immediacy which can only be understood as the result of immanent political consciousness and tradition, they mobilized to resist Fascism. The number and variety of their responses so quickly mobilized on three continents provide evidence of their historical consciousness" (106).

(11) For a judicious and sympathetic criticism of Robinson's efforts to make the Black radical tradition incongruent with Marxist theory, see Makalani (12-15).

(12) On the affinities between Cesaire's discourse and Robinson's reflections on black anti-fascism, see Kelley ("Anticolonialism" 20-21). See also Kelley (Imagination 55-57). See also the illuminating exploration of the historical nexus between the "preventive wars" waged by US imperialism and the fascist potentialities inherent to settler-colonialism and slavery in Singh. Singh writes: "Poet Langston Hughes once described the casualties of U.S. expansion, slavery, and segregation as the victims of 'our native fascisms'; as careful scholars affirmed, fascism was largely a deviation of democratic regimes. Thus, while democratic liberalism continually reimagines fascism as its monstrous Other, fascism might be better understood as its doppelganger or double--an exclusionary will to power that has regularly re-emerged, manifesting itself in: (1) those zones of internal exclusion within liberal-democratic societies (plantations, reservations, ghettos, and prisons); and (2) those sites where liberalism's expansionist impulse and universalizing force has been able to evade its own 'constitutional restraints' (the frontier, the colony, the state of emergency, the occupation, and the counterinsurgency)" (79).

(13) See my "'America's Belgium: W.E.B. Du Bois on Class, Race, and the Origins of World War I.'"

(14) Robinson's passing account of fascism in Black Marxism is more effective in mediating class rule and racial ideology than his essay on Black theorists of fascism. As he writes: "the marshaling of national social forces (peasants, farmers, workers, clerics, professional classes, the aristocracy, and the state) was accomplished by the ideological phantasmagoria of race, Herrenvolk, and nationalism. This compost of violence, in its time, became known under the name of fascism. With the creation of fascism, the bourgeoisie retained the full range of its social, political, and economic prerogatives. It had the cake of the total control of its national society, an efficient instrument for expanding its domination and expropriation to the Third World, and the ultimate means for redressing the injuries and humiliations of the past. Again, not unexpectedly, slavery as a form of labor would reappear in Europe." See Robinson (Tradition 20-21).

(15) It is worth noting that the 1970s and early 1980s saw the surge of the "Third Klan" and a confluence between traditional vehicles for white supremacy and various neo-Nazi formations, which in turn shaped Black radical and far Left anti-fascist practice and theory. See Kelley ("Foreword"). For the ways that this conjuncture shaped the theorizing of fascism in the anti-racist and new communist Left, see Lawrence (289-299) and Saba.

(16) See especially Gilmore ("Keynesianism" 171-187); Gilmore ("Violence"); Gilmore ("Prisons").


(17) As Burley observes: "A decline of the Alt Right is not a decline in the threat of fascism, in fact, it could simply be momentary projection of what is to come. Now is the time to watch for how the Alt Right will try to refashion itself, how its leadership class will adapt to new conditions. But of greater concern still is the way white nationalism informs and will inform the state, and how it responds to migration in a global crisis of climate catastrophe and economic collapse. The Alt Right gave the state extra license to resort to racist violence as a solution to its problems, and just as in fascist movements past the state found the relationship with extra-state groups synergistic." For a forensic chronicle of how white nationalism embedded itself into the executive branch under Trump, see Hayden. See also Stern.

(18) For Edgar, however, it remained vital in the late 1970s and early 1980s to distinguish, politically and analytically, between neo-fascist movements and the racist state. As he argued, after 1979 (the date of the defeat of the National Front in the UK elections that brought Thatcher to power), "practically, politically, and sociologically the fascist right was an exclusive, excluded phenomenon, that ... had to be considered and fought separately from the racist machine of the state"--though he did not exclude echoes of the former in the latter. See David Edgar ("Fascism" 4).


(19) "One of the results of contemporary racial capitalism's relentlessly restructured state-institutional capacities, and the discourses and practices that combine to enliven them, is 'the anti-state state'--governmental capacity dominated by mainstream parties and policies that achieve power on the platform that states are bad and should shrink" Gilmore ("Abolition" 235).

(20) It is also worth noting that within intellectual neoliberal collectives themselves explicitly authoritarian and racist currents were also active. Tracing these currents, it becomes possible to see how "right-populist thought as not so much a backlash against neoliberalism but the realization of possibilities latent within it" (Slobodian 374).

(21) For a recent, perspicuous example of this genre, see Samuel Moyn, "The Trouble with Comparisons." NYR Daily, 19 May 2020, available at: https://www.nvbooks.com/dailv/2020/05/19/the-trouble-with-comparisons/. What we have tried to sketch out here is precisely the non-comparative character of black radical theories of fascism.

(22) On fascism as an apparatus of division, see also Davis ("Oppression and Repression in the US.")

by Alberto Toscano
Goldsmiths, University of London
 
Copyright: COPYRIGHT 2021 Purdue University Press
http://docs.lib.purdue.edu/clcweb/

Source Citation

Toscano, Alberto. "Incipient Fascism: Black Radical Perspectives." CLCWeb: Comparative Literature and Culture, vol. 23, no. 1, Mar. 2021, p. NA. Gale Literature Resource Center, link.gale.com/apps/doc/A664550456/LitRC?u=sfpl_main&sid=googleScholar&xid=cff06118. Accessed 11 Mar. 2024.