The Panopticon Review: FASCIST AMERICA 2026: The Widespread and Highly Coordinated Assaults And Targeted Perversions Of Our Human, Constitutional, and Civil Rights Are the Defining Ideological, Political, Economic, Cultural, Moral, Ethical and Philosophical Foundations Of the Raging U.S. Fascist Regime Led, Engineered, and Administered Via Endless Lies, Relentless Government Propaganda, Institutional Coercion, and State Sanctioned Violence by The Massive Criminality and Sadistic Lawlessness Sponsored, Represented, Carried Out, and Endorsed by Donald Trump, the GOP, ICE, 21st Century Technocracy, the Billionaire Class, and MAGA (among many other deeply malevolent and extremely well financed forces in both the domestic and foreign spheres of American civil and political society) --PART 2

Friday, June 26, 2026

FASCIST AMERICA 2026: The Widespread and Highly Coordinated Assaults And Targeted Perversions Of Our Human, Constitutional, and Civil Rights Are the Defining Ideological, Political, Economic, Cultural, Moral, Ethical and Philosophical Foundations Of the Raging U.S. Fascist Regime Led, Engineered, and Administered Via Endless Lies, Relentless Government Propaganda, Institutional Coercion, and State Sanctioned Violence by The Massive Criminality and Sadistic Lawlessness Sponsored, Represented, Carried Out, and Endorsed by Donald Trump, the GOP, ICE, 21st Century Technocracy, the Billionaire Class, and MAGA (among many other deeply malevolent and extremely well financed forces in both the domestic and foreign spheres of American civil and political society) --PART 2

Nina Simone (1933-2003)

"There's no other purpose, so far as I'm concerned, for us except to reflect the times, the situations around us and the things we're able to say through our art, the things that millions of people can't say. I think that's the function of an artist and, of course, those of us who are lucky leave a legacy so that when we're dead, we also live on. That's people like Billie Holiday and I hope that I will be that lucky, but meanwhile, the function, so far as I'm concerned, is to reflect the times, whatever that might be."

Editor's Bio

Kofi Natambu, editor of The Panopticon Review, is a writer, poet, cultural critic, and political journalist whose poetry, essays, criticism, reviews, and journalism have appeared in many literary magazines, journals, newspapers, and anthologies. He is the author of a biography MALCOLM X: His Life & Work (Alpha Books) and two books of poetry: THE MELODY NEVER STOPS (Past Tents Press) and INTERVALS (Post Aesthetic Press). He was the founder and editor of SOLID GROUND: A NEW WORLD JOURNAL, a national quarterly magazine of the arts, culture, and politics and the editor of a literary anthology NOSTALGIA FOR THE PRESENT (Post Aesthetic Press). Natambu has read his work throughout the country and given many lectures and workshops at academic and arts institutions. He has taught American literature, literary theory and criticism, cultural history and criticism, film studies, political science, creative writing, philosophy, critical theory, and music history and criticism (Jazz, Blues, R&B, Hip Hop) at many universities and colleges. He was also a curator in the Education Department of Detroit’s Museum of African American History. Born in Detroit, Michigan, Natambu currently lives in Berkeley, California with his wife Chuleenan.

The Panopticon Review

Friday, June 26, 2026

Malcolm X (1925-1965)

W.E.B. DuBois (1868-1963)

Dr. Martin Luther King, Jr. (1929-1968)

James Baldwin (1924-1987)

Aimé Césaire (1913-2008)

Nina Simone (1933-2003)

Amilcar Cabral (1924-1973)

Angela Davis (b. 1944)

Duke Ellington (1899-1974)

Amiri Baraka (1934-2014)

Frederick Douglass (1817-1895)

Cecil Taylor (1929-2018)

Ella Baker (1903-1986)

Paul Robeson (1898-1976)

John Coltrane (1926-1967)

Miles Davis (1926-1991)

C.L.R. James (1901-1989)

Frantz Fanon (1925-1961)

Edward Said (1935-2003)

Antonio Gramsci (1891-1937)

Susan Sontag (1933-2004)

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